Showing posts with label picture. Show all posts
Showing posts with label picture. Show all posts

07/04/23

Nan Goldin Exhibition @ Fraenkel Gallery, San Francisco

Nan Goldin
Fraenkel Gallery, San Francisco
March 2 – April 29, 2023 

Nan Goldin
NAN GOLDIN:
Memory Lost, 2020 
Pigment print, 44 x 65 inches (framed) [111.8 x 165.1 cm]
© Nan Goldin, courtesy of Fraenkel Gallery

Fraenkel Gallery presents Nan Goldin’s fifth exhibition with the gallery since 1994. Memory Lost, the exhibition’s centerpiece, is a slideshow in which Nan Goldin explores the darkness of drug addiction through images and recordings from her extensive archive. The exhibition also features dreamlike photographs from Memory Lost, along with a recent series of intimate portraits made at home during the pandemic. 

Projected in a darkened room, Memory Lost presents a haunting and emotional narrative comprised of outtakes drawn from Nan Goldin’s archive of thousands of slides. Depicting scenes from her life and circle of friends, the 24-minute piece recounts the pain and fleeting moments of beauty in life lived through the lens of addiction. Presented for the first time on the West Coast, the piece includes a score commissioned from composer and musician Mica Levi, with additional music by CJ Calderwood and Soundwalk Collective, interwoven with Nan Goldin’s own voice, answering machine tapes from the 1980s, and contemporary interviews.

The still photographic prints from Memory Lost convey Nan Goldin’s distinct sensibility with mysterious depictions of skies, beaches, animals, and crowds. Often blurred or overexposed, the images suggest luminous fragments from a partially remembered past. 

The most recent works in the exhibition were made at home during quarantine in 2020-21, portraying writer Thora Siemsen, who moved into Nan Goldin’s apartment early in the pandemic. Tender, intimate, and quiet, the photographs exhibit the artist’s singular understanding of chiaroscuro, and mark Nan Goldin’s rare return to portraiture.

Nan Goldin’s slideshows are the subject of a major touring retrospective, This Will Not End Well, organized by Moderna Museet in Stockholm, and traveling to the Stedelijk Museum, Amsterdam; Neue Nationalgalerie, Berlin; and Pirelli HangarBicocca, Milan. In 2017, Nan Goldin co-founded the group P.A.I.N. (Prescription Addiction Intervention Now), seeking to address the ongoing opioid epidemic by targeting the pharmaceutical companies that have profited from it. She is the subject of All the Beauty and the Bloodshed, the award-winning 2022 film directed by Laura Poitras, which follows the artist and P.A.I.N.’s fight to hold the Sackler family accountable for their role in the drug crisis. Her work has been the subject of major touring retrospectives organized by the Whitney Museum of American Art, New York; and by Centre Pompidou, Paris and Whitechapel Art Gallery, London; and solo exhibitions at the Louvre, Paris, and Tate Modern, London, among others. Goldin’s work is in the collections of major institutions around the world. Awards include inclusion in the French Legion of Honor, the Hasselblad Foundation International Award, the Edward MacDowell Medal, and the Kathë Kollwitz Award. 

FRAENKEL GALLERY
49 Geary Street, 4th Floor, San Francisco, CA 94108

09/02/21

Gilbert & George @ Schirn Kunsthale Frankfurt - The Great Exhibition

Gilbert & George
The Great Exhibition
Schirn Kunsthale Frankfurt
February 12 - May 16, 2021

Gilbert & George
GILBERT & GEORGE, 2015
Photo: Tom Oldham

Gilbert & George
GILBERT & GEORGE 
LEAFAGE, 1988
Courtesy of Gilbert & George

Gilbert & George
GILBERT & GEORGE
QUEER, 1977 
301 x 251 cm 
Courtesy of Gilbert & George

Gilbert & George have been creating art together now for over half a century. Their outstanding body of work is still as explosive as it is significant. The Schirn Kunsthalle Frankfurt is dedicating an extensive retrospective to the visually powerful and sometimes provocative universe of this eccentric, London-based artist duo, showing works from 1971 until 2019. As both subject and object of their own work, Gilbert & George form a complete artistic unity that draws no distinction between art and life. As “living sculptures,” they embody their art and are both topic and focal point of their large-format collages and screened pictorial worlds. Their work revolves around death, hope, life, fear, sex, money, and religion. These are also societal issues, which they depict in all their contradictions: at once joyful and tragic, grotesque and serious, surreal and symbolic. 

Gilbert & George
GILBERT & GEORGE 
CHRISTS, 1992
253 x 426 cm
Private Collection
Courtesy of Gilbert & George

The duo deal with everything that makes us uneasy. Their goal, however, is not to shock, but rather to make visible what is happening in the world, according to their motto “Art for All.” From punks to hipsters, from authorities to outsiders, and from headlines to advertising—Gilbert & George have something to say about it all. By challenging our picture of the world, their works demonstrate, time and again, how forward-thinking they are.

An exhibition by the Luma Foundation and Moderna Museet, Stockholm, in cooperation with the Schirn Kunsthalle Frankfurt.

Curators : Hans Ulrich Obrist and Daniel Birnbaum

SCHIRN KUNSTHALLE FRANKFURT 
Römerberg, 60311 Frankfurt

03/07/16

Sebastiano del Piombo: Acquisition by the Art Institute of Chicago

The Art Institute of Chicago acquires newly discovered High Renaissance Painting, Christ Carrying the Cross, by Italian master Sebastiano del Piombo


Sebastiano del Piombo
SEBASTIANO DEL PIOMBO
Christ Carrying the Cross, 1515/1517.
The Art Institute of Chicago.
Lacy Armour, Ada Turnbull Hertle, Mary Swissler Oldberg Acquisition, Charles H. and Mary F. Worcester Collection funds; Wirt D. Walker Trust; Alyce and Edwin DeCosta and the Walter E. Heller Foundation Fund; Estate of Walter Aitken; Frederick W. Renshaw Acquisition, Marian and Samuel Klasstorner funds; Edward E. Ayer Fund in Memory of Charles L. Hutchinson; Lara T. Magnuson Acquisition, Director's funds; Samuel A. Marx Purchase Fund for Major Acquisitions; Edward Johnson, Maurice D. Galleher Endowment, Simeon B. Williams, Capital Campaign General Acquisitions, Wentworth Greene Field Memorial, Samuel P. Avery, Morris L. Parker, Irving and June Seaman Endowment, and Betty Bell Spooner funds.

The Art Institute of Chicago announces the exciting acquisition of SEBASTIANO DEL PIOMBO’s Christ Carrying the Cross (1515/1517) to strengthen its focused collection of Italian High Renaissance painting. The first major discovery of a work by Sebastiano in recent years, it was brought to light by Colnaghi, the renowned London-based art gallery, who facilitated its transition to the museum’s world-class collection. It represents one of the most popular compositions by one of the most distinguished painters working in Rome in the first half of the 16th century. Celebrated by the founding voice of art history, Giorgio Vasari, and given major commissions by Pope Clement VII, Sebastiano was hailed both in his time and beyond as a master of inventive painting who reimagined the monumentality and power of Michelangelo’s style, and the grace and balance of Raphael’s.

“We couldn’t be more thrilled to have this rare and wonderful opportunity to bring such an important painting—our first by Sebastiano—into the Art Institute’s permanent collection,” shared Gloria Groom, Chair of European Painting and Sculpture and David and Mary Winton Green Curator. “This acquisition affirms that through the extraordinary support of our generous donors, we can take our reputation for excellence in collecting to the next level, and tell a more creative and complete story in the galleries that feels exciting and relevant to our thousands of visitors to the museum each day.”

Jorge Coll, CEO of Colnaghi offered, “It was very exciting to have discovered this lost work by such an important Renaissance master, and it is extremely satisfying to know that it now belongs in one of the most important and visited museums in the world. It is of the utmost importance for Nicolas (Cortés) and me as the new partners in Colnaghi that we continue the company’s long and storied tradition of placing important works of art in the world’s greatest museums. This painting was the subject of the first of our new series of publications called ‘Colnaghi Studies’ – catalogues written by leading scholars in order to shed light on lesser known artists and unknown works of art – and we hope that there will be many more works from the ‘Studies’ series that find such prestigious homes in the future.”

Sebastiano developed the innovative composition for Christ Carrying the Cross to heighten the emotional charge of the image. The painting’s dramatic visual impact comes through in the monumental figures and their poignant expressions, the powerful diagonals of the cross, the dynamic and sculptural effect of Christ’s drapery, and the luminous landscape background. The popularity of the composition led Sebastiano to paint several versions and variations of the subject—the Art Institute joins the Museo del Prado, Madrid; Hermitage, Saint Petersburg; and the Szépmüvészeti Museum, Budapest in sharing Sebastiano’s iconic invention with audiences from all over the world.

The painting, now on view in Gallery 205 within the Art Institute’s world-class collection of European Painting and Sculpture, offers visitors a new and exciting opportunity to understand a richer and more inclusive story of Renaissance art and is poised to educate and inspire our visitors for generations to come.

The Art Institute of Chicago
www.artic.edu

08/01/09

Graffiti Art Photos from Marseille and Barcelona

Graffiti Street Art Photographs from Marseille in South of France and Barcelona in Spain
(c) Gautier Willaume - Barcelona (Spain) - 2008
(c) Gautier Willaume - Barcelona (Spain) - 2008
(c) Gautier Willaume - Barcelona (Spain) - 2008
(c) Gautier Willaume - Barcelona (Spain) - 2008
(c) Gautier Willaume - Barcelona (Spain) - 2008
(c) Gautier Willaume - Barcelona (Spain) - 2008
(c) Gautier Willaume - Marseille (France) - 2008
(c) Gautier Willaume - Marseille (France) - 2008
(c) Gautier Willaume - Marseille (France) - 2008
(c) Graffitis sous copyright des artistes - Tous droits réservés - Last update: 08.01.2009 - Pictures from Barcelona added

30/12/08

Wooden People Images

(c) Gautier Willaume - All rights reserved
Deux essais de photos d'illustration destinés à des agences de vente de photos en ligne. Les originaux étaient trop sombres et j'ai dont du ajuster la luminosité - notamment pour obtenir le fond blanc. Je trouve les deux photos trop claires. Je les place ici comme exemple de travail en cours et je posterais les photos dont je suis satisfait ensuite. Je vais donc reprendre ces deux photos avec davantage de lumière lors de la prise de vue. J'ai utilisé des lampes classiques avec des empoules lumières du jour (ampoules à économie d'énergie avec lumière blanche) achetée dans un magasin de bricolage.