Showing posts with label Guggenheim Museum Bilbao. Show all posts
Showing posts with label Guggenheim Museum Bilbao. Show all posts

23/09/25

Sky Hopinka: Fainting Spells @ Guggenheim Museum Bilbao - Video Exhibition Overview + Artist Biography

Sky Hopinka: Fainting Spells 
Guggenheim Museum Bilbao
September 18, 2025 – January 18, 2026

Sky Hopinka - Fainting Spells Video
Sky Hopinka
Fainting Spells, 2018
Three-channel color video, with sound, 9 min., 45 sec.
A.P. 1/2, edition of 3
Solomon R. Guggenheim Museum, New York, 
Purchased with funds contributed by the Photography Council, 2021
© Sky Hopinka

Sky Hopinka - Fainting Spells Video
Sky Hopinka
Fainting Spells, 2018
Three-channel color video, with sound, 9 min., 45 sec.
A.P. 1/2, edition of 3
Solomon R. Guggenheim Museum, New York, 
Purchased with funds contributed by the Photography Council, 2021
© Sky Hopinka

The Guggenheim Museum Bilbao presents Sky Hopinka: Fainting Spells, an exhibition in its Film & Video program.

Fainting Spells (2018), a film by the artist Sky Hopinka (Ferndale, Washington, 1984), explores the creation mythology of Xąwįska, or Indian Pipe Plant, also known as “ghost flower” or “corpse plant.” This medicinal plant is traditionally used by the Ho-Chunk people of Wisconsin to revive those who have fainted. It is also emblematic of Indigenous identity, knowledge, and culture and can be linked to the cycles of life and death and the spiritual world. Despite his extensive research, Hopinka could not unearth an origin myth for the plant and instead created one to engage with and reclaim the practice of mythkeepers and mythmaking in his own Indigenous culture.

This three-channel video begins with a handwritten poem that moves across scenes showing expansive colorful landscapes accompanied by lyrical music. The poem, a printed version of which is also showcased at the exhibition, speaks directly to Xąwįska, who later appears personified as a cloaked figure and leads viewers on a walk through the spirit world in different states of consciousness. Filmed in Washington, Colorado, Wisconsin, Oregon, and New Mexico, the film creates a dreamlike visual narrative by collaging together music, poetry, image, sound, and color, inviting viewers into a unique immersive experience created specifically for the Guggenheim Museum Bilbao’s Film & Video gallery.

Sky Hopinka - Fainting Spells Video
Sky Hopinka
Fainting Spells, 2018
Three-channel color video, with sound, 9 min., 45 sec.
A.P. 1/2, edition of 3
Solomon R. Guggenheim Museum, New York, 
Purchased with funds contributed by the Photography Council, 2021
© Sky Hopinka

Sky Hopinka - Fainting Spells Video
Sky Hopinka
Fainting Spells, 2018
Three-channel color video, with sound, 9 min., 45 sec.
A.P. 1/2, edition of 3
Solomon R. Guggenheim Museum, New York, 
Purchased with funds contributed by the Photography Council, 2021
© Sky Hopinka

Sky Hopinka explores Indigenous culture, history, and traditional beliefs through themes like identity, memory, language, and myth. A member of the Ho-Chunk Nation of Wisconsin and a descendent of the Pechanga Band of Luiseño people (California), the Pacific Northwest holds a special place in his artwork, especially as he delves into investigating notions of homeland, personhood, and landscape. His films reflect on the complexities of contemporary Indigenous life by blending non-narrative filmmaking and abstract imagery with an ethnopoetic approach—a response against the ethnographic gaze that has long objectified Indigenous cultures in moving image.

Ethnopoetic cinema examines themes of cultural identity, displacement, and the everyday experience through a combination of documentary and experimental filmmaking techniques, thereby emphasizing the artistic and performative aspects of cultural expression. At the core of Hopinka’s work is a profound commitment to storytelling through his Indigenous perspective, a narrative that has long been marginalized within the Western canon. He explains, “Part of the desire I had to make films was to tell Indigenous stories that were unique to my own community and my own identity.”

Sky Hopinka - Photo Portrait
Sky Hopinka
(b. 1984, Ferndale, Washington)
Courtesy the artist
© Sky Hopinka

Sky Hopinka - Biography

Sky Hopinka was born and raised in Ferndale, Washington, and spent a number of years in Palm Springs and Riverside, California; Portland, Oregon; and Milwaukee, Wisconsin. In Portland, he studied and taught chinuk wawa, a language indigenous to the Pacific Northwest, and began to take an interest in documentary filmmaking. In Milwaukee, he enrolled in a graduate degree in experimental filmmaking and discovered unconventional ways of documentary filmmaking that enabled him to uniquely express his interest in Indigenous languages and Native American life today. He currently lives in Brooklyn, New York, and is an assistant professor in the Department of Art, Film, and Visual Studies at Harvard University, Cambridge.

Sky Hopinka’s work has played at prestigious festivals including Sundance Film Festival, Utah; Toronto International Film Festival, Ontario; Courtisane Festival, Ghent; Festival Punto de Vista, Pamplona; and the New York Film Festival, New York. His work has also been recognized internationally in numerous solo exhibitions at institutions like the Center for Curatorial Studies–Bard College, Annandale-On-Hudson, New York (2020); Saint Louis Art Museum, St. Louis (2020); The Museum of Modern Art, New York (2021); LUMA, Arles, France (2022); San Francisco Museum of Modern Art (2023); Frye Art Museum, Seattle (2024); and Kunsthalle Friart, Switzerland (2024). Moreover, his work was included in the Whitney Biennial, Whitney Museum of American Art, New York (2017); the Gwangju Biennial, South Korea (2023); and the Göteborg International Biennial, Sweden (2023).

Sky Hopinka’s films, videos, and photographs are in the collections of some of the most important museums in the world. Additionally, Hopinka was a fellow at the Radcliffe Institute for Advanced Study at Harvard University, Cambridge (2018–19); Sundance Art of Nonfiction Fellow, Sundance Institute, Los Angeles (2019); Guggenheim Fellow for Creative Arts (2020); Forge Project Fellow (2021); and a MacArthur Fellow (2022). His multiple awards include the Herb Alpert Award in the Arts, Film, & Video (2020); the Infinity Award in Art from the International Center of Photography (2022); and the Persistence of Vision Award from the San Francisco International Film Festival (2025).

Curator: Geaninne Gutiérrez-Guimarães

Guggenheim Bilbao also presents, from October 16, 2025 through February 22, 2026, the exhibition Maria Helena Vieira da Silva: Anatomy of Space.

GUGGENHEIM MUSEUM BILBAO

05/09/25

Maria Helena Vieira da Silva @ Guggenheim Museum Bilbao - "Anatomy of Space" Exhibition

Maria Helena Vieira da Silva
Anatomy of Space
Guggenheim Museum Bilbao
October 16, 2025 - February 22, 2026

An in-depth survey of the visual language of Portuguese-born French artist Maria Helena Vieira da Silva (1908–1992), this exhibition traces key moments in her career from the 1930s to the late 1980s through eight thematic sections. Particular focus is placed on her exploration of architectural space, where she dissolved the boundaries between real and imaginary urban landscapes, moving beyond formal references to Portuguese visual culture and avant-garde movements such as Cubism and Futurism.

The idea of space is a central theme in Maria Helena Vieira da Silva’s work; her compositions, featuring labyrinthine structures, chromatic rhythms, and fragmented perspectives, capture the essence of a world in perpetual transformation. 

Born in Lisbon, Maria Helena Vieira da Silva trained both there and in Paris. Influenced by her studies in sculpture and anatomy, as well as by the great masters of the past—particularly Paul Cézanne—and the avant-garde movements of the twentieth century, she developed a distinctive pictorial idiom in which the physicality of space merges with the dimensions of time and memory.

Curator: Flavia Frigeri

GUGGENHEIM MUSEUM BILBAO | BILBAO, SPAIN

14/05/24

Metahaven Film Installation: Chaos Theory @ Guggenheim Museum Bilbao

Metahaven: Chaos Theory
Guggenheim Museum Bilbao 
Through June 9, 2024

Metahaven
Metahaven
Chaos Theory, 2021
Single channel film, 25 min. (film still)
Courtesy the artists
© Metahaven

Metahaven
Metahaven
Chaos Theory, 2021
Single channel film, 25 min. (film still)
Courtesy the artists
© Metahaven

Metahaven
Metahaven
Chaos Theory, 2021
Single channel film, 25 min. (film still)
Courtesy the artists
© Metahaven

Metahaven
Metahaven
Chaos Theory, 2021
Single channel film, 25 min. (film still)
Courtesy the artists
© Metahaven

The Guggenheim Museum Bilbao presents Metahaven: Chaos Theory, the year's first exhibition of Film & Video exhibition series. This program, celebrating its tenth anniversary in 2024, is permanently devoted to artistic practices associated with the moving image.

Chaos Theory is a unique film installation by Metahaven, the renowned collective founded by Amsterdam-based artists Vinca Kruk and Daniel van der Velden in 2007. Encompassing a variety of mediums including moving images, graphics, interfaces, textile works, and theory, Metahaven is regarded as a forerunner of interdisciplinary practice today.

In Chaos Theory, Metahaven addresses the range of shifting emotions of childhood, sisterhood and parenthood in the connected existence of the film's two protagonists. The enthralling 25-minute film takes revolves around different moments in the dialogue of a child ‘X’ (Valentina Di Mondo) and an adult named ‘Y/Z’ (Georgina Dávid), as they play, walk and live together in a multi-lingual reality. Filled with poetic resonances and ingenious wordplay, their exchanges are set in open spaces as well as more intimate settings—an elevator, a room—all of them equally allegorical and dream-like. A sense of continuity between wakefulness and reverie, pervades the entire film, where the lightness of play alternates with conversations on existential time and gravity. Thus, Chaos Theory operates as a nonlinear tale that challenges distinctions between voices and thoughts, places and fantasy zones.

Shot on location in the outskirts of Amsterdam, the film’s infrastructural landscape appears in contrast with its open-ended poetics. Multiple vantage points, or screens within the screen, coexist at times. Sections of the screen are outlined in red, as in a video conference call, when a new motif appears in the story. Chaos Theory is presented in a newly conceived spatial installation that includes a large woolen carpet, conceived as a seating area for the audience. Graphic vectors and colour squares mingle in a densely tufted texture that is reminiscent of common upholstery in public transportation. This object somehow materializes X’s words: “I see us in things that are not us; in the drawings of the seats on the bus.”

In the anteroom, Metahaven’s film resonates with a multiplicity of textile works that the artists understand as equivalent to film stills. Thus, the presentation of Chaos Theory is expanded with a selection of embroidered objects created in the past four years, some of which are being exhibited publicly for the first time. These series—Arrows (2020), Blossoms (2021), Bus Seats (2023), and Murmurations (2024)— include jumpsuit jackets, plastic bags, and small tapestries on bus seat fabric. Beside them are the triptych Living Together in Stories (2022) and the single jacquard Versions and Waves (2020). Juxtaposing oneiric landscapes, interfaces, bird flocks and geographics, the artists invite us to challenge our certainties and envision a future defined by empathy, fluid identity, and acknowledged dependence.

Metahaven. Biography

Amsterdam-based Vinca Kruk (b. 1980) and Daniel van der Velde (b. 1971) founded the Metahaven collective in 2007. Their work encompasses filmmaking, writing, and design, and has presented solo exhibitions at MoMA PS1, New York; ICA London; Stedelijk Museum Amsterdam; Yerba Buena Center for the Arts, San Francisco; Asakusa, Tokyo; Izolyatsia Kyiv; e-flux, New York; Tick Tack, Antwerp; and State of Concept, Athens, among others; as well as participated in major group exhibitions at Artists Space, New York; the Museum of Modern Art Warsaw; the Gwangju Biennale; the Sharjah Biennial; the Busan Biennale; Ghost:2561, Bangkok; and many others. Their work is featured in collections of the Sharjah Art Foundation, the National Gallery of Victoria, M HKA, the Victoria & Albert Museum, and the Stedelijk Museum Amsterdam, among others.

Metahaven are artistic advisors at Rijksakademie, Amsterdam; affiliate researchers at Antikythera, Los Angeles; and heads of department at the Geo-Design MA at Design Academy Eindhoven. 

GUGGENHEIM MUSEUM BILBAO
Guggenheim Bilbao Museoa
Avenida Abandoibarra, 2 - 48009 Bilbao

26/03/21

Les Années Folles @ Musée Guggenheim Bilbao

LES ANNÉES FOLLES
Musée Guggenheim Bilbao
7 mai - 19 septembre 2021 

Ernest Neuschul
Ernest Neuschul
Takka-Takka danse (Takka-Takka tanzt), 1926
Huile sur toile, 141 × 103 cm
Collection particulière
© Nachlass Ernest Neuschul

La volonté d'innovation n'a jamais été plus manifeste au XXe siècle que dans les années 1920. Cette décennie a vu naître des approches particulièrement progressistes à bien des égards pour l’époque. Des plans urbains ambitieux ont été conçus, des villes se sont développées à grande vitesse, certains institutions et modèles sociaux traditionnels comme le mariage ont été remis en question, des minorités ou des franges de la population jusqu'alors discriminées et réprimées, notamment les femmes ou les homosexuels, ont commencé à jouer un rôle dans la culture et la politique, les horaires au travail se sont mieux adaptés aux besoins des travailleurs tandis que l’industrie des loisirs en pleine expansion prospérait en parallèle ; sans parler d'une mobilité de plus en plus démocratisée qui touchait énormément d’aspects de la vie quotidienne.

L'exposition privilégie Paris et Berlin en tant que métropoles dans lesquelles ont émergé ces réalités spécifiques des années 20, mais elle propose également un regard sur d'autres centres de l’avant-garde, comme Vienne et Zurich. Appelées "les années folles" dans le monde francophone ou "Die wilden Zwanziger" dans les pays germaniques, les années folles sont un phénomène qui a fleuri simultanément dans toutes les grandes villes de l'hémisphère occidental.

On peut considérer comme révélateur le fait qu'aujourd'hui, il est facile pour pratiquement tout le monde d'identifier au moins quelques-unes des caractéristiques des années 20, comme la coupe de cheveux « pixie » ou à la garçonne, les vêtements moulants, l'accent mis sur l'érotisme, la conception extravagante de la mode, les danses endiablées sur des rythmes de jazz ou la notion de cinéma servant de support idéal pour présenter de nouvelles utopies et constituant une source stimulante d'inspiration et d'évasion. Partout en Europe, mais surtout en France et en Allemagne, pays qui avaient été durement meurtris par la Première Guerre mondiale, les gens voulaient oublier les années traumatisantes et imaginer des temps meilleurs, affichant un désir profond de vivre pleinement sur la base de nouvelles relations sociales, gages de changement.

L'exposition est conçue par Calixto Bieito, un metteur en scène d'opéra reconnu pour sa contribution novatrice à la culture européenne. En 2013, il a été nommé directeur artistique du Théâtre de Bâle et, en janvier 2016, du Théâtre Arriaga de Bilbao.

Exposition organisée conjointement par le Musée Guggenheim Bilbao et la Kunsthaus Zurich

Commissaires : Catherine Hug, Kunsthaus Zurich, et Petra Joos, Musée Guggenheim Bilbao

MUSÉE GUGGENHEIM BILBAO
Guggenheim Bilbao Museoa
Avenida Abandoibarra, 2 - 48009 Bilbao