Showing posts with label estimate. Show all posts
Showing posts with label estimate. Show all posts

07/09/25

Visual Language: The Art of Irving Penn - Auction @ Phillips, New York

Visual Language: The Art of Irving Penn
Phillips, New York
Auction viewing: 30 September – 7 October 2025
Auction: 8 October 2025

Irving Penn
Irving Penn
Mouth (For L’Oréal) (A), New York, 1986
© The Irving Penn Foundation, © Condé Nast
Estimate: $200,000 – 300,000

Irving Penn
Irving Penn
Harlequin Dress (Lisa Fonssagrives-Penn), New York, 1950
© The Irving Penn Foundation, © Condé Nast
Estimate: $200,000 – 300,000

Irving Penn
Irving Penn
Ginkgo Leaves, New York, 1990
© The Irving Penn Foundation, © Condé Nast
Estimate: $200,000 – 300,000

Phillips will host Visual Language: The Art of Irving Penn, a landmark auction of photographs and artworks from The Irving Penn Foundation. This standalone sale, featuring photographic prints and paintings that Penn made during his seven decades-long career, marks the first time that the foundation has offered the artist's work through auction. This historic event will celebrate Penn’s remarkable talents, highlighting his unique vision and masterful craftsmanship across a variety of photographic print processes. The 70-lot sale will take place on 8 October 2025 ahead of Phillips' seasonal Photographs sale on 9 October.
Tom Penn, Executive Director of The Irving Penn Foundation, said, “As stewards of Irving Penn's artistic legacy since 2010, this auction is a pivotal moment for The Irving Penn Foundation as we aspire to expand our charitable and educational program. My father would say to me, ‘whatever you do in life, do it with complete passion.’ It was with passion that he sought excellence in everything he did, and each object included in this sale reflects the innovation and exactitude that defined Penn’s practice. The artworks selected for the auction span the range of mediums and subjects Penn explored across his career, presenting rarely seen images alongside his most well-known photographs that provide a new perspective on the diversity of his production. Through this carefully considered sale, we demonstrate Irving Penn's mastery and enduring influence in the field of photography.”
Irving Penn
Irving Penn
Black and White Hat, New York, 1950
© The Irving Penn Foundation, © Condé Nast
Estimate: $25,000 – 35,000

Irving Penn
Irving Penn
Untitled, circa 1987
© The Irving Penn Foundation, © Condé Nast
Estimate: $30,000 – 50,000

Irving Penn
Irving Penn
Miles Davis Hand on Trumpet,
New York, 1986
© The Irving Penn Foundation, © Condé Nast
Estimate: $70,000 – 90,000

Irving Penn
Irving Penn
Télégraphiste, Paris, 1950
© The Irving Penn Foundation, © Condé Nast
Estimate: $30,000 – 50,000

Irving Penn was one of the 20th century’s most significant photographers, known for his arresting images, technical mastery, and quiet intensity. Though he gained widespread acclaim as a leading Vogue photographer for over sixty years, Penn remained a private figure devoted to his craft. Trained under legendary art director Alexey Brodovitch in Philadelphia, he began his career assisting at Harper’s Bazaar before joining Vogue in 1943, where editor and artist Alexander Liberman recognized Penn’s distinctive eye and encouraged him to pursue photography. Penn’s incomparably elegant fashion studies reset the standard for the magazine world, and his portraits, still lifes, and nude studies broke new ground. His 1960 book Moments Preserved redefined the photographic monograph with its dynamic layout and high-quality reproductions. In 1964, Penn began printing in platinum and palladium, reviving this 19th-century process to serve his own distinct vision. He was one of the first photographers to benefit from the burgeoning fine art photography market of the 1970s, and he earned a growing following of collectors and curators leading to major exhibitions at The Museum of Modern Art, The Metropolitan Museum of Art, Moderna Museet, Stockholm, Art Institute of Chicago, and National Portrait Gallery, London, among many other institutions.

Irving Penn
Irving Penn
Irving Penn in a Cracked Mirror (Self-Portrait) (A)
New York, 1986
© The Irving Penn Foundation, © Condé Nast
Estimate: $25,000 – 35,000

Irving Penn
Irving Penn
Mud Glove, New York, 1975
© The Irving Penn Foundation, © Condé Nast
Estimate: $50,000 – 70,000

Irving Penn
Irving Penn
Three Tulips ‘Red Shine’, ‘Black Parrot’, ‘Gudoshnik’
New York, 1967
© The Irving Penn Foundation, © Condé Nast
Estimate: $70,000 – 90,000

Irving Penn
Irving Penn
Marriageable Young Woman of Imilchil, Morocco, 1971
© The Irving Penn Foundation, © Condé Nast
Estimate: $20,000 – 30,000

An innovator in every sense, Penn’s approach to photography was bold. Few photographers of his generation experimented as widely with both conventional and historic print processes, and none achieved Penn’s level of excellence in all. Phillips’ auction will feature work in a variety of photographic media, including Penn’s bravura gelatin silver prints, such as Coffee Pot, nuanced platinum-palladium prints like Harlequin Dress (Lisa Fonssagrives-Penn), and rare dye-transfer prints, led by the iconic Ginkgo Leaves.
Vanessa Hallett, Phillips’ Deputy Chairwoman and Worldwide Head of Photographs, said, “Irving Penn was one of the foremost photographers of our time, standing alongside the great contemporary artists who have come to define the 20th-century art historical canon. Today, Penn’s vision and skill remain unequaled. Phillips is honored to work with the foundation in its 20th-anniversary year, shining a spotlight on Penn’s technical genius, creative process, and extraordinary output while presenting this groundbreaking work to a new audience. These works were preserved for decades by the artist and his foundation, hence their incredible provenance and condition. We are thrilled to provide a platform that educates the next generation of collectors on Penn’s impact, while assisting the foundation further its mission of preserving and advancing Penn’s legacy for years to come.”
Irving Penn
Irving Penn
Cracked Egg, New York, 1958
© The Irving Penn Foundation, © Condé Nast
Estimate: $30,000 – 50,000

Irving Penn
Irving Penn
Cigarette No. 37, New York, 1972
© The Irving Penn Foundation, © Condé Nast
Estimate: $150,000 – 250,000

Irving Penn
Irving Penn
Coffee Pot, New York, 2007
© The Irving Penn Foundation, © Condé Nast
Estimate: $20,000 – 30,000

Heralding an exceptional opportunity for collectors, many of the works selected from the foundation's archives have never before appeared at auction; this includes several examples from Penn's influential 1950 Black and White series for Vogue, and the large-scale four-panel platinum-palladium print of Mud Glove with typography advertising his 1977 Street Material exhibition at The Met. In addition to his work as a photographer, Irving Penn was also an accomplished painter and draftsman. For the first time at auction, Phillips will also showcase his work in these mediums, taking the opportunity to set forth the full range of this remarkable artist's creative output.

The Irving Penn Foundation was established in 2005 to promote knowledge and understanding of Irving Penn’s artistic legacy, including the diversity of techniques, mediums, and subject matters the artist explored. It is the largest repository of Irving Penn's work.

PHILLIPS NEW YORK 
432 Park Avenue, New York, NY 10022
Click here for more information: 

13/01/25

Phillips Evening & Day Editions Auction, London - Artists & Artworks Highlights

Phillips Evening & Day Editions Auction, London
Auction viewing: 17 January - 23 January 2025
Auction: 23 - 24 January 2025

Mel Bochner
Amazing, 2012
Estimate: £30,000 - 50,000
Photo © Phillips

Cy Twombly
Roman Notes II, from Roman Notes (B. 22), 1970
Estimate: £30,000 - 50,000
Photo © Phillips

KAWS
UPS AND DOWNS, 2013
Estimate: £30,000 - 50,000
Photo © Phillips

Phillips announces highlights from the Evening & Day Editions Auction, taking place in London on 23 and 24 January. Featuring over 240 works spanning the early 20th century to today, the sale brings together renowned printmakers and contemporary artists, including Banksy, Jasper Johns, and Jonas Wood. Additional highlights include works by Andy Warhol, including a dedicated section inspired by newspapers, alongside pieces by Gerhard Richter, Cy Twombly, KAWS, Yoshitomo Nara, David Hockney, and a selection of editions from The Herbig Collection. The full sale catalogue is now live online, with the public exhibition on view at 30 Berkeley Square from 17 January.
Rebecca Tooby-Desmond, Specialist, Head of Sale, Editions, and Auctioneer, said, “We are excited to kick off the new auction season with a dynamic and diverse offering of works spanning the Modern, Post-War, and Contemporary eras. From the surreal to the sublime, our auctions showcase innovation in edition making, from the ephemeral, avant-garde world of Marcel Broodthaers, through Pop portraits, to the enigmatic, graphic abstraction of Jasper Johns, Cy Twombly and Jonas Wood. Our sale brings together over 240 exceptional lots and we look forward to welcoming collectors and art enthusiasts to our Berkeley Square galleries for the public preview, opening on 17 January.”
Leading the sale is Banksy’s Flower Thrower Triptych (Grey) (2019) [estimate: £100,000–150,000], one of the artist’s most iconic and socially charged images. Depicting a masked figure hurling a bouquet of flowers like a Molotov cocktail, the work juxtaposes themes of resistance and hope, becoming a global symbol of peace. First created as Love is in the Air for Banksy’s 2002 Los Angeles exhibition, the motif gained further significance when stencilled onto Jerusalem’s West Bank Wall in 2003, underscoring its enduring resonance as a timeless call for peace.

Jasper Johns
Corpse and Mirror (U.L.A.E. 169), 1976 
Estimate: £60,000 - 80,000
Photo © Phillips

Jasper Johns’ Corpse and Mirror (1976) is a striking exploration of order and ambiguity, transforming the crosshatch motif into a mesmerising composition. Inspired by a fleeting glimpse of slanted lines on a passing car, Johns executed the work using 36 screens, layering wax-infused ink to create luminous depth and tactility. Produced in collaboration with Simca Print Artists, the screenprint exemplifies Johns’ seamless dialogue between painting and printmaking, inviting viewers into a meditative study of repetition, variation, and perception.

Jonas Wood
Four Majors, 2018
Estimate: £40,000 - 60,000
Photo © Phillips

Jonas Wood’s Four Majors (2018), is a vibrant quartet of screenprints reimagining iconic tennis courts in Melbourne, Paris, London, and New York. Rendered in bold, flat colours with simplified geometric forms, the works blur the line between reality and abstraction, transforming physical spaces into playful, imagined compositions.

Gerhard Richter
Goldberg-Variationen (Goldberg Variations), 
from Hommage à Cladders (B. 60), 1984
Estimate: £40,000 - 60,000
Photo © Phillips

Gerhard Richter’s Goldberg-Variationen (Goldberg Variations) (1984) transforms a phonograph record of Glenn Gould’s 1982 The Goldberg Variations into a vibrant abstract composition, testament to Richter’s fascination with materiality and music. Swathes of cobalt blue and bright yellow paint merge and contrast, with glimpses of the record’s black surface emerging beneath.

Additional highlights include pieces by Cy Twombly, Mel Bochner, KAWS, Ed Ruscha, Yoshitomo Nara, and David Hockney, alongside further works by Banksy.

Yoshitomo Nara
Hand Searching, 2017
Estimate: £25,000 - 35,000
Photo © Phillips

David Hockney
4th February 2021, Flowers in a White Vase with Chair, 2021
Estimate: £25,000 - 35,000
Photo © Phillips

Ed Ruscha
History Kids, from Mountain Prints, 2013
Estimate: £25,000 - 35,000
Photo © Phillips

The sale features 19 works by Andy Warhol, including Saint Apollonia. Inspired by a 15th-century painting attributed to Piero della Francesca, Warhol’s depiction retains much of the original’s detail, including the cracked tempera and gold leaf, while transforming the religious icon into a Pop aesthetic exploration of commodification and originality. Part of his broader engagement with Renaissance art in the 1980s, Saint Apollonia aligns with Warhol’s Details of Renaissance Paintings series, where he likened the cultural prominence of classical masterpieces to modern celebrity. Further Warhol highlights include his celebrated depictions of advertisements.

Andy Warhol
Saint Apollonia (F. & S. 330-333), 1984
Estimate: £25,000-35,000
Photo © Phillips

Andy Warhol
Steaks 99¢ (F. & S. IIIA.68), circa 1986
Estimate: £10,000 – 15,000
Photo © Phillips

Andy Warhol
New York Post (Judge Blasts Lynch) (F. & S. IIIA.46), circa 1983
Estimate: £8,000 – 12,000
Photo © Phillips

After debuting works by Marcel Broodthaers from the Herbig Collection in the fall 2024 Modern & Contemporary Art sales, Phillips is pleased to offer further works from this esteemed collection, including Citron - Citroen Réclame pour la Mer du Nord and Les animaux de la ferme (Farm Animals).

Marcel Broodthaers
Citron - Citroen Réclame pour la Mer du Nord 
(Lemon - Citroen Ad for the North Sea) (V. 19), 1984
Estimate: £5,000 – 7,000
Photo © Phillips

Marcel Broodthaers
Les animaux de la ferme (Farm Animals) (V. 22), 1974
Estimate: £4,000 – 6,000
Photo © Phillips

PHILLIPS LONDON
30 Berkeley Square, London W1J 6EX

13/11/22

Pablo Picasso Cubist Masterpiece Buffalo Bill will Highlight Christie's 20th Century

Pablo Picasso Cubist Masterpiece Buffalo Bill will Highlight Christie's 20th Century Evening Sale in New York
17 November 2022

Pablo Picasso, Buffalo Bill, 1911
PABLO PICASSO
(1881-1973)
Buffalo Bill
Oil and sand on canvas 18¼ x 13⅛ in. (46.3 x 33.3 cm.)
Painted in Paris in spring 1911
Photo courtesy of Christie's
$10,000,000-15,000,000

Christie’s announces Pablo Picasso’s Buffalo Bill as a leading highlight of the 20th Century Evening Sale taking place at Rockefeller Center Thursday, 17 November 2022. Estimated to achieve $10 million – 15 million, Buffalo Bill carries an esteemed provenance. The painting’s first owner was the legendary art dealer of the Cubist movement, Daniel-Henry Kahnweiler. It comes to Christie’s from a distinguished private collection where it has remained for more than thirty years.
David Kleiweg de Zwaan, Christie’s Senior Specialist, Impressionist and Modern Art remarks: “Buffalo Bill’s daring exploration of new territory as a scout resonated with Picasso, who himself was reconnoitering new frontiers in his pioneering Cubist art. With the recent opening of the Cubism show at The Met, we are thrilled to bring this rare Cubist portrait depicting an icon of the American West to the market in our 20th Century Evening Sale in New York this November.”
Painted in 1911 during the highpoint of Analytical Cubism, Buffalo Bill is singular within Pablo Picasso’s oeuvre, standing as one of the few named male portraits that he painted in the years of pre-war Cubism. It is exemplary of the artist’s practice during this period of radical artistic experimentation, as Picasso interpreted the well-known image of Buffalo Bill, an icon of the American frontier, through his newly conceived language of deconstructed lines and forms. In it, Picasso pushed the boundaries of representation to their extreme, reducing the well-known image of the Wild West star to its essentials, whilst retaining glimpses of his signifying characteristics—such as his flamboyant goatee and famed Stetson hat.

Pablo Picasso was a great fan of the rugged frontiersman and identified with this heroic adventurer and showman. Buffalo Bill’s Wild West Show first toured to Paris in 1889, and returned in 1905, filling a 17,000 seat arena to capacity for months. In letters to his Cubist accomplice, Georges Braque, Picasso signed himself “ton pard,” short for the cowboy “pardner,” playfully indulging in their shared love of, as they called it, “Le Far West.”

Buffalo Bill has been in a number of important exhibitions. Picasso selected it for his landmark 1932 retrospective at the Galerie Georges Petit, Paris, followed by the Kunsthaus Zurich, and it was included in the 1989-1990 exhibition Picasso and Braque, Pioneering Cubism at The Museum of Modern Art, New York. The sale of Buffalo Bill coincides with the Metropolitan Museum of Art’s current show, Cubism and the Trompe l’Oeil Tradition, open through January 2023. The exhibition is one of 40 exhibitions participating in the International Celebration Picasso 1973-2023, a worldwide initiative marking the 50th anniversary of the artist’s death and celebrating his lasting legacy.

CHRITIE'S NEW YORK
20 Rockefeller Plaza, New York, NY 10020

19/09/21

Max Ernst @ Phillips, London - Maximiliana: Max Ernst from the Collection of Peter Schamoni

Maximiliana: Max Ernst from the Collection of Peter Schamoni
Phillips, London
14 and 15 October 2021

Max Ernst
MAX ERNST
Pyramid Lake, 1946
Estimate: £550,000-750,000
Photo courtesy of Phillips

Phillips announces ‘Maximiliana: Max Ernst from the Collection of Peter Schamoni’. Through his close friendship with Max Ernst, renowned film director and screenwriter Peter Schamoni assembled an exceptional collection that serves as a lasting memento of one of the most significant artists of the 20th century. Over 80 works of art will be offered, starting with the 20th Century & Contemporary Art Day and Evening sales in London on 14 and 15 October, followed by New York in November. The sale of the collection will culminate in December with a dedicated online-only sale of works on paper, editions, photographs and ephemera.
Cheyenne Westphal, Global Chairwoman, Phillips, said, “The relationship between Peter Schamoni and Max Ernst, an artist who welcomed him into his home, studio and life for close to two decades, is at the heart of this esteemed collection. Having been on loan to the Max Ernst Museum in Brühl, the pedigree and art-historical significance of the works here is exceptional, but it is the deeply personal dimension of the collection which truly sets it apart. We are incredibly honoured and excited to present this to a global audience across our sales this season.”
Tobias Sirtl, 20th Century & Contemporary Art Specialist, Germany, said, “It is such a rare and magnificent opportunity to offer a collection which truly spans the entire oeuvre of an artist, from the early years to the late period. It represents a great depth of collecting, with works of the highest quality and carrying exceptional provenance.”
Max Ernst and Peter Schamoni
Max Ernst and Peter Schamoni
Photograph by Viktor Schamoni
Courtesy of Phillips

A Tale of Two Artists
Peter Schamoni was born in Berlin in 1934 as the son of the filmmaker Peter Schamoni and the actress and screenwriter Maria Vormann. Peter Schamoni first met Max Ernst in the 1960s, a young filmmaker travelling to the French Touraine to start work on his first documentary about the artist that had so captivated him. This marked the start of a long friendship and various artistic collaborations. Peter Schamoni’s films explored and excavated Max Ernst’s unique visual language, drawing on key themes and motifs that preoccupied the artist throughout his career, and which are well represented across the present collection.

Highlights from the 20th Century & Contemporary Art Evening Sale, London

Spanning the early 1920s to the 1970s, the collection highlights Max Ernst’s relentlessly experimental approach to material and technique, bringing together paintings, drawings, sculpture, collage, prints, and his innovative frottages.

A leading highlight of the sale, Pyramid Lake is a record of both Max Ernst’s time in Sedona, Arizona, and of the filmmaker’s later retracing of his footsteps. After the war, Max Ernst settled in Sedona with Surrealist artist Dorothea Tanning in 1946, the same year that Pyramid Lake was completed. The home they built together was visited by avant-garde luminaries Lee Miller, Marcel Duchamp and Man Ray, among others. Schamoni’s 1991 feature-length documentary Max Ernst: Mein Vagabundieren – Meine Unruhe records this period, incorporating photographic images of the bare timber bones of their house erected against the surreal emptiness of the landscape. Hovering between dream and reality, the highly textured surface of Pyramid Lake is the result of Max Ernst’s experimentation with materials and process, a breath-taking example of his celebrated frottage works and decalcomania techniques.

Max Ernst
MAX ERNST
Matin et soir, 1930
Estimate: £200,000-300,000
Photo courtesy of Phillips

Matin et soir resided in Max Ernst’s personal collection for four decades, until it was acquired by Schamoni. From his early Dada days, Max Ernst had demonstrated an interest in scientific and technical instruments. Executed in 1930, Matin et soir pushes this into new territory with the playful inclusion of a pyrometric watch, a conical tool used to ensure consistency in a kiln’s temperature. The pyrometric watch stands as a visual metaphor for the passage of morning into night referenced in the work’s title. A key theme running through Max Ernst’s oeuvre and fundamental to Surrealism, Matin et soir uses a characteristic quick-wittedness to explore ideas around mutability and metamorphosis, condensed in the figure of his Bird-Familiar, Loplop. The present work has been widely exhibited and was included in the major 1979 Max Ernst retrospective in Munich.

Max Ernst had a long-standing fascination for the categorisations of natural history, and scientific motifs are threaded through the collection. Alongside a sustained interest in the instruments and tools of scientific inquiry that unities the works presented here, we also find more specific references to the practices of cartography in Euklid, 1950 (estimate: £200,000-300,000), and in Homme (Spezialpreis für die Kurzfilmtage in Oberhausen), 1960 (estimate: £65,000-85,000).

Highlights from the 20th Century & Contemporary Art Evening Sale, New York

Max Ernst
MAX ERNST
Ohne Titel (les hommes ne le sauront jamais), circa 1921
Estimate: $600,000-800,000
Photo courtesy of Phillips

Max Ernst
MAX ERNST
Kachina, le chien de Peggy Guggenheim, circa 1942
Estimate: $280,000-350,000
Photo courtesy of Phillips

London Auctions

20th Century & Contemporary Art Evening Sale
Auction: 15 October 2021
Auction viewing: 6-15 October
Location: 30 Berkeley Square, London
Click here for more information: 

20th Century & Contemporary Art Day Sale
Auction: 14 October 2021
Auction viewing: 6-14 October
Location: 30 Berkeley Square, London
Click here for more information: 

PHILLIPS LONDON 
30 Berkeley Square, London W1J 6EX