25/08/00

Canon Speedlite 420EX Flash with ETTL wireless system

 

Canon USA is introducing the Speedlite 420EX, a compact flash unit developed simultaneously with the new EOS Elan 7/7E but compatible with all EOS System cameras including the new EOS D30 digital SLR. Building on the outstanding features of the popular Speedlite 380EX flash, the new 420EX replaces that product with the added capability of E-TTL wireless autoflash, giving EOS System photographers an alternative in a wireless flash system. Additionally, the 420EX’s AF-assist beam has been improved to cover all 7 focusing zones of the EOS Elan 7/7E.

“The Canon Speedlite 420EX was designed to give EOS System users extended creative options during flash photography while emphasizing Canon’s continued commitment to providing a truly advanced, cost-effective way of making better photographs,” said Yukiaki Hashimoto, vice president and general manager of Canon’s Photographic Products Group. “The new flash combines a number of Canon technologies to create a high-output, compact flash unit with wireless remote capabilities and we will continue to develop imaging products and accessories that allow photographers to concentrate on their subjects, not the technology,” Mr. Hashimoto added.

The new Speedlite 420EX can be used with most current EOS cameras as a remote flash in an E-TTL wireless autoflash system. Canon’s E-TTL wireless autoflash system is ideal for creating advanced lighting effects in a wide variety of applications such as nature photography, close-ups, and portraiture.

Remote flash firing is controlled entirely by a master unit such as Speedlite Transmitter ST-E2, Speedlite 550EX or Macro Ring Lite MR-14EX connected to the camera, making it fast and simple to set up. Up to 3 remote flash groups can be designated, and the maximum number of 550EX and 420EX Speedlites per group is unlimited. When used with the EOS-1V, EOS-3 or EOS D30 cameras, additional features such as lighting ratio control and modeling flash are also supported by the 420EX.

Canon Speedlite 420EX has a maximum Guide Number of 42/138 (ISO 100, meters/feet) and the flash head’s autozoom provides edge-to-edge coverage for focal lengths from 24mm to 105mm with bounce and swivel capabilities. Higher flash output in a more compact body (approximately 10% smaller than the Speedlite 380EX) is made possible due to a large storage capacitor and higher flash efficiency using an improved reflector and fresnel lens.

The AF-assist beam of the 420EX is emitted automatically when necessary in low light situations to ensure accurate focusing. It is capable of covering all 7 focusing points of the EOS Elan 7/7E by using two new ultra-bright LEDs that emit a cross-type pattern with vertical and horizontal stripes. The effective range of the AF-assist beam is approximately 2.7 ft. to 23 ft using the central focusing points, and approximately 2.7 ft. to 16.4 ft. for other focusing points.

The new Speedlite 420EX is powered by the user’s choice of four AA-size Alkaline, Ni-CD, Lithium or Nickel-Metal-Hydride (Ni-MH) cells, with a shooting capacity of up to 400 full-power flashes per set when AA-size lithium cells are used.

Other key features include:

With Type-A EOS System cameras (including most current models): -- E-TTL autoflash (preflash evaluative metering linked to the focusing points) -- FP Flash (high-speed sync) -- FE Lock (flash exposure lock, a form of spot metering with flash) -- Second-curtain sync (using camera’s Custom Functions) With Type-B EOS System cameras (including early EOS models and the T90): -- TTL autoflash (multi-zone off-the-film flash metering linked to the focusing points with cameras that have more than one focusing point).

With all EOS System cameras: -- Autozoom head for 24-105mm focal lengths -- Bounce and swivel -- SE (Save Energy) mode -- Shoe-lock provided

The flash measures 71.5 (W) x 123 (H) x 99.4 (D) mm and weighs 10.6 ounces. The Speedlite 420EX will be available at USA retailers in October, 2000 and have a suggested list price of $340.00.

Canon EF 28-90mm, EF 28-105mm and EF 28-200mm lenses

 

Canon USA is introducing three new zoom lenses for its line-up of EOS cameras: EF 28-90mm f/4.0-5.6 USM, EF 28-105mm f/3.5-4.5 II USM, and EF 28-200mm f/3.5-5.6 USM. The new zooms strengthen and expand Canon's selection of autofocus lenses, bringing the total number of current lenses to 56.

The new Canon EF 28-90mm f/4.0-5.6 USM lens joins an impressive line-up of multi-function, wide-angle-to-telephoto standard zoom lenses for the EOS System. It will be available initially as the standard lens for entry-level and mid-range EOS cameras including the best-selling EOS Rebel 2000 series as well as the new EOS Elan 7 and 7E. Compared to the current EF 28-80mm f/3.5-5.6 V USM standard zoom, the new EF 28-90mm USM lens provides extended telephoto range useful for portraiture and a variety of other applications with virtually no increase in size, weight or cost. This technological achievement is due in great part to the incorporation of a newly-developed optical system featuring an aspherical lens element.

The Canon EF 28-105mm f/3.5-4.5 II USM lens replaces the popular EF 28-105mm f/3.5-4.5 USM originally marketed in 1992. The new lens has the same optics and internal mechanical construction as its predecessor while sporting a new, more luxurious exterior finish and zoom ring design to match the appearance of current EF lenses.

The Canon EF 28-200mm f/3.5-5.6 USM lens allows EOS users to travel light by transporting only one lens for most focal length needs. The extended zoom range of this lens makes it ideal for a variety of photographic subjects including landscapes, portraits and sports.

The EF 28-200mm f/3.5-5.6 USM is the first Canon lens in its focal length range and provides photographers with additional creative latitude in one lens. It uses the company’s patented Super Inner Cam design to achieve the closest minimum focusing distance in its class (17.7 inches at all focal lengths), resulting in an unprecedented magnification factor of 0.28x for spectacular close-up photography at the 200mm setting. Due to the inner focusing design, the lens’ filter thread remains stationary, allowing users to add attachments such as circular polarizing or graduated neutral density filters without being hindered by lens rotation. Two aspherical surfaces are incorporated for high image quality at all focal lengths, and a Micro USM makes the new EF 28-200mm lens the only zoom in its class to feature Ultrasonic Motor technology for high-speed and silent autofocusing.

The Canon EF 28-90mm f/4.0-5.6 USM lens weighs 7.1 oz. and measure 2-5/8 inches (diameter) x 2-13/16 inches (minimum length).

The Canon EF 28-105mm f/3.5-4.5 II USM lens weighs 13.1 oz. and measures 2-3/4 inches (diameter) x 3 inches (minimum length).

The Canon EF 28-200mm f/3.5-5.6 USM lens weighs 1.1 lb. and measures 3-1/8 inches (diameter) x 3-1/2 inches (minimum length).

All three lenses will be available at USA photo retailers in October, 2000 and have the following suggested list prices:

Canon EF 28-90mm f/4.0-5.6 USM lens $250.00
Canon EF 28-105mm f/3.5-4.5 II USM lens $540.00
Canon EF 28-200mm f/3.5-5.6 USM lens $800.00

22/08/00

Olympus Camedia E-10 Digital SLR Camera

Olympus Camedia E-10 Digital SLR Camera


Fuelled by the introduction of models offering 3-megapixel-plus imaging and other advanced features, the digital camera market continues to experience explosive growth. A number of digital SLRs have also been introduced, but with respect to price and product availability, virtually all of these have been aimed at the photojournalist and professional markets.
Olympus Optical Co., Ltd., however, has emphasized the development of consumer-oriented models since it first entered the digital camera market. In the fall of 1997, it introduced its first digital SLR, the CAMEDIA C-1400L. This was followed in the fall of 1999 by the CAMEDIA C-2500L digital SLR. Now, with the launch of the CAMEDIA E-10, it has a flagship digital SLR that breaks significant new ground in terms of image quality and functionality. Despite being brought to market at moderate price, the CAMEDIA E-10 offers truly outstanding photo-imaging quality, functionality, reliability and features. As such, it brings ultra-high digital SLR performance to a much wider market segment than ever before.
The CAMEDIA E-10 is the first camera in its class to feature a 4-megapixel*, 2/3-inch, primary-color CCD. In addition, by freeing its lens designers from the constraints of conventional 35mm-format interchangeable lens design, Olympus was able to develop a new 4x optical zoom lens that is specifically designed to match the size and performance characteristics of CAMEDIA E-10's CCD. In addition to offering 4x zoom, the lens has the exceptional light-gathering power of an F2-F2.4 aperture range. One ED (Extra-low Dispersion) and two aspherical lens elements are used to assure excellent edge-to-edge resolving power, and all lens elements are multicoated to limit internal reflection and assure crisp, clear imaging. Other advanced features include TruePic image processing, which assures that 4-megapixel image data is accurately represented at all output resolutions, and a new white-balance function for superior image quality in a wide range of shooting situations.
A shutter-release lag-time of only about 60 milliseconds was achieved by using a proprietary new auto exposure algorithm and a dual active/passive autofocus system for high-speed focusing. As a result, responsiveness and shooting ease are truly outstanding.
A variety of extension lenses, external flash unit "FL-40 electronic flash" and a remote cable and a wireless remote control are also available, making the CAMEDIA E-10 a digital SLR camera that is fully able to meet the needs of commercial and professional users.
* Number of effective pixels is 3,900,000.

Main Features
1. Professional-Oriented, Ultra-High Image Quality
4-Megapixel 2/3-Inch Primary-Color CCD At 4,000,000 pixels (3,900,000 effective), the CAMEDIA E-10's CCD imaging device offers the highest resolution currently available in a consumer-use digital camera. In addition, the CCD's large, 2/3-inch imaging area ensures excellent tonal sensitivity, while primary-color filtering is used to ensure vivid color reproduction.
Large-Aperture, High-Performance 4x Optical Zoom Lens
The lens is an F2-F2.4, equivalent to 35-140mm (in a 35mm format) bright, large-aperture zoom lens that is specifically designed to maximize the imaging potential of the camera's CCD. An ED glass lens element minimizes color aberration, and two aspherical lens elements correct distortion. In addition, all lens elements are multi-coated to ensure exceptionally crisp imaging.
Proprietary TruePic Image Processing
A refined version of the TruePic processing algorithm introduced on the CAMEDIA C-2500L ensures superior image quality at any resolution. As a result, even small images can take full advantage of the CCD's 4-megapixel imaging power.
Digital ESP Metering for Correct Exposures
New auto-exposure algorithms assure balanced exposures. In addition, the camera offers a choice of center-weighted average metering or spot metering.
New White-Balance System for Natural Skin Tones
A newly developed white-balance system provides more accurate assessment of white values than previous systems. Color fidelity is enhanced, and skin tones are more natural and lifelike.

2. Professional-Oriented Speed and Responsiveness
Dual Autofocus System for Quick Focusing
Fast, accurate focusing is provided by an advanced dual autofocus system that combines single-beam, twin-sensor active AF technology with passive AF technology. After initial measurement is made with the single-beam, twin sensor system, fine tuning is carried out with the passive system. In extreme low-light conditions, the twin-sensor active system alone can be used, thus greatly extending the range of situations in which digital photographs can be taken.
Shutter-Release Lag Time of Only 60ms (approx.)
A shutter-release lag-time is only about 60 milliseconds when LCD monitor and internal flash are turned off. Shutter release is smooth and responsive for stress-free shooting.
4-Shot Continuous Shooting at Speeds Up To 3 fps
A 32MB buffer memory and dedicated ASIC (Application-Specific Integrated Circuit) provide high-speed image processing for megapixel images. As a result, continuous shooting capability is offered in all image quality modes, up to a maximum of four frames at three frames-per-second.
High-Capacity Lithium-Polymer Battery Support
An optional Power Battery Holder Kit and high-capacity lithium-polymer batteries can be used to handle long photo sessions and high-volume shooting.
4 ISO Sensitivity Settings
ISO sensitivity settings include Auto, 80, 160 and 320, allowing photographers to shoot indoors without flash and avoid camera-shake blurring on telephoto shots.
Rugged, Die-Cast Aluminium Body
The rugged, die-cast aluminium body is built to withstand the rigors of adverse shooting conditions.
3. Professional-Oriented Features and Functions
TTL Viewfinder with 95% Field of View
The TTL viewfinder eliminates framing errors caused by parallax displacement and provides a field of view that covers 95% of the total image area. Indicators within the viewfinder allow essential settings to be confirmed without taking the eye away from the eyepiece. In addition, the eyepiece features -3 - +1 dioptric correction and a special shutter that prevents light from entering the eyepiece when a picture is taken.
Multi-Angle 1.8-Inch TFT Color LCD Monitor
A quick-response 1.8-inch color LCD monitor allows captured images to be instantly viewed. It can also be used as a viewfinder, with multi-angle display that provides a clear view for waist-level or high-angle shooting.
Fast, Easy Mode Selection
Individual buttons are provided for all frequently used shooting modes, and are positioned for easy access when the camera is held in the normal shooting grip.
Advanced Flash Control System
A powerful GN13 (ISO 80) pop-up flash is built-in. Featuring advanced 'scene detection' technology, it automatically adjusts flash illumination to suit the subject's position, assuring beautiful auto flash exposures. +/- 2-step flash power compensation can also be used to achieve an ideal balance between natural light and flash illumination. In addition to forced (fill-in), slow-synchro and red-eye reduction modes, the flash also offers rear-curtain synchronization. An optional FL-40 external flash unit can also be connected via hot shoe or cable for full-auto, dual-flash shooting, and an external PC synchro socket allows other external flash units to be connected for multi-flash shooting.
Wide Selection of Exposure Modes
Four exposure modes are offered: Program AE, Aperture-Priority AE, Shutter-Speed- Priority AE, and Manual. Aperture and shutter speed can be quickly set via an electronic dial, and an AE Lock button is positioned so that it can easily be pressed with the right thumb. The wide range of exposure settings allows photographers to take full advantage of the exceptionally bright lens, and to easily capture long bulb exposures at night.
Versatile Exposure Control
+/- 3EV exposure compensation can be set in 1/3EV-step increments. With Auto bracketing function, the camera can shoot sequent shots of 3 frames in 1/3, 2/3 and 1EV steps.
Three White Balance Modes
In addition to Auto White Balance, one-touch White Balance can be stored in memory to assure correct color balance when shooting under various types of light source. Photographers can also achieve the precise color balance they want by choosing from seven manual White Balance settings (3000K, 3700K, 4000K, 4500K, 5500K, 6500K and 7500K).
Three Image Sharpness Settings
Hard, Normal and Soft image sharpness settings allow photographers to choose the level of image sharpness that best suits their purpose (i.e., printing, image manipulation, etc.).
Three Contrast Settings
High, Normal and Low contrast settings can be selected according to the photographer's preference.
Manual Focus
A focusing ring is provided to allow easy manual focusing when shooting subjects that are difficult for the autofocus system to handle.
Macro Mode
Macro photos can be taken from as close as 20cm at any zoom setting. At maximum magnification, an area of 76mm x 57mm fills the frame.
SmartMedia and CompactFlash Memory Card Support
Slots are provided for both 3V (3.3V) SmartMedia and CompactFlash memory cards of up to 128MB. Both types can be used simultaneously to extend memory capacity for worry-free, high-resolution shooting. The slots are linked, and a dedicated button is provided for slot switching. In addition, images can be copied from one card to the other at any time.
Raw Image Data File Storage
Unprocessed, raw data can be saved to allow subsequent high-level processing for printing or commercial purposes. A dedicated Adobe(r) Photoshop(r) plug-in will be also provided.
USB Support
A USB interface is provided to facilitate downloading of large image files. In addition, USB Storage Class support allows image files to be accessed using standard personal computer directory protocols.
4. System-Oriented Options and Accessories
4 Types of High-Performance Extension Lenses
3x focal length telephoto (420mm equivalent*; F2.8), 1.45x telephoto (200mm equivalent*; F2.4), 0.8x focal length wide-angle (28mm equivalent*; F2.0) and macro (49 x 37mm full-frame image area) extension lenses are available to extend shooting flexibility.
* Focal length is in a 35mm format.
Product Name
Tele Extension Lens Pro TCON-300S
Tele Extension Lens Pro TCON-14B
Wide Extension Lens Pro WCON-08B
Macro Extension Lens Pro MCON-35
Versatile Power Supply Options
An optional B-30LPS Power Battery Holder Kit with high-capacity lithium-polymer batteries is available for long photo sessions and high-volume shooting.
FL-40 Electronic Flash for Creative Flash Photography
A powerful GN40 dedicated external flash unit with a rotating head for creative bounce-flash photography.
Remote Cable Release
The RM-CB1 Remote Cable allows remote shutter operation.The multi-function RM-1 is an optional remote control unit that allows functions such as shooting and image playback to be controlled from a distance. Can also be used to control the camera when it is being used as a playback device for slideshows and business presentations displayed on a video monitor.
5. Other Features and Functions
Shooting data such as aperture and shutter speed can be displayed on the monitor when viewing images.
Image histograms can be displayed on the monitor.
Time-lapse shooting intervals can be set from one minute to 24 hours.
Control panel is equipped with backlight.
Audible shutter release can be set to High, Low or Mute.
Olympus Optical Co., Ltd. was changed to OLYMPUS CORPORATION as of October 1, 2003. The company names and product names are the trademarks or registered trademarks of each company. Pictures (c) Olympus Corporation - Olympus Press Release - 22.08.2000 Update: 20.02.2001.

06/08/00

Georgia O'Keeffe: Works on Paper at Georgia O'Keeffe Museum, Santa Fe - "O'Keeffe on Paper" Exhibition

O'Keeffe on Paper
Georgia O'Keeffe Museum, Santa Fe
July 29 - October 29, 2000

Drawing on new scholarship and including many rarely seen works from private collections, O'Keeffe on Paper presents 55 stunning watercolors, pastels and charcoals by Georgia O'Keeffe (1887-1986). The exhibition offers fresh insights into this distinctive and little-known aspect of the artist's oeuvre. 

Georgia O'Keeffe created works on paper throughout her long career and did some of her most innovative work in watercolor, pastel and charcoal. By including sheets produced over a half-century period, starting in 1915, the exhibition illuminates the artist's technical virtuosity, while tracing the development of her personal artistic language. In a broader sense, O'Keeffe's work reflects the dialogue in 20th-century American art between representation and abstraction.

In the 1910s, Georgia O'Keeffe created some of the most innovative images of early American modernism, starting with charcoal drawings such as No. 2 - Special (1915). The following year her work was introduced to photographer and gallery owner Alfred Stieglitz, whom she married in 1924.

Georgia O'Keeffe's watercolors from the teens range from the spare and highly abstract, such as Black Lines (1916), to broad fields of clear, bold color as in Blue No.II (1916) and Evening Star V (1917), to more representational images, Roof with Snow (1916) and Train at Night in the Desert (1916). Of particular interest are three fluid watercolors Ð all known as Untitled (Abstraction/Portrait of Paul Strand) Ð from private collections. Created in 1917, they refer to the photographer and friend of the artist and reflect O'Keeffe's experimentation with different forms of imagery.

Georgia O'Keeffe settled in New York in 1918 where she became part of the circle of modernists gathered around Stieglitz, many of whom, like Stieglitz himself, embraced the city as one of their subjects over several decades. Georgia O'Keeffe employed pastel to record buildings silhouetted against the East River and charcoal to depict the skyline of Manhattan and the Brooklyn Bridge. Blue Flower (1918), a delicate early pastel, presages the large-format oil paintings of flowers close-up for which O'Keeffe is famous, while A White Camellia (1938) is a late pastel on a similar theme. After her permanent move to New Mexico in 1949 she again chose to work in charcoal. Among those late works is the highly abstract From a River Trip (1965), the latest drawing in the exhibition.

Co-curators of O'Keeffe on Paper are Barbara Buhler Lynes, curator of the Georgia O'Keeffe Museum, author of the catalogue raisonné, and Emily Fisher Landau Director of the Georgia O'Keeffe Museum Research Center, and Ruth E. Fine, the National Gallery's curator of modern prints and drawings and co-director of the catalogue raisonné project. Selections were made by Fine and Lynes with Judith Walsh, the National Gallery's senior paper conservator, who participated in the catalogue raisonné project, and Elizabeth Glassman, president emerita of The Georgia O'Keeffe Foundation and co-director of the catalogue raisonné project.

The exhibition is organized by the Georgia O'Keeffe Museum, Santa Fe, and the National Gallery of Art, Washington DC. It is made possible by the Henry Luce Foundation, The Georgia O'Keeffe Foundation and the National Advisory Council of the Georgia O'Keeffe Museum.

The exhibition celebrates the publication of the two-volume O'Keeffe catalogue raisonné, a major scholarly project of the National Gallery of Art in partnership with The Georgia O'Keeffe Foundation. "We are delighted to collaborate with the National Gallery in presenting this exceptional exhibition, honoring the publication of the catalogue raisonné and bringing before the public works of such significance," said George G. King, director, Georgia O'Keeffe Museum. He noted that the O'Keeffe Museum celebrates its third anniversary in July as well.

The fully illustrated exhibition catalogue demonstrates the depth of work conducted by the catalogue raisonné project and how the research has facilitated greater understanding of O'Keeffe's art. Essays by Fine, Glassman, Lynes, and Walsh place O'Keeffe's works on paper in the context of her American contemporaries and in relation to her oil paintings, and examine the importance of the artist's choice of materials in the development of her aesthetic. The catalogue is available for $25 (softcover) and $35 (hardcover, distributed by Harry N. Abrams, Inc., publishers) in the Museum Shop and on the Museum web site at www.okeeffemuseum.org. 

Also available in the Museum Shop, on the Museum web site, is Georgia O'Keeffe: Catalogue Raisonné by Barbara Buhler Lynes, published by Yale Press, the National Gallery of Art and The Georgia O'Keeffe Foundation. A two-volume set in a slipcase, it presents more than 2,000 paintings, drawings, watercolors, and sculptures by Georgia O'Keeffe, many of which have not previously been reproduced, along with factual entries for each. There is a full bibliography, exhibitions listing and chronology of the artist's life. With 2,050 illustrations in color and 100 in black-and-white, it is available for $195.

GEORGIA O'KEEFFE MUSEUM
217 Johnson Street, Santa Fe, NM 87501