Showing posts with label Dominic Chambers. Show all posts
Showing posts with label Dominic Chambers. Show all posts

13/04/25

Dominic Chambers: For You: All the Color in the World @ Walls Off Washington at Saint Louis University

Dominic Chambers
For You: All the Color in the World
Walls Off Washington at Saint Louis University
On permanent view

Dominic Chambers Photograph
DOMINIC CHAMBERS 
outside SLU's Searls Hall
Photo by Bobby Best, courtesy of Kranzberg Arts Foundation

Dominic Chambers Artwork
DOMINIC CHAMBERS
For You: All the Color in the World
Photo by Bobby Best, courtesy of Kranzberg Arts Foundation

The Kranzberg Arts Foundation (KAF), in collaboration with Saint Louis University and the St. Louis Literary Award program, announced a new mural by acclaimed artist DOMINIC CHAMBERS

This mural, on the Walls Off Washington at Saint Louis University’s Searls Hall, explores the legacy of the Underground Railroad and highlights its significance in Missouri and the St. Louis region.

This initiative is closely tied to the 2025 St. Louis Literary Award, which honors Pulitzer Prize-winning author Colson Whitehead. Whitehead’s novel, The Underground Railroad, inspires the mural, creating a robust dialogue between literature, history and public art. The collaboration underscores a commitment to aligning the arts, education and historical reflection, fostering meaningful engagement with the local community.

The project aims to illuminate St. Louis’ historical connections to the Underground Railroad and offer a space for collective reflection and learning. Through a dynamic partnership with Saint Louis University, educators, students and the public will have opportunities to engage with the mural and related programming, including discussions on art, history and literature.

Born in St. Louis and residing and working in New Haven, Conn., DOMINIC CHAMBERS creates vibrant paintings that simultaneously engage art historical models, such as color-field painting and gestural abstraction, and contemporary concerns around race, identity, and the necessity for leisure and reflection. A writer himself, Dominic Chambers is often inspired by literature ­and has cited Magical Realism, alongside writings by W.E.B. Du Bois, Ralph Ellison, and James Baldwin, as significantly influential to his practice. Dominic Chambers received his B.F.A from Milwaukee Institute of Art and Design, Milwaukee, WI in 2016, and his M.F.A. from Yale University School of Art in 2019. In 2023, he was the subject of a solo exhibition at the Contemporary Art Museum St. Louis. 
"We are honored and overjoyed to welcome Dominic Chambers home to St. Louis for this significant public art project," said Gina Grafos, Chief Curator and Director of Visual & Literary Art at Kranzberg Arts Foundation. "Dominic’s work eloquently intertwines history, memory, and storytelling to create a dialogue that resonates deeply with our region. His new mural, 'For You: All the Color in the World,' draws on multifarious art historical influences and the transformative concept of the veil—a metaphor that invites us to reimagine the inner landscape of our shared experiences. His return is not only a celebration of his extraordinary artistic practice but also a powerful tribute to the vibrant narratives that shape our past and inspire our future. We could not imagine a more fitting artist to bring this vision to life."
The Walls Off Washington mural initiative, a project of the Kranzberg Arts Foundation, continues to serve as a platform for large-scale, thought-provoking works that reflect St. Louis's cultural and historical fabric. 

KRANZBERG ARTS FOUDATION
St. Louis, Missouri

SAINT LOUIS UNIVERSITY
St. Louis, Missouri

THE WALLS OFF WASHINGTON
St. Louis, Missouri

17/10/24

Dominic Chambers @ Lehmann Maupin, London - "Meraki" Exhibition

Dominic Chambers: Meraki
Lehmann Maupin, London
October 8 – November 9, 2024
When the sprites of ideas enter the studio and marry themselves to resolve of the artist committed to fully realizing them, one enters the summoning world—a state of creative immersion, that inner greenfield home to those things that shimmer: ideas, memory, dreams, and bodies without form or language, and perhaps angels live there too.
Dominic Chambers
Lehmann Maupin presents Meraki, an exhibition of new work by American artist Dominic Chambers, in the gallery’s permanent space at Cromwell Place in London’s South Kensington neighborhood. Marking the artist’s first solo presentation in the United Kingdom, Meraki spans two floors and includes expansive paintings, brightly colored studies, and several works on paper. Dominic Chambers, born in St. Louis, MO and currently based in New Haven, CT, is best known for his vivid, colorful paintings that frequently depict scenes of leisure and contemplation as a mode for exploring ideas of personal interiority. In this exhibition, the artist expands his lens to the realm of devotion, engaging themes of inspired connection to work, art, and the natural world.

In creating his latest body of work, Dominic Chambers took the idea of meraki, a Greek word meaning “to pour one's soul into one's work,” as an origin point. As the title of the exhibition, Dominic Chambers uses this concept as a frame of inquiry, contemplating what it might mean to pour oneself into a creative endeavor and how the concept of the soul, or one’s own interiority, can intersect with ideas of devotion. These themes are poetically illustrated in The Summoning World (Studio Angel) (2024), a large-scale painting that blends the artist’s studio with a serene landscape, populated by a single, reclining angel. Chambers identifies this angel as Gabriel, of the Annunciation to the Virgin Mary, referencing the long tradition of angels functioning as messengers. Often acting as divine intermediaries bearing important news or a spark of inspiration, the figure of the angel has appeared for centuries across religious texts, literature, and art history—from the work of Leonardo Da Vinci to that of Kerry James Marshall. While Dominic Chambers’ warm, yellow-orange tones in The Summoning World (Studio Angel) suggest the golden settings of Fra Angelico, the scene, which is hung with artworks in various states of completion, also recalls Henri Matisse’s The Red Studio (1911). Astute viewers note that some of the paintings depicted can be found hanging in the gallery exhibition. Here, Chambers places the painter in the role of the summoner, bringing images and objects into the material world from another realm. 

Dominic Chambers also looks to the natural world as a space of devotion and replenishment. In his new Thunderscape (2024) series, the artist depicts minute figures amidst landscapes of rolling hills and colossal trees, with each canvas drenched in rich, vibrant color. These works in particular reveal the influence of Magical Realism in Chambers’ practice—in naming the series, he envisioned a surreal vista, where the shadows from tree branches became lightning bolts. In this world, the electrified landscape comes alive with sound, creating the titular thunderscape. 

Dominic Chambers’ Thunderscapes also feature flying kites, some tethered, others autonomous, racing through the skies. These kites recall those in the paintings in his exhibition Leave Room for the Wind, which opened at Lehmann Maupin New York in early 2024. Their presence in the Thunderscapes series suggests they have escaped those picture planes to enter new canvases; they function as avatars, for either the artist or the creative spirit, time traveling across exhibitions and bodies of work. 

Throughout Meraki, Dominic Chambers expands his explorations of leisure and interiority begun in earlier exhibitions—from the mental and physical leisure seen in Soft Shadows (2022) to the kinetic leisure in Leave Room for the Wind. In Meraki, he finds a new site for the replenishment of personal interiority in devotion, considering the spiritual as well as the bodily and intellectual, painting beyond the figurative and capturing the psyche. 

LEHMANN MAUPIN LONDON
1 Cromwell Place, South Kensington, SW7 2JE London

17/05/24

Luce Gallery, Turin: Fifteen Years Anniversary exhibition

Fifteen Years, Dominic Chambers, Ryan Cosbert, Robert Davis, Derek Fordjour, Connie Harrison, Yowshien Kuo, Hugo McCloud, Johanna Mirabel, Peter Mohall, Demarco Mosby, Ludovic Nkoth, Collins Obijiaku, Zéh Palito, Francesco Pirazzi
Luce Gallery, Turin
16 May - 18 June 2024

Luce Gallery presents a special anniversary group exhibition, Fifteen Years.

This show celebrates the gallery's milestone and features new works by a selection of the artists we work with, including Dominic Chambers, Ryan Cosbert, Robert Davis, Derek Fordjour, Connie Harrison, Yowshien Kuo, Hugo McCloud, Johanna Mirabel, Peter Mohall, Demarco Mosby, Ludovic Nkoth, Collins Obijiaku, Zéh Palito, and Francesco Pirazzi. The exhibition showcases the incredible talent and diversity of artistic style of our artists, some of whom have been with us since the inception of our gallery, as well as recent additions to the program. This show honors our partnership and journey with these artists, whether they have already achieved career stardom or are just beginning to make their mark. Fifteen Years offers a profound moment of pride and reflection, encapsulating Luce Gallery's mission to discover and support international emerging artists, enriching our ever-expanding gallery program.

With director and founder Nikola Cernetic at the helm, Luce Gallery's mission has always been to seek out new talent and provide spaces for their artworks to gain a wider audience. In a recent interview, Nikola Cernetic explained:
"I opened Luce Gallery in a very romantic way, and to this day, that spirit persists. I've never chosen an artist solely for a commercial reason; I ask them to join my program because I love and believe in their work and vision. Searching for these artists and being the first to discover them is perhaps the most interesting and rewarding part of my job as a gallerist. What distinguishes Luce from other galleries today is really our strong program of international artists and consistent discovery of new artists."
Over the years, the gallery's roster has been assembled to include artists from more than eight countries, including many hailing from the United States. The program currently excels at painting, displaying the full breadth of this medium from dynamic abstraction to hyperrealism, palpable textures to seemingly invisible brushstrokes, and often incorporates elements of mixed-media or collage used to heighten conceptual meanings. With a strong focus on providing under-recognized artists with a platform to exhibit and a partnership to provide support, we are always searching for unique talent with a distinctive quality from around the globe and in every medium.

To date, the gallery has hung seventy-seven exhibitions, participated in sixty-five art fairs across Europe and North America, and helped organize several well-received institutional shows for our artists, including a recent solo show of Zéh Palito's work at the Museo de Arte Contemporáneo Querétaro in Mexico. Luce Gallery has distinguished itself through its unwavering commitment to emerging artists for fifteen years, and this show encapsulates that vision.

Included in the nineteen newly made artworks on view are a selection of works by artists who have collaborated with the gallery the longest, including a 1970's inspired portrait by Robert Davis, two floral still-life paintings —composed with his signature single-use plastic technique—on panel by Hugo McCloud, a tranquil leisure landscape by Peter Mohall, and featuring a playful sculpture by Derek Fordjour of upturned legs precariously balancing a glass yellow ball. In recent years, other noteworthy artists such as Dominic Chambers, Ryan Cosbert, Yowshien Kuo, Johanna Mirabel, Demarco Mosby, Ludovic Nkoth, Collins Obijiaku, and Zéh Palito have joined the fold. Each brings a distinct 'language' of painting incorporating elements of surrealism, portraiture, and abstraction, expressing the complexities of race, gender, humanity, and memory. Additionally, the newest members to the program include two artists inspired by the landscape, Connie Harrison creating dense abstracted gardens both painted and excavated from oil and wax layers, and Francesco Pirazzi harnessing the mysterious nature of light in a surrealist style, with both artists debuting their solo shows later this year.

When viewed collectively, the artworks in Fifteen Years narrate a tale of the strength of Luce's program and the significance of the gallerist-artist relationship. Here, their devotion to creation is matched with our belief in their talent and abilities. We would also like to reserve a moment to thank our collectors—small and institutional—who have supported both our artists and this gallery's vision every step of the way. Thank you for joining Luce Gallery as we embrace this milestone with open arms and toast to now and to the next Fifteen Years! Salute!

ARTISTS

Dominic Chambers (American, b.1993) is a New Haven-based artist originally from St. Louis, Missouri. He paints introspective scenes that illustrate both the interior and exterior self and how this duality co-exists using a bold, vibrant palette. Chamber's surrealist-inspired work draws on both historical and art historical references and is grounded in his experiences as a Black man.

Ryan Cosbert (American, b.1999) is a Brooklyn-based conceptual artist working in abstraction. Her work draws from her Haitian and Guyanese heritage, humanistic experiences, self- expression, political issues, and rigorously researched historical narratives of the African diaspora. Cosbert skillfully explores the repercussions of subjugation and oppression experienced by the Black community, often shedding light on overlooked Black historical figures, shared experiences, and profound beliefs.

Robert Davis (American, b.1970) was born in Virginia and currently lives and works in Brooklyn, NY. His hyperrealistic paintings and drawings depict nostalgic scenes from the 1970s, often recalling images from popular culture or his vivid childhood memories. Davis' work invites viewers to reflect on the past, encouraging them to form deep personal connections to the subjects and spaces he portrays.

Derek Fordjour (American, b.1974) is an interdisciplinary artist of Ghanaian heritage who works across painting, sculpture, collage, video/film, and installation. Inspired by athletes, musicians, performers, and other Black cultural creators, Fordjour's artworks explore the vast physical possibilities of the human body while anchoring each subject within a broad social commentary. His works feature colorful, textural surfaces paired with energetic subjects, creating a seamless blend of physicality and conceptuality that evokes complex emotions.

Connie Harrison (British, b.1993) is a painter based in London who specializes in vibrant abstracted landscapes. Her technique involves overlaying multiple compositions of oil paint and wax, which she then carves to reveal underlying depths. This process serves as a metaphor for nature's natural rhythms and life cycles. As Harrison works, different parts of the surface evolve in texture, opacity, and color, creating movement and adding physical depth to the painting, as if simulating growth.

Yowshien Kuo (American, b.1985) is a St. Louis-based painter whose surrealist work blends his experiences as a Taiwanese American with historical references that comment on social and racial inequality, cultural constructs, sexuality, and the human condition. Incorporating Asian- American figures with American Western undertones, Kuo conveys universal experiences and traditions through detailed narratives and symbolism.

Hugo McCloud (American, b.1980) is a self-taught artist based in Los Angeles. Drawn to unconventional materials, he creates detailed representational works using his technique of 'painting' with single-use plastic bags that fuse industrial products with traditional painting, collage, and printmaking techniques. By using ubiquitous materials like single-use plastic, both McCloud's materials and subject matter directly address issues of labor, geopolitics, and environmental concerns, providing us with a deeper connection to our humanity.

Johanna Mirabel (French, b.1991) is a Paris-based painter whose work explores the intimate connection between our inner thoughts and interior spaces. By combining symbolic hues, tropical plants, household objects, and suggestions of exterior spaces with detailed portraits, the artist creates deeply intimate works that explore the immersive and transportive experience of recalling a memory. Her work draws from her French Guyanese and Martinique-Guadalupe heritage, sociological and philosophical writings, and historical references to Western art.

Peter Mohall (Swedish, b.1979) is a Swedish-born, Norwegian-based artist working in painting. His work explores the history and medium of painting as a subject and how each element contributes to our rich emotional experiences. His scenes of leisure, with picturesque Scandinavian backdrops, are painted on tactile jute surfaces with rich, palpable colors. Mohall further invites viewers into his artistic process by neatly arranging each color from his palette onto his signature acrylic brushstroke casts.

Demarco Mosby (American, b.1991) is a New York City-based figurative painter originally from Kansas City, Missouri. His work is narrative-based and uses the human figure to mirror and reveal the weight and complexity of life's everyday tribulations. By incorporating his symbolic vocabulary of objects like birds, ropes, rocks, and tumultuous landscapes into each composition, Mosby creates layered narratives that aptly visualize the complexity and disorientation of our emotional states.

Ludovic Nkoth (Cameroonian-American, b.1994) is a Cameroonian-American painting artist who now lives and works in New York. Known for fluid figurative works created with undulating heavy brushstrokes, Nkoth infuses his personal life as a Black immigrant with ruminations on family history, tradition, and the legacy of colonialism onto the canvas to manifest the essence of the Black experience.

Collins Obijiaku (Nigerian, b.1995) is a self-taught artist based in Abuja, Nigeria. He employs portraiture to examine the depths, truths, and complexities of humanity, using friends, family, and locals as his sitters. Each expressive gaze is further accentuated by his signature winding charcoal line work, which weaves throughout the sitter's face, reminiscent of 'mapping' their life journey.

Zéh Palito (Brazilian, b.1986) is a figure painter whose vibrant, joyful works celebrate Black culture. With studios in both Baltimore, MD, and Sao Paulo, Brazil, Palito researches neglected histories and gives them visibility in the canon, with each figure represented as a confident protagonist. His work is embedded with details referencing popular culture and traditional Brazilian fruits and flora to further radiate both beauty and joy.

Francesco Pirazzi (Italian, b.1994) is a painting and drawing artist who lives and works in Turin, Italy. His surreal yet quiet Italian-inspired land and cityscapes explore the profound power of light, using it to refocus the viewer's experience of reality to evoke both familiar and mysterious sensations.

LUCE GALLERY
Largo Montebello, 40 - 10124 Torino