Showing posts with label PAM. Show all posts
Showing posts with label PAM. Show all posts

20/09/25

2025 Arizona Artist Awards winners announced by Phoenix Art Museum: Alice Leora Briggs, Shaunté Glover, Chris Ignacio, Jan Talmadge Davids

2025 Arizona Artist Awards winners 
Phoenix Art Museum
Upcoming Exhibition(s)

Alice Leora Briggs Artwork
Alice Leora Briggs 
STYX, in progress 
Sgraffito drawing on 18 wood panels prepared 
with kaolin clay, acrylic medium binder, India ink
six acrylic on wood panels 
Courtesy of the artist

Phoenix Art Museum (PhxArt) has announced the recipients of the 2025 Arizona Artist Awards. Alice Leora Briggs was named the recipient of the 2025 Scult Family Artist Award and Chris Ignacio and Jan Talmadge Davids were named the recipients of the 2025 Sally and Richard Lehmann Emerging Artist Awards (Lehmann Emerging Artist Awards). New this year is the Sette/Cohn Artist Award, established in 2024 to expand the Arizona Artist Awards program and deepen PhxArt’s support of local artists. Shaunté Glover was named the inaugural recipient. As part of the awards, each artist receives a lifetime Membership to Phoenix Art Museum as well as funds to support their artistic practice. Briggs, Ignacio, and Talmadge Davids will also have the opportunity to exhibit their work in solo and group exhibitions at the Museum premiering in summer 2026.
“We are thrilled to announce this year’s Scult, Lehmann, and Sette/Cohn Artist Awards recipients, in recognition of their artistic contributions to our state’s robust arts and culture landscape,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Each of these artists has built a dynamic, thoughtful practice that speaks to their own lived experiences, communities, and perspectives on identity, connection, and the larger human condition. We are honored to support their work as part of our ongoing commitment to amplifying the voices of Arizona-based artists through our annual Artist Awards program, and we are grateful to the Scult family, the Lehmann family, the Cohn family, Lisa Sette, and Artlink for their generosity and partnership in strengthening those efforts.” 

“I offer my heartfelt congratulations to Alice, Chris, Jan, and Shaunté as our newest cohort of Arizona Artist Awards recipients,” said Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement at Phoenix Art Museum. “These artists have all built multifaceted practices, and their work stands as a testament to the strength of the artistic community here in Arizona. I look forward to working with Alice, Chris, and Jan as we begin planning for their forthcoming exhibitions, which will be designed to engage our community with their evocative works and wide-ranging perspectives, and I look forward to seeing how Shaunté utilizes this award opportunity to support her artistic growth.” 
Alice Leora Briggs: Scult Family Artist Award

Each year, Phoenix Art Museum recognizes a mid-career Arizona-based artist with the Scult Family Artist Award. Eligible candidates must have resided in Arizona for a minimum of four consecutive years and are nominated by a group of curators, museum directors, and other arts professionals from across the state. Their candidacy is evaluated based on their demonstration of artistic excellence, active creation and exhibition of new work, and career-spanning evolution. Following a robust review process, a jury of curators, art scholars, artists, and other experts and professionals in the field from across the country selects the recipient. The Scult Family Artist Award includes monetary support of $20,000 and an invitation to present a solo exhibition of new and past work at the Museum. The 2025 Scult Artist Award jury included Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; and Jeff Scult.

Alice Leora Briggs Photo
Alice Leora Briggs 
Photo by the artist

The 2025 Arlene and Morton Scult Artist Award recipient is Alice Leora Briggs. Born in an oil boomtown in West Texas, Briggs grew up in Idaho’s Snake River Valley and is now based in Tucson, Arizona. Through her practice, she investigates human frailties through drawings, woodcuts, letterpress broadsides, site-specific installations, and books. Her work has been featured in more than 50 solo exhibitions and is represented in more than 35 public collections, including those of Phoenix Art Museum; Crystal Bridges Museum of American Art; Fine Arts Museums of San Francisco; Museum of Fine Arts Houston; Library of Congress; Oxford’s Bodleian Library; and Yale’s Beinecke Rare Book and Manuscript Library.  Her publications include Dreamland: The Way Out of Juárez (2010); an illuminated manuscript-police blotter created with writer Charles Bowden; Abecedario de Juárez: An Illustrated Lexicon (2022) produced with photojournalist Julián Cardona; and The Room, a portfolio of woodcuts created with U.S. poet laureate Mark Strand. Briggs was a Fulbright Scholar at the Academy of Fine Arts and Design in Bratislava, Slovakia, and received a Guggenheim Fellowship in 2020. She received her MFA from the University of Iowa and is represented by Evoke Contemporary in Santa Fe, New Mexico, and Etherton Gallery in Tucson, Arizona.  

Chris Ignacio and Jan Talmadge Davids: Lehmann Emerging Artist Awards

The Lehmann Emerging Artist Awards foster the creative practices and careers of emerging Arizona-based artists. Candidates must have resided in Arizona for a minimum of one year and are invited to apply through an annual open call hosted by Artlink, a non-profit organization that has supported and amplified Arizona artists and community-based art events and initiatives for more than 30 years. Recipients receive $10,000 in monetary support and the opportunity to present a joint exhibition at the Museum with fellow Lehmann awardees. The 2025 Lehmann Emerging Artist Awards jury was also assembled by Ramírez and included Ramírez; Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; and Sally Lehmann. 

Chris-Ignacio Photo
Chris Ignacio
Photo by Sequoyah Wildwyn Dechter

The Museum has named Chris Ignacio and Jan Talmadge Davids as the recipients of the 2025 Lehmann Emerging Artist Awards. Based in Phoenix, Chris Ignacio is a Filipino-American puppeteer, producer, educator, and interdisciplinary artist whose work explores the intersection of voice, technology, and identity. He began his puppetry career in New York in 2012, training with experimental artists at La MaMa and working across theater, community arts, and livestream media. In 2023, he made his debut at the Metropolitan Opera as a puppeteer in Florencia en el Amazonas, directed by Mary Zimmerman. He has also premiered original puppetry works at New York theaters including La MaMa, The Tank, and The Brick, and has toured both nationally and abroad. In Phoenix, Ignacio has served as a media designer for major institutions such as Ballet Arizona, Arizona Broadway Theater, Arizona Opera, and Childsplay. His original projects, including those featured in exhibitions at Vision Gallery and Mesa Arts Center, center community collaboration, particularly with young people or people with limited arts exposure. He holds an MFA in Theatre/Interdisciplinary Digital Media from Arizona State University (ASU), where he now teaches motion capture and 3D animation. Ignacio also serves as creative producer for the T. Denny Sanford Harmony Institute at ASU. 

Jan Talmadge Davids Photo
Jan Talmadge Davids
Photo courtesy of the artist

Jan Talmadge Davids works in clay and mixed media to explore landscapes of her childhood and their local  ecologies and to articulate ideas of place-making. Through installation and material sensitivities, she invites the viewer to engage in the ideas of fragility and vulnerability. Talmadge Davids was born in Tucson, Arizona, spending her youth in the southeastern part of the state. She attended the University of Arizona, California State University at Long Beach, and then came from Los Angeles to pursue her MFA at the Herberger School of Art and Design, where she found the opportunity to reconcile her past with her present, which is embedded in the desert landscape. Her work has been shown at the Los Angeles Municipal Art Gallery; The Carolyn Campanga Klefeeld Contemporary Art Museum in Long Beach, CA; Tempe Center for the Arts; eye lounge; The Tucson Museum of Art; and Art d’Core Gala.

Shaunté Glover: Sette/Cohn Artist Award

Established in 2024, the Sette/Cohn Artist Award was created to expand PhxArt’s Arizona Artist Awards program.  The new $5,000 prize is awarded to an emerging Arizona artist selected from the Lehmann Emerging Artist Award application pool as part of a five-year initiative dedicated to supporting arts engagement and strengthening community partnerships. It is named in honor of Lisa Sette, who has supported and represented Arizona-based artists, both through her gallery and personally, for more than 40 years, and Lee and Mike Cohn, longtime Museum supporters who in 2023 provided the seed funding to launch the Phoenix Art Museum Education and Engagement Excellence Fund and have extended their generosity to support Arizona-based artists. The award’s recipient is selected by Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; Olga Viso, Selig Family Chief Curator and Director of Curatorial Affairs, Phoenix Art Museum; Lee and Mike Cohn; and Lisa Sette. 

Shaunté Glover Photo
Shaunté Glover
Photo courtesy of the artist

The inaugural 2025 Sette/Cohn Artist Award recipient is Shaunté Glover. Glover is a multidisciplinary artist based in Phoenix, Arizona. Her creative journey spans photography, film, printmaking, and sculpture, exploring identity and representation to use art as a catalyst to increase visibility, strengthen community engagement, and amplify the voices of marginalized communities, particularly those of Black women. Rooted in her upbringing in South Phoenix, Glover’s work draws from memories of childhood, basketball, family, and everyday neighborhood life. She combines these influences into layered visual narratives that reflect lived experience and cultural nuance. 

PHOENIX ART MUSEUM
1625 North Central Avenue, Phoenix, AZ 85004 

07/09/25

Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer @ Portland Art Museum

Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer
Portland Art Museum
September 6, 2025 – January 11, 2026

Jeff Koons
Jeff Koons
, American, (b. 1955)
Gazing Ball (da Vinci Mona Lisa), edition 38/40, 2016
Archival pigment print with inlaid mirrored glass
40 11/16 x 27 3/4 in. Overall
Published by Two Palms, New York, NY
Collection of Jordan D. Schnitzer
© Jeff Koons
Photography Courtesy of the artist and Two Palms, NY


Dinh Q. Le
Dinh Q. Lê
, Vietnamese-American, (1968 - 2024)
I am Large, I Contain Multitudes, edition AP 1/1, 2009
Bicycle, steel, mirrors, wood, plastic, rubber, and metal lock
72 x 90 x 40 in. Overall, 90 x 106 1/2 x 57 in. Crate
Published by the artist
Collection of the Jordan Schnitzer Family Foundation
© Courtesy of Elizabeth Leach Gallery and the Dinh Q. Lê Estate
Photography Aaron Wessling

Amy Sherald
Amy Sherald
, American, (b. 1973)
As Soft as She Is..., edition 2/35, 2024
70-color screenprint on Lana Aquarelle 600 gsm
50 5/8 x 42 3/8 x 1 3/4 in. Frame, 
45 1/4 x 37 in. Sheet, 40 1/4 x 32 in. Image
Published by Hauser & Wirth, New York, NY
Collection of the Jordan Schnitzer Family Foundation
© Amy Sherald. Courtesy the artist and Hauser & Wirth
Photography Aaron Wessling

Portland Art Museum (PAM) presents Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer, an exhibition that shares works from Oregon’s foremost fine art collector by some of today’s leading artists with local Portland audiences.

Highlighting recent acquisitions from the collections of Jordan Schnitzer and his Family Foundation, the exhibition includes more than 75 works—some of which have never previously been exhibited—by celebrated artists of the 20th century, such as Louise Bourgeois, Jasper Johns, Ellsworth Kelly, and Robert Rauschenberg, in addition to contemporary luminaries such as Nick Cave, Jenny Holzer, Mickalene Thomas, and Hank Willis Thomas.

Jordan Schnitzer, who has been named an ARTnews Top 200 art collector globally, is a lifelong Portland resident and local business owner. His collaboration with PAM to exhibit these collections is an extension of the Jordan Schnitzer Family Foundation’s mission to share art with audiences across the globe.
“Instead of having to travel to New York City to go to the Museum of Modern Art or the Whitney, all you have to do is visit the Portland Art Museum to see exceptional artwork by some of today’s biggest artists," said Jordan Schnitzer. “Each year, when I collect new works, I think about how to share them with museums across the country through the Jordan Schnitzer Family Foundation exhibition program. My hope is that they will inspire audiences who might not otherwise have the opportunity to see works by these amazing artists.”
Jeffrey Gibson
Jeffrey Gibson
Native American, Mississippi Band of Choctaw Indians 
and Cherokee, (b. 1972)
SPIRIT AND MATTER, 2023
Acrylic paint on elk hide inset in custom wood frame
90 x 72 1/2 x 5 in. Frame
Collection of the Jordan Schnitzer Family Foundation
© Jeffrey Gibson
Photography Aaron Wessling

Tschabalala Self
Tschabalala Self
, American, (b. 1990)
Untitled (Bodega Run), 2023
Unique cast and pigmented paper in artist designed frame
40 1/4 x 49 1/4 in. Sheet, 45 3/4 x 54 3/4 x 6 7/16 in. Frame
Published by Two Palms, New York, NY
Collection of the Jordan Schnitzer Family Foundation
Courtesy of the artist and Two Palms, NY
Photography Aaron Wessling

Katherine Bernhardt
Katherine Bernhardt
, American, (b. 1975)
Untitled, 2024
Monotype in watercolor and crayon
100 3/4 x 52 3/4 x 2 5/8 in. Frame, 96 x 48 in. Sheet
Published by Two Palms, New York, NY
Collection of the Jordan Schnitzer Family Foundation
Courtesy of the artist and Two Palms, NY
Photography Aaron Wessling

The exhibition features works across various media including paintings, textiles and tapestries, sculpture, photography, glass, ceramics, mixed media, and more, many of which will be shown publicly for the first time. Additional artists in the exhibition include Roy Lichtenstein, Jeff Koons, Helen Frankenthaler, Andy Warhol, Keith Haring, Dinh Q. Lê, Julie Mehretu, and Tschabalala Self. The wide array of artists represented in this presentation includes numerous women, Native American and Black artists, and other artists of color, building on PAM’s own work to spotlight underrepresented artists who represent the myriad communities that comprise Oregon.
“Portland Art Museum is a vital cultural resource for the region, which is why we are thrilled to partner with the Jordan Schnitzer Family Foundation collection to provide our community more opportunities to access and find inspiration in the art that brings the world to Portland,” said Brian Ferriso, Director. “Jordan and his family have long been ardent supporters of the Museum and our city, and we are grateful for his collaboration with PAM to further our mission to engage and enrich Portland’s diverse communities through art.”
Nick Cave
Nick Cave
, American, (b. 1959)
Rescue, 2014
Mixed media including ceramic birds, metal flowers, 
ceramic Basset Hound, and vintage settee
70 x 50 x 40 in. Overall
Collection of the Jordan Schnitzer Family Foundation
© Nick Cave. Photo by James Prinz Photography 
Courtesy of the artist and Jack Shainman Gallery, New York

Alison Saar
Alison Saar
, American, (b. 1956)
Plucked, 2022
Charcoal and acrylic on vintage cotton picking bag, 
found hooks and chain, 93 x 28 in. Overall
Collection of the Jordan Schnitzer Family Foundation
© Alison Saar. Courtesy of L.A. Louver, Venice, CA.
Photography Aaron Wessling 

Christopher Myers
Christopher Myers
, American, (b. 1974)
Let the Mermaids Flirt with Me, 2022
Stained glass lightboxes and tent
42 3/4 x 42 3/4 x 5 in. Frame
Collection of the Jordan Schnitzer Family Foundation
© Christopher Myers 2022 
Courtesy of the artist and James Cohan, New York 
Photo by Dan Bradica

Other notable works in the exhibition include Christopher Myers' immersive and mesmerizing installation Let the Mermaids Flirt with Me, on view for only the second time since debuting at Art Basel Miami in 2022. Featured in the Museum’s grand Arlene and Harold Schnitzer Sculpture Court, the installation is a suite of stained glass paintings in lightboxes installed within a freestanding octagonal architectural structure, creating a chapel for contemplation of the illuminated compositions.

Several of the artists featured in the exhibition have previously exhibited works at PAM or are represented within PAM’s encyclopedic collection, including Hank Willis Thomas, with whom PAM organized a traveling solo exhibition in 2019, and Jeffrey Gibson, whose work PAM commissioned and exhibited at the Museum in 2023 before serving as co-commissioner for his exhibition for the U.S. Pavilion at the 60th International Art Exhibition of La Biennale di Venezia (the Venice Biennale).

PAM has also previously featured works from the collections of Jordan Schnitzer in its exhibitions including En Suite: Contemporary Prints from the Collections of Jordan D. Schnitzer and The Jordan Schnitzer Family Foundation (2001), Location/Dislocation: Recent Prints from the Collections of Jordan D. Schnitzer and The Jordan Schnitzer Family Foundation (2003), Minimalism/Postminimalism: Selections from the Collections of Jordan D. Schnitzer and His Family Foundation (2007), Ellsworth Kelly Prints (and Paintings) (2012), Anish Kapoor: Prints from the Collections of Jordan D. Schnitzer (2015), Andy Warhol Prints (2016), Josiah McElheny’s Cosmic Love (2018), and Jeffrey Gibson: To Name An Other (2022).

This exhibition is organized by the Portland Art Museum in partnership with The Jordan Schnitzer Family Foundation. 

ABOUT THE JORDAN SCHNITZER FAMILY FOUNDATION

Jordan Schnitzer
Jordan Schnitzer 
Courtesy of Jordan Schnitzer Family Foundation

The Jordan Schnitzer Family Foundation’s contemporary art collection is one of the most notable in North America. The Foundation has shared its art with millions across the U.S. and internationally through groundbreaking exhibitions, publications, and programs. Founded by ARTnews Top 200 Collector Jordan D. Schnitzer—whose passion for art began in his mother’s contemporary art gallery in Portland, Ore.—the Foundation has organized over 180 exhibitions from its collection and additionally loaned thousands of artworks to over 120 museums at no cost to the institutions. Jordan Schnitzer began collecting contemporary prints and multiples in 1988 and today is North America’s largest print collector. His Foundation’s collection consists of more than 22,000 works of art, including a wide variety of prints, sculptures, paintings, glass, and mixed media works.

PORTLAND ART MUSEUM - PAM
1219 SW Park Avenue Portland, OR 97205

07/04/24

Futuristic Footwear Design Exhibition @ Portland Art Museum - "Future Now: Virtual Sneakers to Cutting-Edge Kicks"

Future Now: Virtual Sneakers to Cutting-Edge Kicks
Portland Art Museum
March 30 - August 11, 2024
.
Nike
Nike MAG
2015
Courtesy of the Department of Nike Archives,
American Federation of Arts, and Bata Shoe Museum

Zaha Hadid x United
Nude NOVA, 2022
First designed in 2013
Image © 2023 Bata Shoe Museum
Courtesy American Federation of Arts 
and Bata Shoe Museum

F_WD XP4_Mavy
, 2021
Image © 2023 Bata Shoe Museum
Courtesy American Federation of Arts 
and the Bata Shoe Museum

Portland Art Museum, in partnership with the Bata Shoe Museum in Canada, presents Future Now: Virtual Sneakers to Cutting-Edge Kicks is a groundbreaking exhibition that features nearly 60 futuristic footwear designs pushing the boundaries of what footwear can be.

Featuring an incredible mix of fashion, design, gaming, new media, architecture, and material arts as well as sustainable and collaborative practices, the exhibition features work by designers as diverse as Rem D. Koolhaas and Zaha Hadid, innovators Mr. Bailey and Salehe Bembury, as well as designs made in collaboration with fashion icons Rick Owens, Stella McCartney, and Yohji Yamamoto, and top gaming companies including PlayStation, EA Sports, and more.
“The future is always being shaped by the present. The exhibition includes many incredible and innovative new footwear designs that are promising to transform what we will wear tomorrow. From sneakers created to address issues related to sustainability and inclusion to shoes that blur the line between the real world and the metaverse, this exhibition explores how forward-looking creators are helping us step into the future.” — Elizabeth Semmelhack, Director and Senior Curator, Bata Shoe Museum.

 

EKTO One Robotic VR boots
, 2021
Collection of Brad Factor
Courtesy American Federation of Arts 
and the Bata Shoe Museum

Jeff Staple x RTFKT
Meta-Pigeon K-Minus, 2021
Collection of the Bata Shoe Museum,
gift of RTFKT
Courtesy American Federation of Arts 
and the Bata Shoe Museum

Future Now features sections exploring Innovation, Sustainability, Transformative, and Virtual shoes, and include digitally designed and 3D-printed shoes, sneakers made from mushroom leather and reclaimed ocean plastics, and footwear created for the metaverse. The ahead-of-its-time Nike Mag, conceived for Back to the Future Part II by Portland’s own Tinker Hatfield, will also be on display, as well as recent innovators MSCHF’s Big Red Boots and EKTO VR’s One Robotic Boots and artist collaborations like Takashi Murakami x RTFKT.
“This exhibition expands the possibilities of what footwear design can be, presenting the future right at our feet,” says Amy Dotson, Director of PAM CUT and Curator of Film & New Media for Portland Art Museum. “The show is a love letter to all of the artists, storytellers, designers and visionaries who dare to think differently—many who live and work right here in Portland, the shoe capital of the United States.”
SCRY
Undercurrent P Virtual Prototype, 2022
© Bata Shoe Museum
Courtesy American Federation of Arts 
and the Bata Shoe Museum

Salehe Bembury x Cocs
Pollex, 2021
© Bata Shoe Museum
Courtesy American Federation of Arts 
and the Bata Shoe Museum

Mr. Bailey
Octopus Shoe, 2018
Collection of Mr. Bailey
Courtesy American Federation of Arts 
and the Bata Shoe Museum

Featuring wildly mold-breaking exhibition design by local female-driven Osmose Design—whose work has been featured in The New York Times and Architectural Digest and includes the recent reimagining of PAM CUT’s Tomorrow Theater—this show is an incredible opportunity to set foot into a world of cutting edge thinking around new artistic practices and technology that are revolutionizing our tomorrow.

Unique to Portland Art Museum’s presentation of the exhibition is a collaboration with Doernbecher Freestyle, celebrating its 20th year of partnership between OHSU Doernbecher Children’s Hospital and NIKE, Inc. This partnership pairs Doernbecher patient-designers with NIKE, Inc. product creation employees to create footwear that brings each patient’s vision and story to life – with 100% of the profits from retail sales donated to the children’s hospital.

Curated by Elizabeth Semmelhack, Director and Senior Curator, Bata Shoe Museum, and curated for PAM by Amy Dotson, Director of PAM CUT// Center for an Untold Tomorrow and Curator, Film and New Media. The exhibition is co-organized by the American Federation of Arts and the Bata Shoe Museum.

Upcoming exhibitions at Portland Art Museum:

- Monet to Matisse: French Moderns
June 8 - September 15, 2024

- Paul McCartney Photographs 1963–64: Eyes of the Storm 
September 14, 2024 - January 19, 2025

- Psychedelic Rock Posters and Fashion of the 1960s 
October 19, 2024 - March 30, 2025

PORTLAND ART MUSEUM
1219 SW Park Avenue, Portland, OR 97205

12/12/23

Throughlines: Connections in the Collection @ Portland Art Museum

Throughlines: 
Connections in the Collection
Portland Art Museum
October 28, 2023 – November 1, 2024

Corita Kent
Corita Kent
(American, 1918-1986) 
somebody had to break the rules, 1967
Color screenprint on Pellon, image/sheet: 29 7/8 in x 36 1/16 in 
Museum Purchase: Print Acquisition Fund.
Portland Art Museum, Portland, Oregon, 2016.89.1

Gabriel Revel
Gabriel Revel
(French, 1643-1712) 
Portrait of a Sculptor, ca. 1680 
Oil on canvas, 26 1/4 in x 22 1/4 in 
Gift of Dr. and Mrs. Edwin Binney, 3rd.
Portland Art Museum, Portland, Oregon, 68.34

Bue Kee
Bue Kee
(American, 1893-1985) 
Self-Portrait, ca. 1930 
Oil on canvas, 19 1/4 in x 15 1/2 in 
Gift of Michael Parsons and Marte Lamb. 
Portland Art Museum, Portland, Oregon, 2005.114.3

Yanagihara Mutsuo
Yanagihara Mutsuo
(Japanese, born 1934) 
Mandolin, 1966 
Stoneware with brown and yellow glaze, 23 1/2 in x 9 1/2 in x 10 5/8 in
Museum Purchase: Caroline Ladd Pratt Fund. 
Portland Art Museum, Portland, Oregon, 68.23

The seventh oldest museum in the United States, the Portland Art Museum is internationally recognized for its permanent collection and ambitious special exhibitions drawn from the Museum’s holdings and the world’s finest public and private collections. The Museum’s collection of more than 50,000 objects, displayed in 112,000 square feet of galleries, reflects the history of art from ancient times to today. The collection is distinguished for its holdings of arts of the native peoples of North America, English silver, and the graphic arts. An active collecting institution dedicated to preserving great art for the enrichment of future generations, the Museum devotes 90 percent of its galleries to its permanent collection.

Throughlines: Connections in the Collection offers a fresh look at the Portland Art Museum’s collections by bringing together artworks from diverse geographies, cultures, and time periods that do not typically share a gallery.

Ka'ila Farrell-Smith
Ka'ila Farrell-Smith
(American, Klamath, and Modoc, born 1982) 
After Boarding School: In Mourning, 2011
Oil on canvas, 36 in x 24 in 
Museum Purchase: Funds provided by the Native American Art Council 
Portland Art Museum, Portland, Oregon, 2012.100.1

Kehinde Wiley
Kehinde Wiley
(American, born 1977) 
Likunt Daniel Ailin (The World Stage: Israel), 2013 
Bronze, 45 in x 23 in x 19 in, Museum Purchase:
Funds provided by patrons of the 2014 New for the Wall 
Portland Art Museum, Portland, Oregon, 2014.125.1

William Cumming
William Cumming
(American, 1917-2010) 
Three Kids, 1968 
Oil on Masonite, 23 1/2 in x 35 5/8 in 
Gift of Sandra Stone Peters. 
Portland Art Museum, Portland, Oregon, 86.70.5

Throughout time and place, artists have created images, objects, and experiences that ask us to consider ourselves and our world from different perspectives. Leading with a sense of curiosity and wonder, the curatorial team searched the collections, reflecting on the ways art connects everyone across time. They asked themselves and each other: What does a video art installation share with a European oil painting? A conceptual art photograph with a Native American woven basket? A Chinese vase with a print emblazoned with a poetic message?

The curatorial team developed four themes, including each collection broadly and in surprising ways. Drawing from portraits and figurative art, Pose looks at our desire to represent one another and to be represented. Environment explores how artists help us understand and honor nature and place. Expect the Unexpected shows how artists innovate with materials and explore unconventional processes in ways that broaden how art can be made and what it might mean. Color presents the powerful pop of pigments, paints, inks, glazes, and dyes, vibrantly lifting the senses.

The exhibition will also include programming curated by PAM CUT// Center for an Untold Tomorrow, the Museum’s film and new media arm, along with the Museum’s Learning and Community Partnerships department. Programs and activations include screenings, discussion groups, pop-ups, workshops, and more.

Throughlines is intended to be fun, inspiring, and thought-provoking for visitors who are accustomed to seeing the collection in siloed galleries. As the Museum campus undergoes transformation, this exhibition offers a preview of the kinds of collaborations and creative approaches that visitors will encounter when the Museum’s renovation and expansion project is complete.

Tim Bavington
Tim Bavington
(American, born England, born 1966) 
Voodoo Child, Slight Return (solo), 2002
Acrylic on canvas, 54 in x 72 in 
Gift of the Contemporary Art Council. 
Portland Art Museum, Portland, Oregon, 2002.12

Zhang Hongtu
Zhang Hongtu
(Chinese, active United States, born 1943), 
After Shitao's Landscape Album:
Shitao–Van Gogh, from the series Ongoing Shan Shui, 2002
Oil on canvas, 48 in x 36 in, 
Gift of Judith B. Anderson
Portland Art Museum, Portland, Oregon, 2017.31.1

Raymond Jonson
Raymond Jonson
(American, 1891-1982) 
City Perspectives, 1932 
Oil on canvas, 47 3/4 in x 37 3/4 in 
Gift of Mr. Arthur H. Johnson. 
Portland Art Museum, Portland, Oregon, 78.17

Curatorial Team

Throughlines: Connections in the Collection is presented by the Portland Art Museum’s curatorial team, in collaboration with colleagues in  PAM CUT// Center for an Untold Tomorrow and the Museum’s Learning and Community Partnerships department.

Kathleen Ash-Milby, Curator of Native American Art
Mary Weaver Chapin, Ph.D., Curator of Prints and Drawings
Julia Dolan, Ph.D., The Minor White Senior Curator of Photography
Amy Dotson, Curator of Film and New Media and Director of PAM CUT
Becky Emmert, Head of Accessibility
Erin Grant, Assistant Curator of Native American Art
Jaleesa Johnston, Head of Public Programs and Engagement
Jeannie Kenmotsu, Ph.D., The Arlene and Harold Schnitzer Curator of Asian Art
Grace Kook-Anderson, The Arlene and Harold Schnitzer Curator of Northwest Art
Sara Krajewski, The Robert and Mercedes Eichholz Senior Curator of Modern and Contemporary Art
Stephanie Parrish, Director of Learning and Community Partnerships
Ben Popp, Head of Artist Services, PAM CUT
Teena Wilder, Art Bridges Community Partnerships & Curatorial Fellow

PORTLAND ART MUSEUM
1219 SW Park Aveenue, Portland, OR 97205

17/11/23

Black Artists of Oregon @ Portland Art Museum

Black Artists of Oregon
Portland Art Museum
September 9, 2023 – March 17, 2024

Charles Tatum
Charles Tatum
(American, 1937–2008)
Cosmic Woman, 1973
Wood panel sculpture, 25” x 14” x 14.5" 
Collection of Patricia Soltys 
Photographer: David Czuba

Natalie Ball
Natalie Ball 
Mapping Coyote Black, textile, 2015, 10" x 10" 
Courtesy of the Artist
Photographer, E.G. Schempf

Jeremy Okai Davis
Jeremy Okai Davis
(American, born 1979)
Hue (Streat), 2021 
Acrylic and One Shot on canvas, 50" x 50" 
Photographer: Mario Gallucci

Penda Diakite
Penda Diakite
(Malian-American, born 1992) 
Mandiani, 2021 
Acrylic, rubber, collage on wood panel 60" x 48"
Photographer: Penda Diakite

The exhibition Black Artists of Oregon, presented by the Portland Art Museum, highlights and celebrates the work of Black artists in Oregon over more than a century, exploring this history both through the lens of Black artists whose works are represented in the Museum’s collection as well as the works of influential artists who, historically, have not been exhibited or held in museum collections. 

Considering both the presence and absence of Black artists is critical to understanding the breadth of Black artistic production in Oregon—even in the midst of historic exclusion—as well as how the impact of that history affects our understanding of American art history and the history of the Pacific Northwest. This exhibition serves to deepen the awareness of the talented artists who have shaped and inspired artists regionally and nationally, and it is the first of its kind to consider the work of Black artists collectively in Oregon.

Beginning in the 1880s and spanning through today, Black Artists of Oregon captures the Black diasporic experiences particular to the Pacific Northwest with 67 artists and over 200 objects. Artists represented in the exhibition includes Thelma Johnson Streat, Al Goldsby, Charlotte Lewis, Isaka Shamsud-Din, Ralph Chessé, Charles Tatum, Arvie Smith, Shedrich Williames, Harrison Branch, Bobby Fouther, and Carrie Mae Weems, among others. The exhibition and programming also include the works of contemporary and younger artists working now, functioning as bright threads and offering intergenerational conversation throughout the exhibition, including sidony o’neal, Jeremy Okai Davis, damali ayo, Sharita Towne, Melanie Stevens, Lisa Jarrett, Tristan Irving, Ebin Lee, and Jaleesa Johnston.

Carrie Mae Weems
Carrie Mae Weems
 
Untitled (Woman with daughter), from the series Kitchen Table, 1990 
Gelatin silver prints 
Gift of the Contemporary Art Council 
© Carrie Mae Weems 
Courtesy of the artist and Jack Shainman Gallery, New York., 94.19a-c

Isaka Shamsud-Din
Isaka Shamsud-Din 
Rock of Ages, 1976 
Oil, gold leaf, and mirror on canvas 
Gift of Roxie Schell and Damon Tempey 
© Isaka Shamsud-Din, 2018.36.1

Thelma Johnson Streat
Thelma Johnson Streat 
Monstro the Whale, 1940 
Wool 
Courtesy of the Fine Arts Collection, 
U.S. General Services Administration. 
New Deal Art Project, public domain, L42.32.1

Shedrich Williames
Shedrich Williames
(American, born 1934) 
Untitled, 1972
Gelatin silver print, image: 13 3/16 in x 10 3/8 in 
sheet: 14 in x 10 15/16 in 
Gift of Al Monner, 94.36.1

Iván Carmona Rosario
Iván Carmona Rosario
(Puerto Rican, born 1973)
Mariconeo, 2022
Mineral silicate paint on ceramic, 82" x 20" x 16" 
Courtesy of the artist
Photographer: Mario Gallucci

Through the narrative flow of the exhibition, visitors are experience work by Black artists across decades and generations. Particular attention is given to the works of Black artists who were producing work during the Black Arts Movement of the late 1960s, ’70s, and early ’80s, such as Portland-based painter Isaka Shamsud-Din. The exhibition is also mark regional artistic connections with global movements for Black liberation, as seen in the work of Charlotte Lewis alongside Portlanders Organized for Southern African Freedom and artists like Sadé DuBoise, whose “Resistance” poster series contributed to Portland’s 2020 George Floyd protests. Without chronological constraints, the exhibition is grounded by the work of elder artists, intergenerational conversations, and live activation in the exhibition galleries.

Black Artists of Oregon builds upon guest curator Intisar Abioto’s original research since 2018 exploring the lineage and legacy of Black artists in Oregon. The exhibition continues Abioto’s research, which is grounded in Black American practices of listening, keeping, and passing on each others’ stories.
“Far from isolated or ancillary, Black arts and cultural production in Oregon has been in conversation and interchange with the world, and a part of its arts and cultural movements, all this time,” says Intisar Abioto. “Black Artists of Oregon is a heralding of Black presence, interchange, influence, and impact.”
Arvie Smith
Arvie Smith 
Dem Golden Slippers, 2007 
Oil on linen, Gift of Donna Hammar 
© Arvie Smith, 2010.80

Harrison Branch
Harrison Branch (American, born 1947) 
Untitled, Corvallis, Oregon, 1975
Gelatin silver print, image: 7 5/16 in x 9 1/2 in 
sheet: 13 1/2 in x 15 3/4 in 
Gift of the Photography Council, 2002.58.4

Adriene Cruz
Adriene Cruz
(American, born 1953) 
Egungun, 2013 
Mixed media embellished fabric 32 x 36 inches 
Collection of Adriene Cruz

Melanie Stevens
Melanie Stevens
(American, born 1979) 
Reflection II: Charles In Form, July 2023 
Linocut print 22 x 30 inches 
Courtesy of the artist

Bill Rutherford
Bill Rutherford
(American, born 1937) 
Wabi Sabi: Imperfect Beauty 
Eucalyptus on marble base, 12 x 7 x 7 inches 
Courtesy of the Artist

Artists featured in Black Artists of Oregon 

manuel arturo abreu (b. 1991)
damali ayo (b. 1972)
Natalie Ball (b. 1980)
J.S. Bell (1882-1925)
Harrison Branch (b. 1947)
Nikesha Breeze (b. 1979)
Grafton Tyler Brown (1841-1918)
Richard Brown (b. 1939)
Iván Carmona Rosario (b. 1973)
David Ornette Cherry (1958-2022)
Ralph Chessé (1900-1991)
Robert Colescott (1925-2009)
Licity Collins  (b. 1972) 
Adriene Cruz (b. 1953)
Cleo Davis (b. 1974)
Jeremy Okai Davis (b. 1979)
Baba Wagué Diakité (b. 1961)
Penda Diakité (b. 1992)
Modou Dieng Yacine (b. 1970)
Sadé DuBoise (b. 1993)
Ray Eaglin (1941-2004)
Mo Fee (1969 – 2020)
Bobby Fouther (b. 1950)
Henry Frison (1940-2020)
Julian V.L. Gaines (b. 1991)
Al Goldsby (1930-2002)
Sherrian Haggar (1946-2019)
Elijah Hasan (b. 1966)
Patricia Herron (b. 1951)
Jason Hill (b. 1976)
Janice Ingersoll (b. 1949) 
Tristan Irving (b. 1990)
Lisa Jarrett (b. 1977)
Jaleesa Johnston (b. 1989)
Nick Jones (b. 1945)
Arnold Kemp (b. 1968)
Rupert Kinnard (b. 1954)
ebin lee (b. 1989)
Charlotte Lewis (1934-1999)
Geeta Lewis (b. 1956)
Mark Little (b. 1948)
Willie Little (b. 1961)
Latoya Lovely (b. 1982)
Ivan McClellan (b. 1982)
Chris McMurry (b. 1970)
Christine Miller (b. 1990)
sidony o’neal (b. 1988)
Katherine Pennington (b. 1953)
Otis Quaicoe (b. 1988)
J.L. Quenton (b. 1953)
Philemon Reid (1945-2008)
Bill Rutherford (b. 1937)
Isaka Shamsud-Din (b. 1940)
Arvie Smith (b. 1938)
Melanie Stevens (b. 1979)
Thelma Johnson Streat (1911-1959)
Kayin Talton-Davis (b. 1980)
Charles Tatum (1937-2008)
Mickalene Thomas (b. 1971)
Sharita Towne (b. 1984)
Thomas Unthank (b. 1936)
Maya Vivas (b. 1990)
Samantha Wall (b. 1977)
Carrie Mae Weems (b. 1953)
Shedrich Williames (b. 1934)
Tammy Jo Wilson (b. 1974)
Mosley Wotta (b. 1983)
Eatcho (b. 1980) 

PORTLAND ART MUSEUM
1219 SW Park Avenue Portland, OR 97205

04/11/22

Emery Barnes, Joseph Blake, Linneas Boland-Godbey, David (Daveed) Jacobo, Mariah Harris, Byron Merritt @ Portland Art Museum - Perspectives

Perspectives
Emery Barnes, Joseph Blake, Linneas Boland-Godbey, David (Daveed) Jacobo, Mariah Harris, Byron Merritt
Portland Art Museum
Through November 13, 2022

Emery Barnes
Emery Barnes
Solidarity, 2020
Pigment print
© Emery Barnes, courtesy of the artist

Joseph Blake
Joseph Blake
Untitled, 2020
Pigment print
© Joseph Blake, courtesy of the artist

Daveed Jacobo
Daveed Jacobo
Who Do You Serve, 2020
Pigment print
© Daveed Jacobo, courtesy of the artist

The Portland Art Museum presents a special exhibition of more than 60 works by local BIPOC (Black, Indigenous, People of Color) photographers made during the Black Lives Matter protests in 2020. Perspectives features work by artists Emery Barnes, Joseph Blake, Linneas Boland-Godbey, David (Daveed) Jacobo, Mariah Harris, and Byron Merritt. The exhibition is coordinated by Julia Dolan, Ph.D., the Portland Art Museum’s Minor White Curator of Photography.

During the summer of 2020, Portland Art Museum staff received requests from community members seeking to preserve the plywood window coverings from downtown businesses that had been painted with memorials to Black people killed by police. A similar appeal arrived via email on June 27, 2020—could the Museum recognize the important work of six Black and Indigenous Portlanders who were photographing the protests? First imagined as an online exhibition, and then as an outdoor installation during the Museum’s pandemic-related closures in 2020 and 2021, Perspectives will now go on view in the Museum’s special exhibition galleries this summer.

More than 15 million people in over 2,500 American cities and towns rallied against racism during the summer of 2020, and protests quickly spread throughout the world. When Portland’s Black Lives Matter protests became a sustained resistance, national and international media descended on Portland, while the city’s own BIPOC photographers recorded what they witnessed for weeks and months on end. Many of these images, posted to social media platforms including Instagram and Twitter, ricocheted around the world and further encouraged the global protest movement against racism.

The six photographers included in Perspectives are at different points in their careers, and their subject matter is wide-ranging. What binds them together is photographic skill and a first-person understanding of racism aimed at African Americans, Indigenous people, and People of Color living in the United States. Biased systems including the racial makeup of newsrooms shape and reinforce perceptions of these communities of color, who are typically depicted and described by white journalists.
“Expanding the range of photographs we view beyond those made by photojournalists and specific image selections made by photo editors, particularly during events that directly relate to communities of color, is critical to a deeper and more complete understanding of situations like the 2020 Portland protests,” says Dr. Julia Dolan.
Daveed Jacobo’s grainy, visceral photographs capture some of the more dangerous moments of the Black Lives Matter protests; Joseph Blake’s drone images remind us of the many thousands of people who united to stand against racism in Portland; Emery Barnes’ pictures point to the risks of protesting in public in an era of sophisticated surveillance systems; Byron Merritt spent weeks making powerful portraits at the Apple Store mural wall; Linnaeus Boland-Godbey reminds us that the protests took place during a bucolic summer infused with deep societal pain and a worldwide pandemic; and Mariah Harris balanced expressions of grief with beauty and solidarity. 
“Together, these six photographers move beyond single media images that continue to shape the understanding of this moment in our city’s history, providing depth, nuance, and hope for a more just and equitable future,” says. Dr. Julia Dolan.
Mariah Harris
Mariah Harris
Untitled, 2020 
Pigment print
© Mariah Harris, courtesy of the artist

Linneas Boland-Godbey
Linneas Boland-Godbey
Untitled, 2020 
Pigment print
© Linneas Boland-Godbey, courtesy of the artist

Byron Merritt
Byron Merritt
Untitled, 2020 
Pigment print
© Byron Merritt, courtesy of the artist
Artists’ Statement 

In solidarity with the national response to George Floyd’s murder during the late Spring of 2020, Portlanders were called to show up for Black lives and dismantle white supremacy—inherently perpetuated by our conventional systems and institutions that for centuries worked against Black human beings. 

Through the growing pains of organizing and sustaining hundreds of direct community action events, the fire in Portland never ceased to burn. The fire that fueled righteous rage and passion in the hearts of those who participated, bore witness, and were inspired to make change.

Captured here are various moments during the 2020 Black Lives Matter Protests through the eyes of local BIPOC Artists in Portland, Oregon. 

We ask that you follow along this journey, relive these moments, listen to the stories shared, and open yourself up to the perspectives represented. 

There is a great transformation underway, and it is never too late to be on the correct side of history. Together in this mass realignment, we uplift the values of our cause and the people for whom we stand up—Black human beings. 

—Emery Barnes, Joseph Blake, Linneas Boland-Godbey, David (Daveed) Jacobo, Mariah Harris, Byron Merritt
Exhibition organized by the Portland Art Museum and coordinated by Julia Dolan, Ph.D., The Minor White Curator of Photography. 

PORTLAND ART MUSEUM
1219 SW Park Avenue, Portland, OR 97205

Perspectives
Portland Art Museum
Jul 16, 2022 – Nov 13, 2022