Showing posts with label analog photography. Show all posts
Showing posts with label analog photography. Show all posts

20/07/19

The "Moon lens" ZEISS Biogon 5.6/60: A camera lens custom-made for the Moon

The "Moon lens" ZEISS Biogon 5.6/60: A camera lens custom-made for the Moon


The "Moon lens" ZEISS Biogon 5.6/60
Photo © and courtesy of ZEISS

Even though 50 years have passed since the first Moon landing on 20 July 1969, the images have lost none of their fascination. The main reason this event become so firmly entrenched in our collective memory is that it gave us the iconic images captured during the Apollo missions. These were not only the first photographs ever taken of the Moon’s surface – the image of the Earth as seen from the Moon also continues to inspire people of all generations to this day. And all these missions used cameras with lenses developed by ZEISS.

The first Moon landing was also the first global media event. According to media reports, audience ratings amounted to 50 per cent throughout the world, which means that more than 500 million people followed the event live on television. Many of them still know exactly where they were when the Moon landing took place. Newspapers and magazines published special issues that often featured the first color images these publications ever printed. Together with the first stills of the footage shot on the Moon, these photographs are highly coveted collectibles today, among connoisseurs and ordinary people alike.

The history of photography in space took off with the Mercury (1962) and Gemini (1964) program that preceded the Apollo missions. Increasingly, camera lenses were used in the Earth’s orbit. During these years, the ZEISS laboratories further refined their technology and designed camera lenses ready to meet the challenges posed by space.

In October 1968, ZEISS received the order for a camera lens to be used during the Moon landing, which was scheduled to take place a mere nine months later as part of the Apollo 11 mission. “The time for development was extremely brief,” says Dr. Vladan Blahnik who works in research and development at ZEISS. The optical data for the preceding model the ZEISS Biogon 4.5/38 still had to be calculated manually, an extremely time-consuming process. However, a mainframe computer helped to determine the mathematical parameters for the ZEISS Biogon 5.6/60, the camera lens designed for the Moon landing, in a mere couple of weeks. Dr. Erhard Glatzel (1925-2002), a leading mathematician from the optical design department at ZEISS, received the Apollo Achievement Award for this and the development of other special camera lenses for space photography.

The customized ZEISS Biogon 5.6/60 “Moon lens” had to meet a number of requirements. While it was supposed to work within an easy-to-use camera, it also had to precisely map the lunar surface around the landing site. “They decided on a camera fitted with a Reseau plate, which created a grid of cross-marks on the images. These made it possible to calculate the distances between individual objects on the Moon,” explains Blahnik. “The special symmetric design of the camera lens provided an excellent correction for distortions and all other image errors.” A straight line remains a straight line. The images have great definition and edge-to-edge contrast.

Apart from the ZEISS Biogon used on the surface of the Moon, ZEISS designed a number of other special camera lenses for space photography in the 1960s, among them lenses that could transmit UV-waves or extremely fast lenses such as the ZEISS Planar 0.7/50. The engineers at ZEISS continue to benefit from this research until the present day. Some examples are the development of fast lenses for professional movie cameras, lenses for aerial photography used in surveying the Earth’s surface and lithographic lenses employed in the production of microchips.

The camera lens was a small but significant contribution to the Apollo 11 lunar mission. And, incidentally, the cameras with the ZEISS lenses are still up there on the Moon, because on the return journey the astronauts wanted to save every gram in order to take back as many samples of Moon rocks as possible. Only the valuable exposed film made it back to Earth.

ZEISS

17/09/16

ALPA Anniversary Edition 70 Years ALPA and 20 Years ALPA 12 Medium Format System

ALPA launches the ALPA Anniversary Edition Set commemorating 70 years of ALPA as brand and 20 years ALPA 12 Medium Format System

ALPA Anniversary Edition
ALPA Anniversary Edition
Image by SCANDERBEG SAUER

Presented for the first time in the dark days of the early 1940’s by Pignons SA, the registration of the ALPA brand took finally place on 19th February 1946. Originating from the Swiss watchmaking industry they produced legendary 35mm cameras made in Switzerland. After some turbulences in the 1990's Ursula Capaul and Thomas Weber bought the ALPA brand on 29th February 1996 and revived and repositioned it as modular medium format platform. ALPA of Switzerland and the ALPA 12 medium format system were born.Therefore ALPA of Switzerland celebrates today and in 2016 both its 20th anniversary in medium format with the ALPA 12 platform and its 70th birthday as a camera brand.

In order to commemorate this anniversary, ALPA launches a special edition of its very first medium format model - the ALPA 12 SWA. Paying tribute and bridging the last 70 years the ALPA Anniversary Edition is dedicated to analog photography with its 6x9 roll film back and a special edition of the Rodenstock/ALPA HR Alpagon 5.6/70 mm lens which suits perfectly also the most recent digital backs up to 100 MP today. Nevertheless, due to its high modularity the ALPA 12 cameras can be used both analog and digital (third party digital back not part of the delivery).

ALPA Anniversary Edition
ALPA Anniversary Edition
Image by SCANDERBEG SAUER


ALPA Anniversary Edition
ALPA Anniversary Edition 70 Years ALPA and
20 Years ALPA 12 Medium Format System


ALPA Anniversary Edition
ALPA Anniversary Edition 70 Years ALPA and
20 Years ALPA 12 Medium Format System

The ALPA Anniversary Edition Set is strictly limited to 20 units representing 20 years of ALPA 12 Medium Format System. It gets delivered with all special edition ALPA 12 SWA body, Rodenstock/ALPA HR Alpagon 5.6/70 mm with additive manufactured lens hood, ALPA/Linhof 6x9 roll film back, ALPA viewfinder and various unique accessories like light meter with also additive manufactured holder, ground glass and high-end dark cloth in a special edition case and Fujilfilm Acros 100 roll film - ready to use.

Each buyer will be provided with a personal ALPA Anniversary Edition Set certificate. It is available from today at a professional price of CHF 19,960 (ex works Switzerland).

The Anniversary Edition Set will be shown at the ALPA stand B21 in hall 2.1 during Photokina 2016 taking place from 20 - 25 September in Cologne.

ALPA will inform continuously on further new products shown at Photokina 2016 in Cologne.

ALPA Capaul & Weber Ltd.
www.alpa.ch

08/05/09

Kentmere Analog BW film range Canada

As part of its commitment to supporting analog photography even in today’s digital age, photo-imaging company HARMAN Technology Limited is to offer a number of additional films to the Canadian market. In a move that strengthens its partnership with Canada’s leading distributor of photographic supplies, the British-based manufacturer has confirmed it will soon sell a number of completely new KENTMERE PHOTOGRAPHIC films through AMPLIS FOTO. With a 20-year track record of meeting the needs of advanced amateurs, professional photographers, videographers and the motion picture and television industry, Amplis Foto already carries products from Harman’s two other brands – the Ilford black and white range and the Harman Photo range of professional quality, inkjet media. It has also stocked Kentmere Photographic products since 2006, a year before Harman Technology acquired the brand. The films, which will be available from Amplis this month, are a brand new 100 and 400 ASA 35mm films both offered in 24 exp, 36 exp and 100' bulk rolls. These new products will complement the existing Kentmere Photographic range carried by Amplis, which includes: VC Select, Fineprint VC, Bromide papers. All these products can be processed using Ilford chemicals and enjoy particular popularity in the photo-education market due to their consistent quality and competitive prices. The decision by Harman to sell the new films in the Canadian market also ties to the manufacturer’s original plans for the Kentmere brand. After acquiring Kentmere in 2007, it was always Harman’s intention to use its greater size and infrastructure to benefit this new addition to its business. As such, it has already used its expertise and advanced manufacturing technology to increase batch-to-batch consistency of the Kentmere Photographic range. This latest development will contribute to improved worldwide product availability. Speaking of the development, Steven Brierley, Director of Marketing at Harman technology, said: “Harman technology’s mission is to the best – and if necessary, the last - in black and white and offering the new Kentmere photographic films to analog photographers in Canada is a natural part of this. Using Amplis to distribute these products also made complete sense. Not only do they enjoy an established infrastructure, a reputation for exceptional service and an extensive nationwide reach, but we already benefit from an established and proven partnership.”

Image (c) Harman technology - All rights reserved - www.kentmere.co.uk

11/01/04

Minolta Dynax 40 SLR Camera

Minolta Dynax 40 SLR Camera

Minolta Dynax 40 SLR Camera Highlights:

- Design that's modern, familiar, and functional.
- Proprietary Wide 3-Point AF System with center cross-hair trigger sensor gives increased focusing confidence.
- Multi-dimensional Predictive Focus Control maintains accurate focusing on moving subjects.
- ADI (Advanced Distance Integration) flash metering automatically fine-tunes flash exposure when photographing.
- Full-Auto Program takes care of all focus and exposure.
- Versatile exposure modes (P, A, S, M) for full photographic expression.
- Subject Program Selection for great photos in any situation.
- The spherical acute matte focusing screen maintains the brightness of the viewfinder and makes focusing easier.

Minolta Dynax 40 SLR Camera Features:

Design that's Fresh and Familiar
The first thing the strikes you is the design: high-contrast silver and black give the Dynax 40 that highlights the SLR camera's reliability and dependability. The overall effect produces a soft, pleasing image -a camera that actively welcomes you to pick it up and start shooting off rolls of film.

Multi-dimensional Predictive Focus Control
Like the name suggests, this function keeps a clear focus on fast-moving subjects until you're ready to shoot, predicting exactly where a moving subject is going to be at the moment of shutter-release and making certain that the focus is razor sharp.

ADI flash metering
When using a D series lens, ADI (Advanced Distance Integration) metering(1) ensures proper flash exposures regardless of background or subject reflectance.
(1) When using a dedicated flash unit: 5600HS(D), 3600HS(D) or 2500(D)

Full-Auto Program (P) Mode
Simply select the green-colored P Mode on the selection dial, and the camera handles everything for you. The Dynax 40 focuses perfectly on the subject and adjusts exposure automatically. The flash unit pops up automatically when needed.

Versatile Exposure Modes
The Dynax 40 offers four exposure modes: P (programmed AE), A (aperture priority), S (shutter priority) and M (manual) exposure modes that ensure photographs convey the user's intentions perfectly every time the shutter is pressed.

Subject Program Selection for All Photo Situations
Choose the appropriate icon and the desired exposure setting, and the Dynax 40 does all the work while you have all the fun! The following 5 pre-programmed modes allow you to shoot a particular scene beautifully with the touch of a dial.

Portrait Mode creates portraits with emotional power. By blurring the background while keeping the subject in sharp focus, this mode creates dramatic portrait shots.

Landscape Mode controls the depth of field, putting both a subject in the foreground and scenery in the background in clear focus and sharp detail.

Close-Up Mode lets you take dramatic close-ups of small subjects, such as flowers. This mode captures subject details while keeping distracting backgrounds out of focus.

Sports Action Mode is the best choice for shooting a moving object. Super-fast continuous AF and high shutter speeds freeze a subject and capture clear, sharp detail.

Night Portrait Mode adds greater expression to shots taken at night or with sunset backgrounds by using the flash and a longer exposure to reduce background darkness and capture a greater amount of detail.

Spherical Acute Matte
Like its more expensive counterparts, the Dynax 40 has a Spherical Acute Matte focusing screen that enhances the brightness of the viewfinder and makes focusing easier. Viewer magnification has been rated to 0.75X.

KONIKA MINOLTA PHOTO IMAGING
www.konicaminoltaeurope.com

12/06/97

Olympus IS-200 SLR

Olympus IS-200 SLR

Olympus IS-200 SLR
(c) Olympus

The Olympus IS-200 adds to this combination of performance and convenience. Although it has the versatility of a 4x zoom lens, it remains very compact and weighs only 640 g. To simplify handling further, it is also the first SLR with an integrated lens cap with the convenience of opening automatically when the power is turned on. The large-diameter aspherical lens has the high resolution that ensures outstanding quality, and the 28-110 mm zooming range is suited to almost every situation encountered in leisure photography. The wide-angle 28 mm setting is ideal for indoor shots and expansive landscapes, while the telephoto settings up to 110 mm are perfect for natural-looking candid photography and striking portraits. With its pushbutton operation, the Direct Mode Select function makes it easy to select the right exposure and make the most of the Olympus IS-200's SLR performance. The Aperture-Preferred AE system and the Long Time Mode also offer the creative freedom of choosing any depth of field or shutter speed. This attention to quality is similarly apparent in the sleek lines, sophisticated metallic color and metal details. Equally important, the IS-200's friendly operation and advanced features come at a very affordable price. And that makes the latest addition the IS Series the clear answer for amateurs who are serious about both photography and fun.

MAIN FEATURES

Compact, lightweight SLR with a built-in zoom lens 
The Olympus IS-200 features a built-in, high-resolution 4x zoom lens, while its L-shaped design reflects a relentless pursuit of optimal handling and holding balance. Not only is operation easy, but the new model is compact and lightweight, measuring just 123 x 88 x 115 mm and weighing only 640g. 

Integrated lens cap 
The Olympus IS-200 is the first SLR with an integrated lens cap that opens automatically when the power is turned on. 

High-resolution 28-110 mm 4x zoom lens 
Quickly and easily, the zooming lever covers a broad range of 28-110 mm. The 28 mm setting offers full wide-angle photography for outstanding results in indoor scenes, group portraits, expansive landscapes and architectural shots. And the telephoto settings up to 110 mm are perfect for striking portraits and natural-looking candid photography. For even greater telephoto possibilities, the optional teleconverter extends the maximum focal length to 180 mm. 

Twin Flash with GN18 power 
In addition to its GN14 flashtube for wide-angle and normal focal lengths, the IS-200 has a GN18 flashtube for telephoto shots. This solution offers a flash range of 4.5m with ISO100 color negative film and 9.0m with ISO400. The automatic changeover from one flashtube to the other is determined automatically according to the focal length and distance to the subject. 

Large-diameter glass aspherical lens 
The large-diameter aspherical glass lens delivers high-quality images with less distortion all the way to the edge of the frame, even at the 28 mm wide-angle setting. Along with ensuring outstanding quality, the lens design accounts for the compactness of the optical system. 

Direct Mode Select Button 
By simply pressing the Direct Mode Select Button, photographers can explore the advantages of SLR performance, confident that the results will be all that they want. The icons are easy to understand, and there are four modes suited to the range of situations. 

・ Stop Action Mode: To freeze fast moving subjects, the camera automatically picks the fastest shutter speed up to 1/2000 sec.

・ Portrait Mode: With the largest available aperture selected automatically, the subject remains in sharp focus while the background is blurred.

・ Night Scene Mode: While the flash captures the subject in the foreground, the shutter stays open as long as 4 sec. to record the night scenery in the background.

・ Landscape Mode: Ideal for landscapes and group portraits with an interesting background, this mode maximizes the depth of field by automatically picking the smallest aperture.

Creative Functions 
Photographers who want to capture every nuance of a scene will appreciate the functions that offer an optimal combination of shutter speed and aperture for every lighting situation.

・ Aperture-Preferred AE: Complete control over the aperture range lets photographers select the F-stop they want, from the widest opening of F4.5-5.6 to the minimum of F22.

・ Spot Metering: An Olympus innovation pioneered with the OM-4 SLR, one-touch Spot Metering helps photographers ensure that the exposure reading is accurate for a particular part of the frame. It is particularly useful when there is backlighting or the lighting is unusually complicated.

・ Long Time Mode: The Long Time Mode is ideal for creative photography in nighttime scenes that are difficult to capture in a programmed mode-for example, the flow of automobile taillights or fireworks against a dark sky. With the aperture locked at F8, the photographer can choose from shutter speeds of 1, 2, 4, 8, 15, 30 and 60 sec. The shutter can be triggered from a distance with the optional Remote Control RC-200.

Versatile flash modes 
To make sure that flash photographs come out right, the IS-200's Intelligent Variable-Power Flash system checks the distance to the subject and automatically sets the appropriate flash intensity and aperture setting.

・ Auto: In low light or backlighting, the flash fires automatically, delivering the appropriate illumination for a correct exposure.
・ Redeye Reduction: This mode minimizes the redeye effect which spoils many flash portraits taken in low light. To make the subject's iris contract, a series of lower-powered pre-flashes is triggered before the main flash fires.
・ Fill-in: The flash fires every time in this mode. It is especially helpful when a photographer wants a natural look without the harsh shadows created by strong sunlight.

Other features 

・ Built-in dioptric correction: Dioptric correction of -2 to +1 is built in to compensate for any eyesight problems.

・ Optional accessories for enhanced creative control: IS/L Lens C-180 H.Q. Converter 1.7x For full telephoto photography, the compact and lightweight teleconverter extends the maximum focal length to 180 mm. It measures just 56 x 56mm, and it weighs only 100g.

・  Remote Control RC-200 The remote control triggers the shutter from as far as 5m from straight ahead of the subject or from 3.5 m at a 50degrees angle on either side.

27/02/97

New Lenses for Bronica Cameras presented at PMA '97

New Lenses for Bronica Cameras presented by Tamron at PMA '97

In a significant enhancement of the Bronica camera line, Tamron has added three innovative new lenses incorporating Tamron technology.

The new additions include the world's first medium format camera zoom lens to offer Internal Focusing, the first full-frame fish-eye lens in the Zenzanon P-series, and the first new lens for the Bronica GS-1 camera in 10 years.

For Bronica ETR-Si users, they now have at their disposal a lens that's unique in the medium format category. Developed by Tamron, the new PE100-220mm F/4.8 Aspherical (IF) zoom lens is the world's first medium format camera zoom lens to offer Internal Focusing. The lens also provides the outstanding optical performance of the renowned Zenzanon lenses while incorporating Tamron's state-of-the-art design technologies, such as the use of a Hybrid Aspheric element.

In addition to the Internal Focusing (IF) system, which allows focusing to occur without changing the overall length of the lens, the PE100-200mm features a new "Double-Speed Focus Cam" system developed by Tamron that widens the rotation angle of the focusing ring, making delicate focus adjustments easier. The new lens provides close-focusing with a 1.0 meter M.O.D. (Minimum Object Distance) throughout the zoom range and provides maximum magnification ratio of 1:4.9 at the 220mm setting.

The lens' compact size is also attributable to the use of Tamron's Triple-Cam Zoom and Integrated Focus Cam systems. These advanced technologies are used in this PE Zenzanon zoom lens to insure true zoom capability over the entire focal length range.

In other news for Bronica users, Tamron has introduced the first full-frame fish-eye lenses in the Zenzanon P-series for Bronica medium format cameras. The Zenzanon PE-30mm F/3.5 and PS-35mm F/3.5 full frame fish-eye lenses are for Bronica ETRSi (6x4.5) and SQ-Ai (6x6) medium format cameras. The lenses have a 108° diagonal angle of view and are capable of producing images with exaggerated special effects.

Both lenses have inherited the Zenzanon optical characteristics of high resolution and contrast. Flare and aberrations, especially problematical in fish-eye lenses, are suppressed through the use of an internal lens hood and the application of Tamron's exclusive BBAR (Broad-Band Anti-Reflection) multi-layer coating. The resulting images are high-contrast with sufficient corner illumination and enhanced light transmission for crisp color rendition.

Close-focusing for special effect photography with exaggerated perspective is realized with a minimum object distance of 10.6 inches (0.27 meters) for the PE-30mm lens and 11 inches (0.28 meters) for the PS-35mm lens.

Finally, underscoring its renewed commitment to the popular Bronica GS-1 camera system, Tamron recently introduced the first new lens for the GS-1 camera in 10 years. The new Zenzanon PG-80mm F/3.5 lens was made available this past Fall by Tamron.

This slightly wide-angle lens for the 6x7 format has a 35mm format equivalent focal length of 40mm, with a 58.6° field of view. Its compact size and modest weight allow the lens to be used comfortably in the field for all applications. The F/3.5 maximum aperture lens is as bright as the standard 100mm F/3.5, providing a bright viewfinder image for easy focusing. Like all PG lenses for the GS-1, the apertures are detailed with full and half-click stop detents, and the leaf shutter, a Seiko #0, provides shutter speeds from 1/500 second to T (time exposure), and B (bulb).

The GS-1 is arguably the most versatile SLR medium format camera produced, with the capability of shooting 6x7, 6x6 and 6x4.5cm, as well as Polaroid. Because of this, the new 80mm PG lens has other implications for this system. The GS-1 camera is used by a number of professionals with a 6x6 film back for candid work, as it obviates the need to turn the camera for vertical shots, and it provides an easy square print for a different look in a wedding album. Now, the GS-1 has a "normal" lens for this format, and a "nearly normal" one for 6x4.5cm, increasing an already versatile camera's utility.

TAMRON / BRONICA
www.tamron.com

19/02/97

Olympus µ [mju:]-II Compact Camera

The Olympus µ [mju:]-II Compact Camera

Olympus µ [mju:]-II Compact Camera
(c) Olympus

Olympus introduces the µ [mju:]-II compact camera. Superbly styled, ultra-compact and lightweight, the new high- performance model features a 35mm lens with a large aperture of F2.8. The Olympus µ [mju:]-II is the culmination of a relentless pursuit of compactness and easy operation in the 35mm format. Incorporating a wide range of innovations, this development concept accounts for the new model's exceptionally trim lines and weight. Even with its 35mm large-aperture F 2.8 lens, the µ[mju:]-II measures only 108 (W) x 59 (H) x 37 (D) mm and weighs just 135g. Along with the convenience of this visibly different design, it has the outstanding handling, superior image quality and sophisticated elegance that makes a photographer want to keep it close at hand. It is a combination that pushes the limits of the compact camera. This is clearly the next best-seller in the making-the model with more of everything that makes a camera satisfying to use and to own. 

Advanced design 

Even though the Olympus µ [mju:]-II is small enough to fit comfortably into one hand, its miniaturization has not impaired performance, reliability, easy operation, handling or stable balance in any way or form. 

Equally important, its extra-bright F2.8 lens opens up shooting possibilities that were beyond the capabilities of previous compact cameras. In dim light, photographers can capture the nuances of ambient conditions indoors or at dusk. They can also count on the aspherical lens for visibly different image quality. 

Ensuring accuracy at any point from Macro shots at 35cm to infinity, the AF unit has the precision of a three-point focusing system and 414-step measurement. The AF module also contributes to overall miniaturization with the space efficiency of the prism's special shape. 

The new Auto Color-Balancing flash (AC-B) eliminates the unnatural cast of pictures taken in fluorescent or other artificial light. When artificial light is detected, it fires automatically to ensure the colors are clear and lifelike. A number of state-of-the-art technologies have also been utilized to develop a soft flash function that prevents over-exposure. 

Not only are the contours stylish and sophisticated, but the body size and weight have also been reduced by innovations such as the new shaft drive mechanism which uses a single motor for film advance/rewind. Handling has been perfected by touches such as a sliding lens barrier that moves over to protect the flash. There is also a high-magnification real-image viewfinder that simplifies composition, while the all-weather casing takes the worry out of photography on a rainy day.

Main Features

Stylish, compact and lightweight 
With its flowing contours and stylish looks, the Olympus µ [mju:]-II has the sophisticated lines that people are looking for. This ultra-compact camera measures 108(W) x 59 (H) x 37 (D) mm and weighs only 135g. Just one example of this harmonization of form and function is the lens barrier that slides all the way over to cover the flash, eliminating the need to keep the camera in a case. 

High-resolution 35mm F2.8 lens 
The bright F2.8 lens extends the range of creative possibilities beyond the capabilities of any other compact camera on the market. Even in relatively dim light indoors or at dusk, the large aperture can capture the nuances of available light. The optical configuration has four elements in four groups and uses an aspherical lens to improve image quality. 

New Intelligent Variable Power Flash System-employing new Auto Color-Balancing Flash 
Several sensors are used to detect lighting information and relay it to the new Intelligent Variable Power Flash system. Ensuring an ideal color balance and lifelike results, the Auto Color-Balancing Flash system is the world's first system of its kind. The flash fires automatically when a sensor detects the wavelength of fluorescent or other artificial lighting that may result in an unnatural cast. The intelligent system's soft flash capability also prevents over-exposure, while the improved Auto mode triggers the flash automatically in dim light or backlit situations (for example,when sunlight is filtered through trees). 

AF module with special prism 
With the special shape of the exclusive prism that receives light, the AF module has been positioned to contribute to the overall miniaturization of the body. Employing a three-point focusing system with 414 steps, the AF unit delivers outstanding performance, especially from a camera with a large-aperture lens. 

Versatile flash modes 
The new Intelligent Variable-Power Flash's six modes deliver high-quality flash pictures. 
- Auto: In low light and backlit situations, the flash fires automatically to ensure that the illumination is appropriate. When fluorescent or other artificial light is detected, the new Auto Color-Balancing Flash takes over to create lifelike colors.
- Red-Eye Reducing Auto: The red-eye -a common problem with flash portraits-is reduced by a series of pre-flashes emitted before the main flash fires. (Same as Auto otherwise)
- Fill-in: Ideal for high-contrast situations, the flash always fires in this mode, eliminating the shadows caused by strong sunlight.
- Flash Off: This mode is the answer when flash photography is prohibited. It is also ideal for capturing a natural ambience.
- Night Scene: The intensity of the flash is determined by the foreground, while the length of the exposure is set according to the backdrop. Slowing the shutter speed to as long as 4 sec., this mode captures both the subject in the foreground and the night-time scenery.
- Red-Eye Reducing Night Scene: This mode reduces the red-eye effect in pictures taken in the Night Scene mode. (Except for the addition of a series of pre-flashes, it is identical to the Night Scene mode.)

High-magnification real-image viewfinder 
With a high magnification of 0.45x, the real-image viewfinder makes composition easier and more comfortable. 

All-weather, no-worry casing 
The all-weather casing protects against sand and dust as well as a sudden shower or splashing. Meeting IEC grade 4 standards for "splash-proof," the design offers extra reassurance on a rainy day, at the beach or on a ski slope. 

Other features
- Auto Macro: With this function, Macro shots can be taken from as close as 35cm to create pictures up to A4-size.
- Optional Remote control: The remote control makes it easy to trigger the shutter from as far as 5m.
- Spot Mode AE: This mode ensures accurate focusing and exposure for the main subject, regardless of the surrounding lighting conditions.

Innovations in Miniaturization 

One of the keys to the Olympus µ[mju:]-II's compactness is a layout that incorporates both the motor and new shaft drive mechanism in the lower part of the camera body. By giving the designers greater flexibility, this innovative approach also opened the way to the wedge shape and stable balance. 

All basic functions-including film advance/rewind, focusing lens barrel extension/retraction and shutter opening/closing-are handled by a single motor and plunger. Developed specially for the Olympus µ [mju:]-II, the compact new motor is situated lengthwise under the lens barrier in the space made available by the use of a shaft drive mechanism instead of the usual gears and belt drive. While this innovation contributes to the body's smaller dimensions, it also requires processing to exceptionally fine tolerances.

31/10/96

Mamiya 645 Series 200mm f/2.8 APO Lens

New Mamiya 645 Series 200mm f/2.8 APO Lens 

Mamiya announces its latest addition to the 645 APO lens Series, the new 200mm f/2.8 APO High Speed Telephoto. With the use of ultra-low dispersion glass, the 200mm f/2.8 APO achieves fully corrected color reproduction, high resolution and high speed performance. Optical distortion ratio is only 0.24%. The new high speed telephoto is ideal for sports, photojournalists, fashion and advertising photography. 

Mamiya 200mm f/2.8 APO Lens Specifications 
Optical Construction: 7 elements in 5 groups
Angle of View: 20°
Minimum Aperture: f/22
Diaphragm: Automatic
Focusing: Helicoid
Minimum Focusing Distance: 8 feet = 2.44m
Maximum Magnification Ratio: 0.098 X
Area Covered: 23.2 x 17.2 inches = 589.5mm x 436.8mm
Equivalent Focal Length to 35mm: 124mm
Filter Size: 77mm
Hood: Built-in plus Extension Hood
Dimension (L x W): 5.7 x 3.6 inches = 143.5mm x 91mm
Weight: 38.8 oz. = 1,100g

21/06/96

Nikon F5: Focusing Controls and Systems

Nikon F5: Focusing Controls and Systems

Now, Nikon has taken another giant leap forward with the development of the Nikon F5's completely new autofocus system. It combines speed with accuracy and expands the range of performance. Pictures can be accurately focused at motor speeds about 60 percent faster than any other system.

The F5's operation is elegant. Not only is focus fast, but the new technology also provides advancements in more creative composition applications. The photographer has easier, more effective control with a "mouse-like" keypad. Nikon has built the fastest and most accurate AF system ever developed, and it is a tool that most creative professionals will enjoy using.

Meeting the real-world needs of professional photographers in the field, the Nikon F5's system delivers the best performance through the new Multi-CAM 1300 Sensor, a newly designed CPU, a Wide-Cross Array with five detection areas, a wide selection of focusing modes and options, and the delivery of a system that handles high-speed Focus Tracking at up to eight frames-per-second (fps) film advance speed.

Details on these new advances and how they can be used in the field follow. While each aspect of the new AF system is impressive, keep in mind that the integration of these technologies, and the goals they have achieved, are perhaps the most impressive feats of all.

The autofocus (AF) technology designed into Nikon's F5 is geared toward one goal -- giving it the fastest, most versatile and reliable autofocusing system ever. When AF technology first appeared, professional photographers were often reluctant to use it on the job, partly because they mistrusted any technology that took shooting control out of their hands, and partly because AF technology could not meet all the required standards of performance.

The technology evolved through time, and while autofocus began to operate faster, it could not achieve the accuracy that many photographers demanded. Taking more pictures, with expectations that some sharp ones would be found in the collection, became the way many photographers operated. Nikon has always combined speed of operation with accuracy, because in Nikon's view, speed is nothing without accuracy.

Thanks to Nikon Research & Development, speed has evolved to a new level without sacrificing accuracy. In fact, accuracy has been improved with newly developed technology and software design.

The Nikon N90s camera's wide-area cross sensor, combined with Nikon's AF-I Nikkor optics, gave photographers their first glimpse of what was possible with autofocus. They no longer needed to rely on a large quantity of pictures to obtain a certain number in focus. Now, photographers can expect both speed and accuracy. The N90s was a major advancement for professional photography in fast- moving situations.

The F5 Autofocusing Systems

The autofocusing systems in the new Nikon F5 offer photographers the world's fastest and most responsive focusing ever. The newly designed Multi-Cam Autofocus sensor features a Wide Cross-Array with five sensing areas that handle both vertical and horizontal compositions and action.

The performance is astonishing -- accurate autofocus is possible at the camera's fastest framing rate of eight frames-per-second when used with the optional nickel metal hydride power source. Speeds to 7.4 fps are achieved with the standard eight AA alkaline battery pack.

Other factors that add to the performance of the autofocus system include the newly designed CPU that provides enhanced detection speed and accuracy; Nikon's exclusive Dynamic AF mode, which automatically shifts from one focusing area to another to maintain sharp focus on moving subjects; and Focus Tracking with Lock-On,™ a system that anticipates subject movement with a feature that continues to hold focus on subjects even when they may be momentarily blocked or stray from the focus-detection area. Even details such as Nikon's new Mirror Balancer add significantly to the autofocus performance. Multi-CAM 1300 Sensor Module and Wide-Cross Array

The Multi-CAM 1300 sensor module was designed for the F5. It incorporates five AF sensors to create a large, Wide-Area Cross-Type array that provides greater coverage than any other AF system. Action oriented photographers will not be disappointed.

The three horizontal sensors are full-time cross-type sensors, which form a line covering 44% of the horizontal width. Each of the three cross-type sensors incorporates a cross pair for normal focus detection, and a second cross pair for detection in low light. This dual system maximizes AF speed and accuracy under the widest range of light conditions. The top and bottom sensors of the cross-array are line sensors (not cross-type), and together with the center cross sensor of the horizontal line, form a line of sensors which extends vertically, covering 30 percent of the vertical dimension of the viewfinder. Unlike other systems, the cross-type sensors in the Multi-Cam 1300 work full-time with every Nikkor lens, not just with lenses of f/2.8 maximum aperture, but with every AF Nikkor lens -- even those with maximum aperture of f/5.6.

The Wide-Cross array is displayed on the top-panel LCD of the Nikon F5. Within the viewfinder, there is a focus confirmation signal in the LCD area, and an Electrochromic display which defines the five focus detection areas. Additionally, via the Custom Setting operation of the F5, a series of LED signals can be activated, with each signal used to provide an additional indication of the operation of the AF detection areas. The LED "pointers" are located outside the edge of the viewing area, providing an illuminated reference for AF operation. Selection of any one of the five detection areas is made via the Focus Area Selector Keypad on the back of the F5 camera body. The Focus Area Selector Keypad is also provided on the optional Data Back and Multi-Control Backs.

Fast and accurate autofocus operation is achieved through a comprehensive set of features, including a system of micro-electronics and mechanical components. To achieve AF operation at motor speeds up to 8 frames per second requires exceptional precision, critical timing and robust construction.

For the Nikon F5, as a subject's distance changes, the Central Processing Unit, through the focus detection sensors, receives and processes focus status data. High-torque coreless motors with low power consumption drive each lens' AF operation, the shutter and film transport. The F5's mirror plays an important role in AF operation. Using a patented balancer, the F5's reflex mirror is able to move with precision and speed, and with no meaningful mirror bounce. This combination of high performance components helps the F5 achieve its benchmark combination of speed and accuracy.

AF Modes and Options: Dynamic or Single Area AF, Plus Single-Servo and Continuous Servo AF

The Nikon F5's AF systems are unmatched in versatility; photographers can choose among a number of options, and even customize these options to match the subject and shooting conditions.

Dynamic AF mode allows the photographer to designate one of the five AF sensors as the primary sensor. Once chosen, the primary sensor is used as the sensor for the first detection of the subject. If the subject distance changes, the sensor will detect the change and AF operation will begin. If the subject moves out of the area of the primary sensor, then the Nikon F5 will detect this movement and automatically scan and change the sensor so that the subject's movement can be followed and sharp focus can be maintained. Through Nikon's powerful software for Focus Tracking with Lock-on, even the brief moments that a subject may be between sensors do not disrupt focus. This system is ideal for sports, action and nature photography, effectively eliminating the "bulls-eye" centered shots. Dynamic AF can handle quick action, changing speeds and changing angles of motion.

Single Area AF mode offers the photographer creative control by presenting a choice of five precisely positioned AF spot sensors. The photographer selects which sensor to use by pressing the keypad on the back of the camera. Subjects detected by the chosen sensor area will be in sharp focus, virtually instantaneously. This is perfect for off-center subjects and eliminates the need to lock focus and recompose. It encourages visual exploration because it eliminates any extra steps to attain sharp focus.

There are two AF Release modes: Single Servo AF and Continuous Servo AF. The former is focus priority; the shutter will not release until focus has been confirmed. The latter is release priority; the shutter will be released when the photographer presses the shutter button. Custom settings allow the photographer to interchange focus and release priority in each mode. In manual focus, or when AF is activated separately from the shutter release button, the Nikon F5's two secondary AF Start buttons -- one for horizontal and one for vertical shooting -- come in handy.

Focus Tracking with Lock-On

When subjects go into motion, photographers need an AF system that will keep pace. That's the idea behind Nikon's Focus Tracking. When the subject begins to move, Focus Tracking is automatically activated, regardless of the AF mode or AF area mode selected. With the five area Wide-Cross Array AF sensor module, this computer-assisted system analyzes the speed of the subject as it drives the autofocus lens in anticipation of subject movement. This makes focus detection possible regardless of the direction of motion, even at the rapid 8 fps.

Aiding this amazingly fast response is the continuous overlap servo method of processing AF data. Some AF systems collect focusing data and process it in "blocks," then focus the lens in a stepped or intermittent method. The F5 lens continues focusing even during data processing, which results in more consistently sharp focus. Performance tests demonstrate that the Nikon F5's AF system can Focus Track on subjects moving faster than other systems. With a 300mm AF-S Nikkor lens, Focus Tracking can handle a subject, such as a race car, moving at a rate of 200 mph at a distance as close as 66 ft.

Lock-On is an exclusive Nikon AF feature that overcomes momentary interruptions in focus caused by an obstruction in front of the lens (such as a swaying tree branch in the woods) or a secondary subject that may briefly interrupt the point of view (such as a defensive end dashing across the field). This also applies if the photographer accidentally moves the AF sensor area off the main subject for a moment. Lock-On is key to maintaining focus during fast action shooting. With other systems, the autofocus detector will either "snag" on the obstruction, or will cause the lens to rack forward, thus losing the prime target.

Focus Tracking in the Nikon F5 can be used in any AF mode, AF area mode or film advance mode. Other systems require the camera to be set to continuous servo mode for Focus Tracking to be activated. Focus Tracking with Lock-On is also available in the Nikon N90s.

Wide EV Range: AF even in Dim Lighting

The F5's Multi-CAM 1300 operates in the widest EV range available -- EV minus 1 to EV 19. EV-1 equals an exposure of f/2 at eight seconds with ISO 100, a lighting condition so dark that even the human eye may have trouble focusing. When necessary, using a Nikon AF Speedlight (SB-26, -27 or -23) allows for autofocus even in total darkness via an LED light pattern that is emitted onto the subject. Setting the camera's AF mode to single servo and selecting the center focus area will activate the AF illuminator. Secondary AF Start Buttons

As mentioned, photographers have a number of options in AF modes and AF Release modes -- they can choose focus or release priority in both single- and continuous- servo modes. In many cases, joining the shutter release and focusing operations is desirable. However, there are conditions when separating the two functions comes in handy; photographers can concentrate on shutter release timing. This is invaluable for peak sports action and wildlife photography when capturing the decisive moment requires the keen concentration and instincts of the photographer.

There are two secondary AF start buttons -- for horizontal and vertical shooting. AF activation can be transferred to the Secondary AF Start buttons by using Custom Setting #4. This also allows for a quick changeover between autofocus and manual focus operation.

Freeze Focus

Available with the optional MF-28 Multi-Control Back, Freeze Focus automatically fires the shutter when a subject enters a pre-selected plane of focus. This ensures tack-sharp images for wildlife photography, macro-photography and remote photography. When used with manual focus mode, photographers can capture images of animals as they move down a track. Photographers can also use freeze focus for sports, fashion, stock or botanical shots in the field. Freeze focus operates with either AF or manual focus.

Electronic Rangefinder

Offering more versatility than optical rangefinders, the Nikon F5's Electronic Rangefinder is a manual focusing aid that also indicates the direction of lens rotation to lead to sharpness and confirms focus. This feature can be used with AF Nikkor or other manual focus AI-type Nikkor lenses with a maximum aperture of f/5.6 or faster. AF Nikkor Lens System

Nikon offers an extensive selection of AF Nikkor optics, including AF Nikkor, AF-I Nikkor and AF-S Nikkor. All lenses work with the Nikon F5's F Lens Mount, and interface with the extensive communication of the mount.

AF Nikkor lenses are focus-driven by the F5's built-in AF high-torque coreless motor. Connecting to each lens via a drive control, AF operation is fast and accurate. The F5's motor responds instantly to the commands of the AF computer. Every AF Nikkor lens will operate with the F5's system faster than ever -- because the Nikon F5 has a more powerful AF drive system. The investment in AF Nikkor lenses is a good one for professionals and amateurs alike.

AF-I Nikkor lenses feature a built-in AF drive motor. They autofocus with near silent operation, and are fast and accurate. The newest Nikkor lenses with built-in AF drive system include the AF-S Nikkor lenses. With their Silent Wave Motors, they are the fastest and most accurate performers in photography. They focus faster and closer, and together with the Nikon F5, they provide performance that's unequaled.

Current lenses in the AF-S category include 300 f/2.8, 500 f/4 and 600 f/4.

29/02/96

Bronica AE Prism Finder SQ-i for Bronica SQ-A, SQ-Am, SQ-Ai cameras

Bronica AE Prism Finder SQ-i

Bronica announced the new AE Prism Finder SQ-i, for the Bronica SQ-A, SQ-Am, and SQ-Ai cameras. The finder is the much awaited update of the original AE finder S, introduced at PMA in '83. The new AE finder mirrors the update for the ETRSi, the AE lll, and has nearly identical features.

The AE Prism Finder SQ-i is improved from top to bottom, with both cosmetic and performance enhancements. As with the original, it is a metered finder capable of manual or aperture priority automatic operation. But the updated finder has both center-weighted averaging metering cells, and a separate silicon photo cell for spot measurements. The spot meter measures a 12mm circle in the center of the finder for more select accuracy when desired. The EV range of the finder has been improved 4 stops, now providing EV 1-18. The AE accuracy has been enhanced to 12th stop increments in automatic.

The finder has replaced the LED style array with an easy to read LCD. The numerals can be seen comfortably in any working environment; when ambient light falls too low to illuminate the display, an automatic backlight renders the display legible. In addition, the LCD array uses a fraction of the battery power that the LED's use; not only will this conserve power, but will allow the finder to operate with marginal batteries longer.

Perhaps the greatest comfort feature of the new finder is the Variable Diopter, with a built in range of correction of -2.5 to +0.5, a three diopter range which will handle 90% of the eyes that view through this finder. For the exceptions, there are two optional "helper diopters", increasing the range from -5 to -2, and 0 to +3.

Other added bonuses include an auto exposure memory lock; which in auto holds a desired shutter speed for up to 60 seconds. A "clear" button is provided to cancel the memory, if desired. For long exposures in auto, an eyepiece shutter, or blind, can be engaged to block any stray light from skewing the exposure.

In addition to the compensation dials on the SQ style backs, there is a + or - 2 EV correction in 1/3 stop increments. This will allow for a consistent correction without regard to a film back change.

Two types of rubber eyecups are available; one low profile version for eyeglass wearers; and a large "shield" type for reducing extraneous light at the eyepiece. This was a request made often by pros.

In addition to all of the substantial technical improvements, the AE Prism Finder SQ-i exterior has been improved, providing a sleek, streamlined and rugged professional look.

Bronica Camera SQ-Basic - SQ-B

New Bronica Camera SQ-Basic - SQ-B

A new Bronica camera, the SQ-Basic, was unveiled at the Photo Marketing Association - PMA annual trade show. The camera is a simplified version of the popular 6x6 format SQ-Ai, and is targeted towards students and advanced professionals not needing some electronic features. This is the first new product introduced in the US since Tamron Co., Ltd. purchased Bronica last July, and Tamron Industries, Inc. assumed the US distribution of the line on February 1, 1996.

As the name suggests, the SQ-Basic, or SQ-B, has basic mechanical features that allow the camera to sell at a lower price range than the feature-packed SQ-Ai. The SQ-B accepts all of the original "S" and "PS" lenses, as well as a special 80mm PS/B lens made specifically for the camera. This lens is paint-coated, or alumite finished, similarly to the PG lenses for the GS-1, or the original "S" series, giving it a classy black matte color.

The SQ-B is a perfect choice for students who are being trained to use cameras without buil -in AE metering. The SQ-B will accept all of the SQ finders, including the AE, but does not activate the metering capability of any of these finders. Advanced pros who currently use their own specialized hand held meter will appreciate this more direct and cost effective approach.

The shutter release is completely mechanical, letting the user fire the camera with standard release at 1/500th second if the battery is unavailable, or exhausted. Normal shutter speeds range from 1/500th down to 8 seconds. The film winding crank is the SQ/SQ-A type, and the SQ-B will also accept Bronica's unique Speed Grip. In addition, it is mechanically compatible with all viewfinders (without AE features), backs, inserts (both 120 and 220), and focusing screens.

The SQ-B is packaged in an exclusive display box as a standard kit consisting of the Bronica SQ-B main camera body, a gold-imprinted SQ-B 120 film back without ISO dial, the new Zenzanon PS-B 80mm F/2.8 lens, and the SQ-B waist level finder. These components are not available individually as part of the marketing strategy.

15/01/96

Minolta Weathermatic Dual 35

MINOLTA WEATHERMATIC DUAL 35 

Minolta Corporation presents the Weathermatic Dual 35 -- the world's first weather/waterproof camera with dual-lens selection. This ruggedly designed compact camera lets you enjoy taking pictures anytime, anywhere and in any weather.

The Weathermatic Dual 35 is O-Ring sealed against moisture, sand and dust. This design makes the camera ideal for use on snowy hillsides, sandy beaches, in the rain, or even 16.5 feet underwater. In addition, the camera floats and has high visibility yellow-and-gray surfaces. This makes the camera easy to retrieve if it is dropped in a swimming pool or overboard while boating.

Underwater Versatility
The Weathermatic Dual 35 is designed so that you can enjoy taking pictures anywhere you go, even underwater. The back cover and battery chamber are sealed to permit operation to depths of 16.5 feet. This makes the Weathermatic Dual 35 ideal for snorkeling, windsurfing and other water sports.

When used underwater, the Weathermatic Dual 35 automatically switches from autofocusing to Focus-Free (fixed-focus) operation. The glass plate in front of the lens forms a positive meniscus lens that sets the focus for sharp pictures of subjects from 3.96 to 11.5 feet (with the 35mm lens). The user can also select the 5Omm lens, and the viewfinder magnification will change accordingly.

By pressing the underwater close-up button, the user can set the focus for sharp pictures from 1.7 to 4.3 feet with the 35mm lens, and the flash will fire automatically for proper exposure. Now, beautiful pictures of fish, coral, and other marine life are possible without using special lenses or attachments.

Rugged All-Weather Styling
A comfortable, molded rubber handgrip and convenient controls permit camera operation even when wearing gloves. To seal out water, sand, and dust, the camera has a rubber gasket on the back cover and a rubber O-Ring on the battery chamber cover. Because the camera is completely sealed against water, it can be cleaned by rinsing it in fresh water.

Dual Lens Selection
The Weathermatic Dual 35 is the first waterproof camera that lets the user choose between 35mm standard and 50mm tele lens --even underwater. At the touch of a button, the camera instantly changes the lens from standard to tele, and the viewfinder magnification changes simultaneously to match the lens' angle of view.

Autofocus with Focus Hold
The Weathermatic Dual 35 active-infrared autofocus produces sharply focused pictures, even in the dark. By maintaining slight pressure on the shutter-release button, you can hold the focus setting an decompose the picture with the subject anywhere in the frame.

An auto close-up function enables users to get sharp picture of flowers and other small subjects. Whenever the subject is about 30 inches or closer, the flash fires automatically for proper exposure. With the 35mm lens, users can take pictures as close as 20.8 inches.

Fully Automatic Exposure
Fully automatic programmed exposure with subject-weighted metering assures accurate exposures even when the subject is backlit or spotlighted. No manual exposure settings are required at any time. You can just aim the camera and shoot.

Auto Switchover Flash
For proper exposures in low light, the camera automatically fires its built-in flash. The camera is always ready to take flash pictures because flash charging starts the moment the camera is switched on. A convenient "flash-wait" red LED glows if the flash is not charged. To prevent taking an underexposed picture, the shutter locks until the flash is ready to fire. Between exposures, flash charging is extremely fast, just 1.2 seconds when a Duracell-lithium battery pack is used.

Fully Automatic Film Transport
With the Weathermatic Dual 35, film handling is virtually mistake-proof. Film speeds for DX-coded ISO 100 and 400 films are automatically set by the camera. After loading the film and closing the back cover, the film is advanced automatically to the first frame. The film is advanced automatically after each exposure, and rewinding starts automatically at the end of the roll.

Dual Power Source
The Weathermatic Dual 35 is powered by either a 6-volt lithium battery pack or four AAA-size alkaline batteries. For longer life and shorter flash-recycle times, lithium batteries are recommended.

Accessories
A wide neck strap is supplied with the camera. The length of the strap can be adjusted to match the camera's minimum focus distance for close-up pictures.

Optional accessories include a carrying case for the camera, a Sportsfinder, and a Sportscase. The carrying case is designed to keep the Weathermatic Dual 35 handy for active travelers. The case is made of bright yellow material and has a wide belt loop for attachment to your belt. The Sportsfinder attaches quickly to the camera and permits fast, easier framing for moving subjects. The Sportsfinder is specially designed for underwater use and indicates the angle of both 35mm and 50mm lens.

The Sportscase is also made of bright yellow material that matches the camera body. The Sportscase holds the camera and Sportsfinder and has room for spare film and batteries.

MINOLTA CORPORATION
www.minoltausa.com