Showing posts with label Arizona. Show all posts
Showing posts with label Arizona. Show all posts

20/09/25

2025 Arizona Artist Awards winners announced by Phoenix Art Museum: Alice Leora Briggs, Shaunté Glover, Chris Ignacio, Jan Talmadge Davids

2025 Arizona Artist Awards winners 
Phoenix Art Museum
Upcoming Exhibition(s)

Alice Leora Briggs Artwork
Alice Leora Briggs 
STYX, in progress 
Sgraffito drawing on 18 wood panels prepared 
with kaolin clay, acrylic medium binder, India ink
six acrylic on wood panels 
Courtesy of the artist

Phoenix Art Museum (PhxArt) has announced the recipients of the 2025 Arizona Artist Awards. Alice Leora Briggs was named the recipient of the 2025 Scult Family Artist Award and Chris Ignacio and Jan Talmadge Davids were named the recipients of the 2025 Sally and Richard Lehmann Emerging Artist Awards (Lehmann Emerging Artist Awards). New this year is the Sette/Cohn Artist Award, established in 2024 to expand the Arizona Artist Awards program and deepen PhxArt’s support of local artists. Shaunté Glover was named the inaugural recipient. As part of the awards, each artist receives a lifetime Membership to Phoenix Art Museum as well as funds to support their artistic practice. Briggs, Ignacio, and Talmadge Davids will also have the opportunity to exhibit their work in solo and group exhibitions at the Museum premiering in summer 2026.
“We are thrilled to announce this year’s Scult, Lehmann, and Sette/Cohn Artist Awards recipients, in recognition of their artistic contributions to our state’s robust arts and culture landscape,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Each of these artists has built a dynamic, thoughtful practice that speaks to their own lived experiences, communities, and perspectives on identity, connection, and the larger human condition. We are honored to support their work as part of our ongoing commitment to amplifying the voices of Arizona-based artists through our annual Artist Awards program, and we are grateful to the Scult family, the Lehmann family, the Cohn family, Lisa Sette, and Artlink for their generosity and partnership in strengthening those efforts.” 

“I offer my heartfelt congratulations to Alice, Chris, Jan, and Shaunté as our newest cohort of Arizona Artist Awards recipients,” said Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement at Phoenix Art Museum. “These artists have all built multifaceted practices, and their work stands as a testament to the strength of the artistic community here in Arizona. I look forward to working with Alice, Chris, and Jan as we begin planning for their forthcoming exhibitions, which will be designed to engage our community with their evocative works and wide-ranging perspectives, and I look forward to seeing how Shaunté utilizes this award opportunity to support her artistic growth.” 
Alice Leora Briggs: Scult Family Artist Award

Each year, Phoenix Art Museum recognizes a mid-career Arizona-based artist with the Scult Family Artist Award. Eligible candidates must have resided in Arizona for a minimum of four consecutive years and are nominated by a group of curators, museum directors, and other arts professionals from across the state. Their candidacy is evaluated based on their demonstration of artistic excellence, active creation and exhibition of new work, and career-spanning evolution. Following a robust review process, a jury of curators, art scholars, artists, and other experts and professionals in the field from across the country selects the recipient. The Scult Family Artist Award includes monetary support of $20,000 and an invitation to present a solo exhibition of new and past work at the Museum. The 2025 Scult Artist Award jury included Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; and Jeff Scult.

Alice Leora Briggs Photo
Alice Leora Briggs 
Photo by the artist

The 2025 Arlene and Morton Scult Artist Award recipient is Alice Leora Briggs. Born in an oil boomtown in West Texas, Briggs grew up in Idaho’s Snake River Valley and is now based in Tucson, Arizona. Through her practice, she investigates human frailties through drawings, woodcuts, letterpress broadsides, site-specific installations, and books. Her work has been featured in more than 50 solo exhibitions and is represented in more than 35 public collections, including those of Phoenix Art Museum; Crystal Bridges Museum of American Art; Fine Arts Museums of San Francisco; Museum of Fine Arts Houston; Library of Congress; Oxford’s Bodleian Library; and Yale’s Beinecke Rare Book and Manuscript Library.  Her publications include Dreamland: The Way Out of Juárez (2010); an illuminated manuscript-police blotter created with writer Charles Bowden; Abecedario de Juárez: An Illustrated Lexicon (2022) produced with photojournalist Julián Cardona; and The Room, a portfolio of woodcuts created with U.S. poet laureate Mark Strand. Briggs was a Fulbright Scholar at the Academy of Fine Arts and Design in Bratislava, Slovakia, and received a Guggenheim Fellowship in 2020. She received her MFA from the University of Iowa and is represented by Evoke Contemporary in Santa Fe, New Mexico, and Etherton Gallery in Tucson, Arizona.  

Chris Ignacio and Jan Talmadge Davids: Lehmann Emerging Artist Awards

The Lehmann Emerging Artist Awards foster the creative practices and careers of emerging Arizona-based artists. Candidates must have resided in Arizona for a minimum of one year and are invited to apply through an annual open call hosted by Artlink, a non-profit organization that has supported and amplified Arizona artists and community-based art events and initiatives for more than 30 years. Recipients receive $10,000 in monetary support and the opportunity to present a joint exhibition at the Museum with fellow Lehmann awardees. The 2025 Lehmann Emerging Artist Awards jury was also assembled by Ramírez and included Ramírez; Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; and Sally Lehmann. 

Chris-Ignacio Photo
Chris Ignacio
Photo by Sequoyah Wildwyn Dechter

The Museum has named Chris Ignacio and Jan Talmadge Davids as the recipients of the 2025 Lehmann Emerging Artist Awards. Based in Phoenix, Chris Ignacio is a Filipino-American puppeteer, producer, educator, and interdisciplinary artist whose work explores the intersection of voice, technology, and identity. He began his puppetry career in New York in 2012, training with experimental artists at La MaMa and working across theater, community arts, and livestream media. In 2023, he made his debut at the Metropolitan Opera as a puppeteer in Florencia en el Amazonas, directed by Mary Zimmerman. He has also premiered original puppetry works at New York theaters including La MaMa, The Tank, and The Brick, and has toured both nationally and abroad. In Phoenix, Ignacio has served as a media designer for major institutions such as Ballet Arizona, Arizona Broadway Theater, Arizona Opera, and Childsplay. His original projects, including those featured in exhibitions at Vision Gallery and Mesa Arts Center, center community collaboration, particularly with young people or people with limited arts exposure. He holds an MFA in Theatre/Interdisciplinary Digital Media from Arizona State University (ASU), where he now teaches motion capture and 3D animation. Ignacio also serves as creative producer for the T. Denny Sanford Harmony Institute at ASU. 

Jan Talmadge Davids Photo
Jan Talmadge Davids
Photo courtesy of the artist

Jan Talmadge Davids works in clay and mixed media to explore landscapes of her childhood and their local  ecologies and to articulate ideas of place-making. Through installation and material sensitivities, she invites the viewer to engage in the ideas of fragility and vulnerability. Talmadge Davids was born in Tucson, Arizona, spending her youth in the southeastern part of the state. She attended the University of Arizona, California State University at Long Beach, and then came from Los Angeles to pursue her MFA at the Herberger School of Art and Design, where she found the opportunity to reconcile her past with her present, which is embedded in the desert landscape. Her work has been shown at the Los Angeles Municipal Art Gallery; The Carolyn Campanga Klefeeld Contemporary Art Museum in Long Beach, CA; Tempe Center for the Arts; eye lounge; The Tucson Museum of Art; and Art d’Core Gala.

Shaunté Glover: Sette/Cohn Artist Award

Established in 2024, the Sette/Cohn Artist Award was created to expand PhxArt’s Arizona Artist Awards program.  The new $5,000 prize is awarded to an emerging Arizona artist selected from the Lehmann Emerging Artist Award application pool as part of a five-year initiative dedicated to supporting arts engagement and strengthening community partnerships. It is named in honor of Lisa Sette, who has supported and represented Arizona-based artists, both through her gallery and personally, for more than 40 years, and Lee and Mike Cohn, longtime Museum supporters who in 2023 provided the seed funding to launch the Phoenix Art Museum Education and Engagement Excellence Fund and have extended their generosity to support Arizona-based artists. The award’s recipient is selected by Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; Olga Viso, Selig Family Chief Curator and Director of Curatorial Affairs, Phoenix Art Museum; Lee and Mike Cohn; and Lisa Sette. 

Shaunté Glover Photo
Shaunté Glover
Photo courtesy of the artist

The inaugural 2025 Sette/Cohn Artist Award recipient is Shaunté Glover. Glover is a multidisciplinary artist based in Phoenix, Arizona. Her creative journey spans photography, film, printmaking, and sculpture, exploring identity and representation to use art as a catalyst to increase visibility, strengthen community engagement, and amplify the voices of marginalized communities, particularly those of Black women. Rooted in her upbringing in South Phoenix, Glover’s work draws from memories of childhood, basketball, family, and everyday neighborhood life. She combines these influences into layered visual narratives that reflect lived experience and cultural nuance. 

PHOENIX ART MUSEUM
1625 North Central Avenue, Phoenix, AZ 85004 

19/09/25

Ya Hecho: Readymade in the Borderlands @ Tucson Museum of Art

Ya Hecho: Readymade in the Borderlands 
Tucson Museum of Art 
Through November 30, 2025

Lorena Ochoa
Lorena Ochoa 
Freedom of Speech, 2025 
Norman Rockwell book depicting American Freedoms, 
Inglés Sin Barreras Workbook, ceiling tile, Plaskolite ceiling grid, 
rotary phone, trimmer line, galvanized metal tape, 
intaglio on Plexiglass, acrylic, polymer, 
and enamel on wooden panel
Image courtesy of the Artist 

José Villalobos
José Villalobos 
Deeply Rooted in Machismo, 2025 
Found boots, natural rope 
Image courtesy of the Artist 

Narsiso Martinez
Narsiso Martinez 
Unnumbered Portraits 3, 2023 
Linocut prints on found produce boxes 
Collection of the Tucson Museum of Art 
Museum Purchase 
Funds provided by Latin American Art Patrons, 
Sue and Maurice Nieland, and David and Julia Andres. 2024.11

Gil Rocha
Gil Rocha 
Untitled XX, 2023 
Found objects
Image courtesy of the Artist 

Tucson Museum of Art and Historic Block presents Ya Hecho: Readymade in the Borderlands guest curated by Rigoberto Luna.

This exhibition features contemporary artists living and working from both sides of the United States-Mexico border while focusing on the significance of materials and place in art-making practices. Gesturing towards the Chicano sensibilities of rasquachismo—a legacy of resourcefulness born from necessity—blended with the European and American tradition of the readymade, these artists’ transform mass-produced and found objects to explore themes of land and labor, movement and migration, materiality of place, and beyond borders.
Anne Breckenridge Barrett, TMA’s Jon and Linda Ender Director and CEO reflects, “This exhibition powerfully embodies the Tucson Museum of Art’s mission to connect art to life. Ya Hecho explores how artists engage in making through personal conceptual practice using found objects—welcoming a dialogue around lived experience in the Borderlands. TMA has a longstanding commitment to collecting contemporary and Latin American art, making this a meaningful addition to our ongoing focus on art of our region and its far-reaching impact.”

Margarita Cabrera, Andrés Caballero, Vanessa Saavedra
Installation photo of Ya Hecho: Readymade in the Borderlands
 
featuring artworks by Margarita Cabrera and co-artists, 
Andrés Caballero and Vanessa Saavedra
Courtesy of the Tucson Museum of Art 
Photo: Tina Lieberman

Lorena Ochoa, Daisy Quezada Urena,  Miriam Salado, Vicente Telles
Installation photo of Ya Hecho: Readymade in the Borderlands
 
featuring artworks by Lorena Ochoa, Daisy Quezada Ureña, 
Miriam Salado, and Vicente Telles
Courtesy of the Tucson Museum of Art 
Photo: Tina Lieberman

María José Crespo, Federico Cuatlacuatl,  Raúl De Lara, Rubén Ulises Rodríguez Montoya,  Gloria Martinez-Granados
Installation photo of Ya Hecho: Readymade in the Borderlands 
featuring artworks by María José Crespo, Federico Cuatlacuatl, 
Raúl De Lara, Rubén Ulises Rodríguez Montoya, 
and Gloria Martinez-Granados 
Courtesy of the Tucson Museum of Art 
Photo: Tina Lieberman

The exhibition amplifies the contributions of Latinx artists from the Southwest while highlighting shared approaches to storytelling, art-making, and cross-cultural exchanges. Featuring 42 artworks by 18 artists made over the last 20 years, Ya Hecho evokes the landscape and cultural aesthetic of the Borderlands through sculpture and installation deeply rooted in personal experiences and historical narratives.
Guest curator Rigoberto Luna reflects, “This exhibition is important because the works emerge from the social and material realities of Borderland communities—it is both personal and about an important creative moment. Mobilizing everyday materials—cardboard, produce bags, truck parts—these artists engage in transformative acts. Through resourcefulness and care, they reveal that what is often overlooked or discarded can hold the deepest meaning about who we are.”
By inventively synthesizing found and familiar objects, artists in Ya Hecho create a language of possibility rooted in materials, bridging personal associations with complex diasporic themes—conveying histories of labor, migration, survival, and resilience.

Gil Rocha
Gil Rocha 
REST, 2024 
Found objects 
Image courtesy of the Artist

Federico Cuatlacuatl
Federico Cuatlacuatl 
Nacaxtotomo, 2024 
Wearable sculpture 
Image courtesy of the Artist 
Photo: Camilo Pachon

Ya Hecho includes the artwork of Andrés Caballero and Vanessa Saavedra, Margarita Cabrera, María José Crespo. Federico Cuatlacuatl, Raúl De Lara, Verónica Gaona, Gloria Martinez-Granados, Narsiso Martinez, Sophia Mayorga, Rubén Ulises Rodríguez Montoya, Lorena Ochoa, Daisy Quezada Ureña, Gil Rocha, Miriam Salado, Vicente Telles, José Villalobos, and Judi Werthein. Also featured in the exhibition are poems by Tucson-based Diana Marie Delgado, Gabriel Dozal, Melani “Mele” Martinez, and Logan Phillips, which expands on main themes.

TUSCON MUSEUM OF ART
Tucson Museum of Art and Historic Block
140 North Main Avenue, Tucson, AZ 85701

Ya Hecho: Readymade in the Borderlands 
Tucson Museum of Art , July 3 – November 30, 2025

18/09/25

Mesa Contemporary Arts Museum - Fall 2025 Exhibitions

Fall 2025 Exhibitions 
MCAM - Mesa Contemporary Arts Museum 
September 2025 – January 2026

Mesa Contemporary Arts Museum presents five new exhibitions featuring artists Yuko Yabuki, Jennie Sweo and Melissa Haviland alongside “Curated Chaos: 20 Years of Collecting,” an exhibition showcasing works from Mesa Contemporary Arts Museum’s permanent collection and “TAKE OVER,” an encore group exhibition curated by former Red Floor Gallery.


Yuko Yabuki: Duality
September 12 – December 14, 2025

Yuko Yabuki Artwork
Yuko Yabuki 
I Magician, 2019 
Mixed media on paper, 53 x 64 inches
© Yuko Yabuki

Yuko Yabuki Artwork
Yuko Yabuki
XV Beast, 2019 
Mixed media on paper, 62 x 52 inches
© Yuko Yabuki
Yuko Yabuki presents her worldview in “Duality,” exploring two opposite forces in balance. Their energy creates a helix that uplifts us to the future. Every end leads to a new beginning, showing constant evolution through opposing forces in movement, shaping our destiny and the cosmos.

Jennie Sweo: Cut, Crumpled, Remembered
September 12, 2025 – January 4, 2026

Jennie Sweo Artwork
Jennie Sweo
Portrait of Tamar, 2023 
Paper, ink, acrylic, 36 x 36 inches
© Jennie Sweo
Working with ink and paper manipulation, Jennie Sweo’s works deal with portraiture. On the surface, she presents a likeness of her subject, yet embedded in her renderings are the relationships between the subject and herself. Her works serve as mementos, a means of self-expression and an exploration of new and imagined forms of representation.

Curated Chaos: 20 Years of Collecting
September 12, 2025 – January 11, 2026

Anne Coe Artwork
Anne Coe
 
la última cena (The Last Supper), 2015 
Acrylic on canvas, 60 x 60 inches
© Anne Coe
In celebration of Mesa Arts Center’s 20th Anniversary, “Curated Chaos” reveals the evocative, whimsical, striking, beautiful — and occasionally strange — 2-D artworks that constitute the collections at Mesa Contemporary Arts Museum. Artworks for this exhibition were collaboratively selected by the Mesa Contemporary Arts Museum team.

TAKE OVER by Red Floor Gallery 
September 12, 2025 – January 18, 2026 

Take Over by Red Floor Gallery @ MCAM, Mesa
TAKE OVER
by Red Floor Gallery
Image © Courtesy of the MCAM
Tempe’s former Red Floor Gallery is returning for an encore exhibition featuring over 80 regional artists from across the valley including a special installation of La Pequeña Galeria.

Melissa Haviland: of fog 
September 12, 2025 – January 25, 2026

Melissa Haviland Artwork
Melissa Haviland
 
of fog, 2024
Handmade paper with watermarks 
(from indigo dyed vintage linens), ribbon, 20 x 20 x 15 feet
© Melissa Haviland
“of fog” is a hanging installation of 2,000+ shaped and watermarked handmade paper sheets from indigo-dyed linen, cottons and ribbon. Melissa Haviland’s practice of repetition and pattern in multiples fills the space and surrounds the viewer.

About Mesa Arts Center

Mesa Contemporary Arts Museum is part of the Mesa Arts Center, owned and operated by the City of Mesa, Arizona. It is a unique, architecturally stunning facility located in the heart of downtown Mesa. Arizona's largest arts center is home to four theaters, five art galleries and 14 art studios. Guests, patrons and students come to Mesa Arts Center to enjoy the finest live entertainment and performances, world-class visual art exhibitions and outstanding arts education classes. Mesa Arts Center’s mission is to create meaningful arts experiences in Mesa for everyone. 

MESA CONTEMPORARY ARTS MUSEUM - MCAM
MESA ARTS CENTER
1 East Main Street, Mesa, Arizona 85211

20/08/25

Sonya Clark, Angela Ellsworth, Ato Ribeiro @ Lisa Sette Gallery, Phoenix - "The Presence of Ancestors" Exhibition

The Presence of Ancestors
Sonya Clark, Angela Ellsworth, Ato Ribeiro
Lisa Sette Gallery, Phoenix
October 4 - December 27, 2025

The body's gestures of communication, taking form as practices of gathering and making, are passed on through generations and migrations. The presence of these ancestral voices in our contemporary existence is explored in Lisa Sette Gallery, which features the works of Sonya Clark, Angela Ellsworth, and Ato Ribeiro. Eminent presences on the gallery's roster, each artist has earned a reputation for their ability to transmute the spiritual and creative practices of their heritage into incisive and thoughtful contemporary works. The artists of The Presence of Ancestors examine and commemorate the survival of essential creative expressions that exist outside of the control of oppressive regimes, across vast global migrations, and throughout the arc of time.

Although each artist communicates with a distinctive voice, the works of Sonya Clark, Angela Ellsworth, and Ato Ribeiro share a foundation in materials and craft: Ato Ribeiro shapes salvaged wood scraps into lush, quilt-like works that are dense with symbols and contrasting colors and grains, merging the tradition of the Gee's Bend African American quilters and the woodworking and weaving traditions of the artist's Ghanaian background. The results are powerful, vibrant compilations of symbols, patterns, and structures that multiply and evolve before the viewers' eyes. Incorporating storytelling symbols from Ghanaian tradition and West African textiles, Ribeiro's works form profound topographies of pattern and movement, celebration and remembrance.

The artist's large-scale piece Madan Sara, included in the show at Lisa Sette Gallery, refers in title to the tradition of Haitian women who barter goods from one village to another, sustaining a network of local communities and economies. The term Madan Sara also refers to the village weaver, an African bird known for its sturdy nests, cleverly fashioned from strips of found material. The timeless and deeply compelling act of interweaving meanings, stories, and livelihoods is made tangible in Ribeiro's works. The artist remarks:

By employing familiar rituals-of collecting, joining and refining natural and repurposed materials-my research continues to mine and honor a variety of shared and neglected histories, in order to visually speak with a contemporary sense of cultural hybridity. 

Ribeiro's work makes explicit the interconnected modes of creativity and survival passed from deep time to present circumstances, complicating simplistic narratives of human progress. Similarly, Angela Ellsworth's surreal textile objects examine perceived notions of exclusively feminine spaces in history and reveal the long history of spiritual feminism, as well as the sister-wife cohort as an early queer/femme space.

Angela Ellsworth's ingenious works included in The Presence of Ancestors - bonnets and bloomers formed entirely of bristling pearl-tipped hatpins - are made through collective practices that involve community action and hearken to Ellsworth's family connection to the founders of Mormonism. In exquisite performances, rituals, and objects, Ellsworth's consideration of these often hidden feminine heritages gives rise to complex and transcendent expressions of place, self, and culture. Addressing the secret languages pulsing beneath officially-sanctioned accounts of history and religion, Ellsworth's mysterious, entrancing objects and performances draw lines of communication between her ancestors and her contemporary existence.

Sonya Clark's works deconstruct and rework common materials as an expressive means of connecting diasporic groups and unraveling the political pretensions of control. In doing so, she draws on the complexity of her Afro-Caribbean family: her Jamaican mother, Trinidadian father, and Scottish great-grandfather. Clark's work speaks of an American identity forged through slavery, immigration, love and an intergenerational linking of cultures. In wide-ranging work, Sonya Clark employs familiar objects such as coins, flags, and combs as creative circuits, connecting implicit cultural movements and meanings. Sonya Clark also includes African hair and braiding as a material laden with meaning, its texture and form delineating a specific space of culture and power. Twist, one of Clark's recent projects represented in The Presence of Ancestors, devises a letterpress alphabet inspired by the curl pattern of African hair. "Hair is power, it is a composite of all the ancestors who have gone before you," Clark has remarked, "It is a fibre that you can tell a story with."

Sonya Clark, Angela Ellsworth, and Ato Ribeiro call on processes and materials to articulate the presence of ancestors, communicating the strength of stories and identities over time and across continents, and reaching poignantly into our contemporary circumstances' uncertainty and transformation. Their work presents in contemporary form the works of an ancient human culture that has eluded the shackles of repressive political movements and the wealth-centered value systems, instead carrying forward the knowledge of ancestors to meet us at this present moment.

LISA SETTE GALLERY
210 East Catalina Drive, Phoenix, Arizona 85012

23/02/25

Divergence of Legacy: Art of the American West in the 21st Century @ Tuscon Museum of Art

Divergence of Legacy: Art of the American West in the 21st Century 
Tuscon Museum of Art
February 22 – June 22, 2025

Tucson Museum of Art and Historic Block (TMA) presents Divergence of Legacy: Art of the American West in the 21st Century. This exhibition, developed with eight community curators, explores how mythic, authentic, and nuanced cultural items, experiences, and artistic practices may work in dialogue with one another and offer contemporary understandings of the Western region and Tucson. Using TMA’s collection with select loans from the Tia Collection in Santa Fe, the exhibition offers visitors opportunities for new understandings of Art of the American West, its significance to the past and present, and a broadening of social contexts and traditional conventions. With the inclusion of works of art created between the 1870s and 2024, this exhibition positions the major theme of defiance and reimagination as a necessity for survival and method for transforming and expanding the canon of art of the American West. Throughout the galleries, visitors also encounter a secondary themes of erasure and technology which questions ideas of progress and manifest destiny.

In 2024, the museum was awarded a grant from the Henry Luce Foundation to scale its approach to community-based curation with an in-depth exploration of the museum’s Art of the American West collection including the feature exhibition, a reinstallation of the collection gallery, a publication, and public programs. The team spearheading the exhibition includes Christine Brindza, Senior Curator and Glasser Curator of Art of the American West and Marianna Pegno, Director of Engagement and Inclusion, who said of the project, “Our investigations over several years have shown there is a need to amplify stories of the region that are not seen in traditional works of art of the American West. Through working with community curators, this exhibition explores how ideas can be expanded to include imagery and stories often overlooked. These have brought attention to the way we display and collect these types of art.”

Explaining how Divergence of Legacy was developed, artist and community curator Yu Yu Shiratori reflected, “curating works from the Tucson Museum of Art’s permanent collection to define art of the American West brought forth a compelling challenge: how do we encapsulate a narrative that is as fluid and evolving as the cultural and historical forces shaping this region?”

Divergence of Legacy: Art of the American West in the 21st Century has been developed through a community-based curatorial framework: Elizabeth Denneau, Dwayne Manuel, Ruben Urrea Moreno, Harrison Preston, Yu Yu Shiratori, Feng-Feng Yeh, and Alisha Vasquez and Rikki Riojas with the Mexican American Heritage and History Museum.

TUSCON MUSEUM OF ART
Tucson Museum of Art and Historic Block
140 North Main Avenue, Tucson, AZ 85701

20/10/24

Arizona Biennial 2024 @ Tucson Museum of Art

Arizona Biennial 2024 
Tucson Museum of Art 
October 19, 2024 - February 9, 2025 

Tucson Museum of Art and Historic Block (TMA) celebrates multidisciplinary works and innovation by outstanding Arizona artists in Arizona Biennial 2024, a much-anticipated showcase since first organized in 1948. This exhibition provides an opportunity for both emerging and established artists to exhibit their art in a museum setting. For each biennial, a new juror from outside the state is chosen to select the works submitted by hundreds of artists and create a cohesive exhibition that serves as an overview of artistic creativity in Arizona.

Arizona artists over 18 years of age working in any media were invited to submit artworks for consideration for Arizona Biennial 2024. From 1,426 entries submitted by over 560 artists, 42 works were selected for exhibition by guest juror Natasha Becker, curator of African Art at the Fine Arts Museums of San Francisco. Becker stated: “The artists featured in the 2024 Arizona Biennial use drawing, painting, sculpture, photography, installation art, and performance to spark critical discussions and impactful experiences about the complex and changing aspects of contemporary American society.”

The exhibition contains a variety of media, including video, textiles/fiber arts, photography, painting, works on paper, and more.

Arizona Biennial 2024 - Featured Artists: Alejandro Acierto, Lori Andersen, Jacqueline Arias, Judith Austen, Scott Baxter, Theodore Beatty, Clare Benson, Heather Bentz, Laura Spalding Best, Triston Blanton, Synnova Blattman, Alexander Brauer, Manny Burruel, Granville Carroll, Austin Caswell, Linda Chappel, Thomas Coffin, Patrick Curtin, Jan Talmadge Davids, Camila de Andrade Bianchi, Susan Ringstad Emery, Sasha Escareño-Rosic, Shaunté Glover, Drew Grella, Ruxandra Guidi, Erika Lynne Hanson, Reed Hearne, Patricia Katchur, Matthew Kennedy, Danny Le, Serge J-F. Levy, Anita Maksimiuk, Mariel Miranda, Filomena Obono, Godshand Owusu-Appiah, Claire Campbell Park, Safwat Saleem, Liza Stout, Lloyd Ulmer, Denise Yaghmourian, Bobby Zokaites
“TMA’s longstanding survey of Arizona’s thriving arts scene provides an exciting opportunity for museum visitors to discover new and reconsider familiar artistic voices. I appreciate the involvement of this year’s esteemed juror and look forward to seeing where our state’s artists have found inspiration,” remarked Norah Diedrich, the Jon and Linda Ender Director and CEO.
TUSCON MUSEUM OF ART
Tucson Museum of Art and Historic Block
140 North Main Avenue, Tucson, AZ 85701

02/04/23

Arizona Biennial 2023 @ Tucson Museum of Art - Featured Artists Exhibition

Arizona Biennial 2023
Tucson Museum of Art 
April 1 - October 1, 2023

Tucson Museum of Art and Historic Block (TMA) celebrates multidisciplinary works and innovation by outstanding Arizona artists in Arizona Biennial 2023, a much-anticipated showcase since first organized in 1948. For emerging artists, this exhibition often provides an opportunity to exhibit their art in a museum setting or to introduce their work to the public for the first time. Museum visitors are also exposed to works by established artists with statewide, national, and international reputations.

Arizona artists over 18 years of age working in any media were invited to submit for consideration for Arizona Biennial 2023. From 400 entries, 67 works were selected for exhibition by guest juror Taína Caragol, Curator of painting, sculpture, and Latinx art and history at the National Portrait Gallery. The exhibition contains a variety of media, including video, textiles/fiber arts, photography, painting, works on paper and more. 
“I sincerely thank the Arizona artists who submitted their artworks to our 2023 Biennial, as well as this year’s distinguished juror for thoughtfully reviewing over 400 entries. TMA’s longstanding state-wide survey of our thriving Arizona arts scene provides an exciting opportunity for museum visitors to discover new and reconsider familiar artists while learning about what caught the juror’s eye,” remarked Norah Diedrich, the Jon and Linda Ender Director and CEO.
Featured Artists: Nicole Antebi, Jacqueline Arias, Holley Bakich, Eli Blasko, Kate Breakey, Cherie Buck-Hutchison, Wade Carter, David Collis, Katie Cooper, Craig Cully, Ashley Czajkowski, Martin Dimitrov, Sasha Escareño-Rosic, Kurt Gibson, Denis Gillingwater, Estephania González, Heather Green, Guillermo Gutierrez, Adam Helms, Brian Hooker, Chris Jagmin, Adia Jamille, Lisa Jensen, Alan Bur Johnson, Saskia Jorda, Tehan Ketema, Joseph Labate, Jessica James Lansdon, Tai Lipan, Alejandro Macias, Matt Magee, Monica Aissa Martinez, Nikki Berger Martinez, Tim Melideo, Brooke Molla, Ann Morton, Catherine Nash, Dale O’Dell, Ryan Parra, Elizabeth Z. Pineda, Alejandra Platt-Torres, Rembrandt Quiballo, Antonio Salazar, Safwat Saleem, lydia see, Perla Segovia, Gary Setzer, Barry L. Shapiro, Doug Shelton, Martina Shenal, Kaitlyn Jo Smith, George Strasburger, Marilyn Szabo, David Taylor, John Tuomisto-Bell, Hyewon Yoon
“The Arizona Biennial is considered one of the best venues for seeing what is happening with the visual arts in Arizona. Curators and visitors from around the state and country look to this exhibition to become acquainted with a wide variety of art forms from diverse artists. It showcases imagination, innovation, and masterfully created works of art.” said Julie Sasse, Chief Curator.
TUSCON MUSEUM OF ART
Tucson Museum of Art and Historic Block
140 North Main Avenue, Tucson, AZ 85701

03/04/13

Center for Creative Photography, Tuscon AZ Aquisition of the Photographer Oliver Gagliani Archive

Photographic archive of Oliver Gagliani acquired by the Center for Creative Photography, Tucson, Arizona, USA


California photographer OLIVER GAGLIANI (1917‐2002) is known for his technically beautiful photographs as well as for his engaging subject matter. His distinct photographic vision imbues ordinary objects with a spiritual quality. For him, abstractions and fragments of the whole reveal the underlying essence. Oliver Gagliani wrote, “It is the photographer, through the medium of light, who must confront these objects directly, not as he would like them to be, but as they are in themselves. It is the measure of his success as to how deeply he is able to perceive the life which they have experienced, and penetrate the surface to tap the wisdom which they have to offer.” Photographer Oliver Gagliani’s inspired color works created in his many trips to Italy also reveal his mastery of the photographic medium.

The Center for Creative Photography at the University of Arizona, Tuscon, has recently  announced (March, 28) the acquisition of  the photographic archive of Oliver Gagliani which contains over 700 fine print photographs in addition to papers, negatives, contact sheets, detailed exposure tests and notes.


Oliver Gagliani
OLIVER GAGLIANI, Untitled, 1980. Gift of the artist to the CCP
© Heirs of Oliver Gagliani, Courtesy Center for Creative Photography, University of Arizona Foundation 82.20.9

Born into an Italian-American family in Placerville, California, Oliver Gagliani lived most of his eighty-five years in South San Francisco. From grade school through college, music was his passion. In 1940, he enrolled in San Francisco State University to major in music with a concentration in conducting. However, after suffering a significant hearing loss during his service in WWII, his plans for a career in music ended. By chance, he saw photographs by Paul Strand at the San Francisco Museum of Modern Art in 1946. At that moment, he realized that a career in the arts was possible with photography. Oliver Gagliani believed that both photography and music share the principles of tones, harmonies, and rhythms. He wrote, “The contrast that Strand could make between light and shade, between object and space, was marvelous. It made me think of music, which I had been studying for a long time.”

Largely self-taught, Oliver Gagliani’s only formal training in photography was seven weeks of study in 1946 with Ansel Adams and Minor White at the California School of Fine Arts (now the Art Institute of San Francisco). He had his first solo exhibition in 1954 at the Peninsula Art Association in San Mateo, California, which was followed by many others, including exhibitions at the George Eastman House, San Francisco Museum of Art, and the Witkin Gallery. Over the years, he taught workshops and had a large group of devoted students. He was a founding member of the Visual Dialogue Foundation in San Francisco in 1969. With a Fischer Grant from the University of Arizona in 1974, Oliver Gagliani traveled to Italy and returned there annually for 20 years, producing over 20,000 images. In 1976, he received a National Foundation of the Arts grant. 

CENTER FOR CREATIVE PHOTOGRAPHY, TUSCON, ARIZONA

The CCP is located on the University of Arizona campus, Fine Arts Complex, 1030 N. Olive Rd., Tucson, AZ.

25/01/10

Andy Burgess, Eric Firestone Gallery, Tuscon - Get What You Want

Andy Burgess: Get What You Want 
Eric Firestone Gallery, Tuscon, AZ 
January 23 - February 21, 2010


Andy Burgess
ANDY BURGESS
Coast to Coast, 2009
Oil on Panel, 16”h x 20”w
© Andy Burgess, courtesy of Eric Firestone Gallery, Tuscon

Get What You Want is the first one-man exhibition in the United States for Andy Burgess. The exhibition focuses on jazzy paintings and the small-scale collages they are fueled by. Andy Burgess is a Tucson and London based artist who is an avid collector of graphic ephemera from the “golden age” of American graphic design. Concentrating on the years between 1930 and 1950, Andy Burgess employs matchbooks and other ephemera that possess strong graphic impact in their pattern, typography and color. The disparate items are then unapologetically deconstructed – cut up into tiny pieces and reconstructed into visual poems that simultaneously dazzle as multi-colored pop art pieces. The tiny collages then expand through a translation of brush and paint into very active allover compositions. Intricate in the manner of Islamic mosaic and Navajo design, the works are a fine balance of jewel-like color, rich texture and dynamic pattern. It is however, the artist’s unique treatment of each, together and alone, that allows them an escape into the realm of the exotic while pervading the memory and remaining very familiar.

Andy Burgess
ANDY BURGESS
Origin, 2009
Oil on Panel, 16”h x 20”w
© Andy Burgess, courtesy of Eric Firestone Gallery, Tuscon

Andy Burgess embraces the notion of nostalgia in all he creates. His influences are varied, yet Andy Burgess brings them together seamlessly – the freedom and experimentation of the American beat poets and pop artists getting harnessed by the hard line geometries and color theories of early constructivist and Bauhaus artists and thinkers. Get What You Want is the fabric of everyday Americana channeled through long standing European traditions. The resulting works are truly timeless.

ANDY BURGESS was born in London, England in 1969. Burgess holds a BA degree in Politics and Parliamentary Studies from Leeds University and a BA degree in Fine Art from Byam Shaw School of Art. Andy Burgess’ collages and paintings have been exhibited widely through international art fairs and exclusively in London with The Cynthia Corbett Gallery. Andy Burgess lives inTucson, AZ and maintains studios in London and Tucson.

ERIC FIRESTONE GALLERY
403 North 6th Avenue, Tucson, Arizona 85701
www.ericfirestonegallery.com

05/01/09

Route 66 Abandoned The Photography of Edward J Mance

" The decommissioning of Route 66 has had a negative impact on many parts along its path, in some cases, a devastating impact.
Mel Shaker and I set out to photographically document abandoned structures along the old route. The structures were abandoned sometime around the route's decommissioning in 1985.
While we thought we would see a fair number of such structures, nothing could have prepared us for the sheer quantity of them, nor for the devastating degrees of disrepair we would find. Likewise, we never imagined the open access we would have to these abandoned buildings.
We set 3 guiding principles for our visits throughout this journey. We walked onto the property only if a no trespassing sign was not posted. We walked into the buildings only if the doors were not locked. And, we would not move any object away from where we found it.
Factories, gas stations, auto repair facilities, restaurants and diners, stores, schools, homes, farms and even churches -- the decommissioning spared no type.
Every evening, after a day's shoot, we started our dinners by staring at each other in amazement. What happened to the lives of those impacted by the bypassing of the new Interstates? It was as if time stood still. Accounting records still stored in filing cabinets, records dating back decades. Desks, tables, chairs, calendars, cash registers and so much more, all still inside.
And tires. With very few exceptions, each structure had old tires in it. Odd.
Join us in this adventure of over 2,000 miles from Chicago to Los Angeles along the route known by many as The Mother Road – in our adventure of Route 66 Abandoned. "
Edward J. Mance & Melissa Shaker January 2, 2009 Palo Alto, California, USA
For additional photos of the journey, go to:
About the author
Born in Canada, Edward Mance picked up his first camera at age 13. Like his closest friends, he started by shooting endless roles of black and white film, then spent hours perfecting the final prints. But, as with most creative endeavors, photography would have to take a back seat to career and family. He has since moved to the US, settling in Palo Alto, California. An avid traveler, he was captivated by the enduring intrigue of Route 66. He wanted to capture the truth, a truth… the evidence of abandonment of so many structures once filled with the lives of their occupants. But he wanted to add a human element to his photo shoot as well. The light came on for him when he met and conspired with Melissa Shaker. So he brought Mel into the picture to help tell the story of this once thriving national artery. What follows is a small sample of the collection of photographs taken during their journey from Chicago to Los Angeles.
  • Publish Date: January 4, 2009
  • Dimensions: Large Format Landscape - 84 pgs
  • Hardcover, Dust Jacket: $125.00
  • Hardcover, ImageWrap: $125.00
  • Category: History
  • Tags: California, Arizona, Texas, Kansas, Oklahoma, Missouri

02/01/09

Arizona - 2008 By Nachama Soloveichik

Photo (c) 2008, Nachama Soloveichik, All rights reserved

"In December 2008, I spent holiday break with the Bakers in Scottsdale, Arizona. Over the week and a half of my visit, I experienced many firsts: My first Chrismukkah, my first time in Arizona, my first snake feeding, and my first attempt at Wii. I drove hundreds of miles and visited many beautiful places, from the Apache Trail east of Phoenix, to Saguaro National Park south of Phoenix, to Sedona north of Phoenix. Until I stupidly dropped my camera in Red Rock State Park, I took over a thousand pictures. Here are some of my favorites."
Nachama SOLOVEICHIK
  • Publish Date: January 1, 2009
  • Dimensions: Standard Landscape - 22 pgs
  • Category: Travel
  • Softcover $19.95
  • Hardcover, Dust Jacket $29.95
  • Hardcover, ImageWrap $31.95

05/02/08

Michael Cajero, Eric Firestone Gallery, Scottdale, AZ - We Need to Dream This All Again

Michael Cajero: We Need to Dream This All Again 
Eric Firestone Gallery, Scottdale, AZ 
February 7 - March 15, 2008 

MICHAEL CAJERO
Josephine, 2007 
Papier-mâché, 37h x 24w x 43d inches
© Michael Cajero, courtesy of Eric Firestone Gallery, Scottdale

Eric Firestone Gallery announces the exhibit Michael Cajero: We Need to Dream This All Again. The exhibit will survey the ceramics, drawings and papier-mâché installations by longtime Arizona artist Michael Cajero. Michael Cajero was born in Tucson, Arizona and remains one of Arizona’s most unique, prolific and critically acclaimed artists. For the past thirty years Michael Cajero has concentrated on furthering the Arte Povera and Process Art movements. With unbridled energy he summons his creations to life, directing them to act out universal dramas drawn from current events as well as the Mexican folktales that so impressed him in his youth.

Exotically patterned gift-wrap, brown corrugated cardboard, and shredded computer and document paper culled from waste receptacles are Michael Cajero’s primary medium. These cast-off materials, heightened with acrylic paint, become the flesh, hair and clothes that cover skeletons of thick, yet easily bendable aluminum wire. For several years the figures were ablaze in wild color and pattern when a concurrent and ongoing exploration of ceramics made Michael Cajero see that the carbon produced in the raku process could also be manipulated in his papier-mâché pieces. Black produced depth, defined breaks in color and movement, and emphasized mass; it helped create silhouettes and connected to his drawings like never before. Through color and papier-mâché, a time-tested craft borrowed from traditional Mexican folk artists, Michael Cajero is able to imbue his figures with great realism; his sculptures take on individual personas and are empowered by the artist to exhibit a full range of emotions. A sculpture’s personality, profession, or social standing is described by its visage, posture and the clothes they are given and how they wear them. Michael Cajero always modeled the everyday person, tapping into the traditions of artists who did the same, Bonnard, Degas and Rodin in particular. Michael Cajero gives a knowing nod to these artists in the way he uses mass, broken color and fragmented pattern to define shapes and set mood, and in how their almost autobiographical work conveys the artists' intimate understanding of the frailty, resilience and strength of their models and subjects. More impressive, perhaps, is how Michael Cajero’s sensitivity to his subject unveils his uneasiness concerning the world's current political, economic, religious, and social frictions. Michael Cajero's ragged figures, feral creatures and turbulent installations draw inspiration from ancient history, art history, folklore, literature, music, mythology, poetry and a concern for the human condition. Michael Cajero's works are powerful and magical performative creations, simultaneously baroque and surreal they captivate and puzzle, transporting all who enter his dark sculptural worlds into a profound sense of wonder and hope.

MICHAEL CAJERO was born in Tucson, AZ in 1947, he holds a BFA from the University of Arizona and an MFA in Painting, Sculpture and Art History from Kent State University. Cajero has been the recipient of Visual Arts Fellowships from the Tucson Pima Arts Council in 1994 and 2001 and a National Endowment for the Arts Fellowship in 1993-1994. Michael Cajero's papier-mâché works are in the permanent collection of the Tucson Museum of Art and the Phoenix Art Museum.

ERIC FIRESTONE GALLERY
4142 North Marshall Way, Scottsdale, Arizona 85251
www.ericfirestonegallery.com