Showing posts with label Phoenix. Show all posts
Showing posts with label Phoenix. Show all posts

20/09/25

2025 Arizona Artist Awards winners announced by Phoenix Art Museum: Alice Leora Briggs, Shaunté Glover, Chris Ignacio, Jan Talmadge Davids

2025 Arizona Artist Awards winners 
Phoenix Art Museum
Upcoming Exhibition(s)

Alice Leora Briggs Artwork
Alice Leora Briggs 
STYX, in progress 
Sgraffito drawing on 18 wood panels prepared 
with kaolin clay, acrylic medium binder, India ink
six acrylic on wood panels 
Courtesy of the artist

Phoenix Art Museum (PhxArt) has announced the recipients of the 2025 Arizona Artist Awards. Alice Leora Briggs was named the recipient of the 2025 Scult Family Artist Award and Chris Ignacio and Jan Talmadge Davids were named the recipients of the 2025 Sally and Richard Lehmann Emerging Artist Awards (Lehmann Emerging Artist Awards). New this year is the Sette/Cohn Artist Award, established in 2024 to expand the Arizona Artist Awards program and deepen PhxArt’s support of local artists. Shaunté Glover was named the inaugural recipient. As part of the awards, each artist receives a lifetime Membership to Phoenix Art Museum as well as funds to support their artistic practice. Briggs, Ignacio, and Talmadge Davids will also have the opportunity to exhibit their work in solo and group exhibitions at the Museum premiering in summer 2026.
“We are thrilled to announce this year’s Scult, Lehmann, and Sette/Cohn Artist Awards recipients, in recognition of their artistic contributions to our state’s robust arts and culture landscape,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Each of these artists has built a dynamic, thoughtful practice that speaks to their own lived experiences, communities, and perspectives on identity, connection, and the larger human condition. We are honored to support their work as part of our ongoing commitment to amplifying the voices of Arizona-based artists through our annual Artist Awards program, and we are grateful to the Scult family, the Lehmann family, the Cohn family, Lisa Sette, and Artlink for their generosity and partnership in strengthening those efforts.” 

“I offer my heartfelt congratulations to Alice, Chris, Jan, and Shaunté as our newest cohort of Arizona Artist Awards recipients,” said Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement at Phoenix Art Museum. “These artists have all built multifaceted practices, and their work stands as a testament to the strength of the artistic community here in Arizona. I look forward to working with Alice, Chris, and Jan as we begin planning for their forthcoming exhibitions, which will be designed to engage our community with their evocative works and wide-ranging perspectives, and I look forward to seeing how Shaunté utilizes this award opportunity to support her artistic growth.” 
Alice Leora Briggs: Scult Family Artist Award

Each year, Phoenix Art Museum recognizes a mid-career Arizona-based artist with the Scult Family Artist Award. Eligible candidates must have resided in Arizona for a minimum of four consecutive years and are nominated by a group of curators, museum directors, and other arts professionals from across the state. Their candidacy is evaluated based on their demonstration of artistic excellence, active creation and exhibition of new work, and career-spanning evolution. Following a robust review process, a jury of curators, art scholars, artists, and other experts and professionals in the field from across the country selects the recipient. The Scult Family Artist Award includes monetary support of $20,000 and an invitation to present a solo exhibition of new and past work at the Museum. The 2025 Scult Artist Award jury included Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; and Jeff Scult.

Alice Leora Briggs Photo
Alice Leora Briggs 
Photo by the artist

The 2025 Arlene and Morton Scult Artist Award recipient is Alice Leora Briggs. Born in an oil boomtown in West Texas, Briggs grew up in Idaho’s Snake River Valley and is now based in Tucson, Arizona. Through her practice, she investigates human frailties through drawings, woodcuts, letterpress broadsides, site-specific installations, and books. Her work has been featured in more than 50 solo exhibitions and is represented in more than 35 public collections, including those of Phoenix Art Museum; Crystal Bridges Museum of American Art; Fine Arts Museums of San Francisco; Museum of Fine Arts Houston; Library of Congress; Oxford’s Bodleian Library; and Yale’s Beinecke Rare Book and Manuscript Library.  Her publications include Dreamland: The Way Out of Juárez (2010); an illuminated manuscript-police blotter created with writer Charles Bowden; Abecedario de Juárez: An Illustrated Lexicon (2022) produced with photojournalist Julián Cardona; and The Room, a portfolio of woodcuts created with U.S. poet laureate Mark Strand. Briggs was a Fulbright Scholar at the Academy of Fine Arts and Design in Bratislava, Slovakia, and received a Guggenheim Fellowship in 2020. She received her MFA from the University of Iowa and is represented by Evoke Contemporary in Santa Fe, New Mexico, and Etherton Gallery in Tucson, Arizona.  

Chris Ignacio and Jan Talmadge Davids: Lehmann Emerging Artist Awards

The Lehmann Emerging Artist Awards foster the creative practices and careers of emerging Arizona-based artists. Candidates must have resided in Arizona for a minimum of one year and are invited to apply through an annual open call hosted by Artlink, a non-profit organization that has supported and amplified Arizona artists and community-based art events and initiatives for more than 30 years. Recipients receive $10,000 in monetary support and the opportunity to present a joint exhibition at the Museum with fellow Lehmann awardees. The 2025 Lehmann Emerging Artist Awards jury was also assembled by Ramírez and included Ramírez; Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; and Sally Lehmann. 

Chris-Ignacio Photo
Chris Ignacio
Photo by Sequoyah Wildwyn Dechter

The Museum has named Chris Ignacio and Jan Talmadge Davids as the recipients of the 2025 Lehmann Emerging Artist Awards. Based in Phoenix, Chris Ignacio is a Filipino-American puppeteer, producer, educator, and interdisciplinary artist whose work explores the intersection of voice, technology, and identity. He began his puppetry career in New York in 2012, training with experimental artists at La MaMa and working across theater, community arts, and livestream media. In 2023, he made his debut at the Metropolitan Opera as a puppeteer in Florencia en el Amazonas, directed by Mary Zimmerman. He has also premiered original puppetry works at New York theaters including La MaMa, The Tank, and The Brick, and has toured both nationally and abroad. In Phoenix, Ignacio has served as a media designer for major institutions such as Ballet Arizona, Arizona Broadway Theater, Arizona Opera, and Childsplay. His original projects, including those featured in exhibitions at Vision Gallery and Mesa Arts Center, center community collaboration, particularly with young people or people with limited arts exposure. He holds an MFA in Theatre/Interdisciplinary Digital Media from Arizona State University (ASU), where he now teaches motion capture and 3D animation. Ignacio also serves as creative producer for the T. Denny Sanford Harmony Institute at ASU. 

Jan Talmadge Davids Photo
Jan Talmadge Davids
Photo courtesy of the artist

Jan Talmadge Davids works in clay and mixed media to explore landscapes of her childhood and their local  ecologies and to articulate ideas of place-making. Through installation and material sensitivities, she invites the viewer to engage in the ideas of fragility and vulnerability. Talmadge Davids was born in Tucson, Arizona, spending her youth in the southeastern part of the state. She attended the University of Arizona, California State University at Long Beach, and then came from Los Angeles to pursue her MFA at the Herberger School of Art and Design, where she found the opportunity to reconcile her past with her present, which is embedded in the desert landscape. Her work has been shown at the Los Angeles Municipal Art Gallery; The Carolyn Campanga Klefeeld Contemporary Art Museum in Long Beach, CA; Tempe Center for the Arts; eye lounge; The Tucson Museum of Art; and Art d’Core Gala.

Shaunté Glover: Sette/Cohn Artist Award

Established in 2024, the Sette/Cohn Artist Award was created to expand PhxArt’s Arizona Artist Awards program.  The new $5,000 prize is awarded to an emerging Arizona artist selected from the Lehmann Emerging Artist Award application pool as part of a five-year initiative dedicated to supporting arts engagement and strengthening community partnerships. It is named in honor of Lisa Sette, who has supported and represented Arizona-based artists, both through her gallery and personally, for more than 40 years, and Lee and Mike Cohn, longtime Museum supporters who in 2023 provided the seed funding to launch the Phoenix Art Museum Education and Engagement Excellence Fund and have extended their generosity to support Arizona-based artists. The award’s recipient is selected by Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; Olga Viso, Selig Family Chief Curator and Director of Curatorial Affairs, Phoenix Art Museum; Lee and Mike Cohn; and Lisa Sette. 

Shaunté Glover Photo
Shaunté Glover
Photo courtesy of the artist

The inaugural 2025 Sette/Cohn Artist Award recipient is Shaunté Glover. Glover is a multidisciplinary artist based in Phoenix, Arizona. Her creative journey spans photography, film, printmaking, and sculpture, exploring identity and representation to use art as a catalyst to increase visibility, strengthen community engagement, and amplify the voices of marginalized communities, particularly those of Black women. Rooted in her upbringing in South Phoenix, Glover’s work draws from memories of childhood, basketball, family, and everyday neighborhood life. She combines these influences into layered visual narratives that reflect lived experience and cultural nuance. 

PHOENIX ART MUSEUM
1625 North Central Avenue, Phoenix, AZ 85004 

18/09/25

Mesa Contemporary Arts Museum - Fall 2025 Exhibitions

Fall 2025 Exhibitions 
MCAM - Mesa Contemporary Arts Museum 
September 2025 – January 2026

Mesa Contemporary Arts Museum presents five new exhibitions featuring artists Yuko Yabuki, Jennie Sweo and Melissa Haviland alongside “Curated Chaos: 20 Years of Collecting,” an exhibition showcasing works from Mesa Contemporary Arts Museum’s permanent collection and “TAKE OVER,” an encore group exhibition curated by former Red Floor Gallery.


Yuko Yabuki: Duality
September 12 – December 14, 2025

Yuko Yabuki Artwork
Yuko Yabuki 
I Magician, 2019 
Mixed media on paper, 53 x 64 inches
© Yuko Yabuki

Yuko Yabuki Artwork
Yuko Yabuki
XV Beast, 2019 
Mixed media on paper, 62 x 52 inches
© Yuko Yabuki
Yuko Yabuki presents her worldview in “Duality,” exploring two opposite forces in balance. Their energy creates a helix that uplifts us to the future. Every end leads to a new beginning, showing constant evolution through opposing forces in movement, shaping our destiny and the cosmos.

Jennie Sweo: Cut, Crumpled, Remembered
September 12, 2025 – January 4, 2026

Jennie Sweo Artwork
Jennie Sweo
Portrait of Tamar, 2023 
Paper, ink, acrylic, 36 x 36 inches
© Jennie Sweo
Working with ink and paper manipulation, Jennie Sweo’s works deal with portraiture. On the surface, she presents a likeness of her subject, yet embedded in her renderings are the relationships between the subject and herself. Her works serve as mementos, a means of self-expression and an exploration of new and imagined forms of representation.

Curated Chaos: 20 Years of Collecting
September 12, 2025 – January 11, 2026

Anne Coe Artwork
Anne Coe
 
la última cena (The Last Supper), 2015 
Acrylic on canvas, 60 x 60 inches
© Anne Coe
In celebration of Mesa Arts Center’s 20th Anniversary, “Curated Chaos” reveals the evocative, whimsical, striking, beautiful — and occasionally strange — 2-D artworks that constitute the collections at Mesa Contemporary Arts Museum. Artworks for this exhibition were collaboratively selected by the Mesa Contemporary Arts Museum team.

TAKE OVER by Red Floor Gallery 
September 12, 2025 – January 18, 2026 

Take Over by Red Floor Gallery @ MCAM, Mesa
TAKE OVER
by Red Floor Gallery
Image © Courtesy of the MCAM
Tempe’s former Red Floor Gallery is returning for an encore exhibition featuring over 80 regional artists from across the valley including a special installation of La Pequeña Galeria.

Melissa Haviland: of fog 
September 12, 2025 – January 25, 2026

Melissa Haviland Artwork
Melissa Haviland
 
of fog, 2024
Handmade paper with watermarks 
(from indigo dyed vintage linens), ribbon, 20 x 20 x 15 feet
© Melissa Haviland
“of fog” is a hanging installation of 2,000+ shaped and watermarked handmade paper sheets from indigo-dyed linen, cottons and ribbon. Melissa Haviland’s practice of repetition and pattern in multiples fills the space and surrounds the viewer.

About Mesa Arts Center

Mesa Contemporary Arts Museum is part of the Mesa Arts Center, owned and operated by the City of Mesa, Arizona. It is a unique, architecturally stunning facility located in the heart of downtown Mesa. Arizona's largest arts center is home to four theaters, five art galleries and 14 art studios. Guests, patrons and students come to Mesa Arts Center to enjoy the finest live entertainment and performances, world-class visual art exhibitions and outstanding arts education classes. Mesa Arts Center’s mission is to create meaningful arts experiences in Mesa for everyone. 

MESA CONTEMPORARY ARTS MUSEUM - MCAM
MESA ARTS CENTER
1 East Main Street, Mesa, Arizona 85211

20/08/25

Sonya Clark, Angela Ellsworth, Ato Ribeiro @ Lisa Sette Gallery, Phoenix - "The Presence of Ancestors" Exhibition

The Presence of Ancestors
Sonya Clark, Angela Ellsworth, Ato Ribeiro
Lisa Sette Gallery, Phoenix
October 4 - December 27, 2025

The body's gestures of communication, taking form as practices of gathering and making, are passed on through generations and migrations. The presence of these ancestral voices in our contemporary existence is explored in Lisa Sette Gallery, which features the works of Sonya Clark, Angela Ellsworth, and Ato Ribeiro. Eminent presences on the gallery's roster, each artist has earned a reputation for their ability to transmute the spiritual and creative practices of their heritage into incisive and thoughtful contemporary works. The artists of The Presence of Ancestors examine and commemorate the survival of essential creative expressions that exist outside of the control of oppressive regimes, across vast global migrations, and throughout the arc of time.

Although each artist communicates with a distinctive voice, the works of Sonya Clark, Angela Ellsworth, and Ato Ribeiro share a foundation in materials and craft: Ato Ribeiro shapes salvaged wood scraps into lush, quilt-like works that are dense with symbols and contrasting colors and grains, merging the tradition of the Gee's Bend African American quilters and the woodworking and weaving traditions of the artist's Ghanaian background. The results are powerful, vibrant compilations of symbols, patterns, and structures that multiply and evolve before the viewers' eyes. Incorporating storytelling symbols from Ghanaian tradition and West African textiles, Ribeiro's works form profound topographies of pattern and movement, celebration and remembrance.

The artist's large-scale piece Madan Sara, included in the show at Lisa Sette Gallery, refers in title to the tradition of Haitian women who barter goods from one village to another, sustaining a network of local communities and economies. The term Madan Sara also refers to the village weaver, an African bird known for its sturdy nests, cleverly fashioned from strips of found material. The timeless and deeply compelling act of interweaving meanings, stories, and livelihoods is made tangible in Ribeiro's works. The artist remarks:

By employing familiar rituals-of collecting, joining and refining natural and repurposed materials-my research continues to mine and honor a variety of shared and neglected histories, in order to visually speak with a contemporary sense of cultural hybridity. 

Ribeiro's work makes explicit the interconnected modes of creativity and survival passed from deep time to present circumstances, complicating simplistic narratives of human progress. Similarly, Angela Ellsworth's surreal textile objects examine perceived notions of exclusively feminine spaces in history and reveal the long history of spiritual feminism, as well as the sister-wife cohort as an early queer/femme space.

Angela Ellsworth's ingenious works included in The Presence of Ancestors - bonnets and bloomers formed entirely of bristling pearl-tipped hatpins - are made through collective practices that involve community action and hearken to Ellsworth's family connection to the founders of Mormonism. In exquisite performances, rituals, and objects, Ellsworth's consideration of these often hidden feminine heritages gives rise to complex and transcendent expressions of place, self, and culture. Addressing the secret languages pulsing beneath officially-sanctioned accounts of history and religion, Ellsworth's mysterious, entrancing objects and performances draw lines of communication between her ancestors and her contemporary existence.

Sonya Clark's works deconstruct and rework common materials as an expressive means of connecting diasporic groups and unraveling the political pretensions of control. In doing so, she draws on the complexity of her Afro-Caribbean family: her Jamaican mother, Trinidadian father, and Scottish great-grandfather. Clark's work speaks of an American identity forged through slavery, immigration, love and an intergenerational linking of cultures. In wide-ranging work, Sonya Clark employs familiar objects such as coins, flags, and combs as creative circuits, connecting implicit cultural movements and meanings. Sonya Clark also includes African hair and braiding as a material laden with meaning, its texture and form delineating a specific space of culture and power. Twist, one of Clark's recent projects represented in The Presence of Ancestors, devises a letterpress alphabet inspired by the curl pattern of African hair. "Hair is power, it is a composite of all the ancestors who have gone before you," Clark has remarked, "It is a fibre that you can tell a story with."

Sonya Clark, Angela Ellsworth, and Ato Ribeiro call on processes and materials to articulate the presence of ancestors, communicating the strength of stories and identities over time and across continents, and reaching poignantly into our contemporary circumstances' uncertainty and transformation. Their work presents in contemporary form the works of an ancient human culture that has eluded the shackles of repressive political movements and the wealth-centered value systems, instead carrying forward the knowledge of ancestors to meet us at this present moment.

LISA SETTE GALLERY
210 East Catalina Drive, Phoenix, Arizona 85012