Anni et Josef Albers @ Musée d'Art Moderne de Paris - L'art et la vie

Anni et Josef Albers

L'art et la vie

MAM - Musée d'Art Moderne de Paris

Jusqu'au 9 janvier 2022

Josef et Anni Albers 

dans le jardin de la maison des maîtres 

au Bauhaus, Dessau, vers 1925 

Photographe anonyme 

© The Josef and Anni Albers Foundation 

Le Musée d'Art Moderne de Paris présente une exposition inédite consacrée à Anni et Josef Albers, rassemblant plus de trois cent cinquante oeuvres (peintures, photographies, meubles, oeuvres graphiques et textiles) significatives du développement artistique des deux artistes.

Au-delà de la présentation très complète de leurs créations respectives, il s'agit de la première exposition en France dédiée au couple formé par les deux artistes. C'est en effet ce lien intime et très complice qui leur a permis, tout au long de leur vie, de se soutenir, de se renforcer mutuellement, dans un dialogue permanent et respectueux. Ils ont non seulement produit une œuvre considérée aujourd'hui comme la base du modernisme, mais ont aussi imprégné toute une nouvelle génération d'artistes de leurs valeurs éducatives.

Anni Albers (née Annelise Fleischmann, 1899-1994) et Josef Albers (1888-1976) se rencontrent en 1922 au Bauhaus et se marient trois ans plus tard. Ils partagent d’emblée la conviction que l’art peut profondément transformer notre monde et doit être au cœur de l’existence humaine : 

« Les oeuvres d’art nous apprennent ce qu’est le courage. Nous devons aller là où personne ne s’est aventuré avant nous. » - Anni Albers

Dès le début de leur travail, les deux artistes placent ainsi la fonction de l’art au coeur de leur réflexion. Ils adhèrent non seulement à la revalorisation de l’artisanat et aux atouts de la production industrielle (Bauhaus) pour rendre possible la démocratisation de l’art, mais ils estiment aussi que la création joue un rôle essentiel dans l’éducation de chaque individu. Ils ne cessent de démontrer, en tant qu’artistes mais aussi enseignants, l’impact incommensurable de l’activité artistique sur la réalisation de soi et, plus largement, sur la relation avec les autres. Forts de ces valeurs, ils cherchent à amener leurs élèves vers une plus grande autonomie de réflexion et à une prise de conscience de la subjectivité de la perception. Selon eux, l’enseignement ne se réduit pas à transmettre un savoir théorique déjà écrit mais consiste au contraire à susciter constamment des interrogations nouvelles : d’abord par l’observation sensible du monde – visuel et tactile – qui nous entoure ; puis par la découverte empirique que comporte l’expérimentation créatrice avec les matériaux à portée de main, sans préjuger de leurs valeurs esthétiques. 

« Apprenez à voir et à ressentir la vie, cultivez votre imagination, parce qu’il y a encore des merveilles dans le monde, parce que la vie est un mystère et qu’elle le restera. Mais soyons-en conscients. » - Josef Albers

L’exposition s’ouvre sur deux œuvres emblématiques de chaque artiste, illustrant d’emblée, tel un prologue, les valeurs formelles et spirituelles qui relient le couple. Puis elle suit, de manière chronologique, les différentes étapes de leur vie. Une première section rassemble leurs productions, riches et variées, issues du Bauhaus, de 1920 à 1933. Le départ du couple pour les États Unis en 1933 marque le début de la deuxième section, dédiée aux oeuvres réalisées au Black Mountain College. Puis deux autres temps forts de la visite s’attachent à présenter une sélection pointue de Pictorial Weavings de Anni Albers et de Homages to the Square de Josef Albers. Enfin, la dernière partie de l’exposition est consacrée au travail graphique d'Anni Albers, initié avec Josef Albers dans les années soixante et qu’elle va poursuivre jusqu’à la fin de sa vie.

Une salle, spécifiquement dédiée à leurs rôles respectifs en tant que professeurs, permet aux visiteurs, grâce à d’exceptionnels films d’archives, de se glisser dans la peau des étudiants et de suivre un cours « en direct ». Un grand nombre de documents (photographies, lettres, carnets de notes, cartes postales, etc.), réunis avec l’aide de la Fondation Josef et Anni Albers, permet également de contextualiser le travail des deux artistes.

L'exposition est organisée en étroite collaboration avec The Josef and Anni Albers Foundation à Bethany, Connecticut.

Elle sera également présentée à l'IVAM (Instituto Valenciano de Arte Moderno) à Valencia, Espagne, du 17 février au 20 juin 2022.

Un catalogue est publié aux éditions Paris Musées (272 pages, 45 €).

Commissaire

Julia Garimorth, assistée de Sylvie Moreau-Soteras

Comité scientifique

Nicholas Fox Weber, directeur de la Josef and Anni Albers Foundation, Bethany, Connecticut

Heinz Liesbrock, directeur du Josef Albers Museum Quadrat, Bottrop, Allemagne

A voir également au MAM l'exposition Les Flammes. L'Âge de la céramique 

MUSÉE D’ART MODERNE DE PARIS

11 Avenue du Président Wilson, 75116 Paris

www.mam.paris.fr

Josef and Anni Albers: Designs for Living Exhibition

Josef and Anni Albers

Designs for Living

Cooper-Hewitt, National Design Museum, NYC

October 1, 2004 - February 27, 2005 

 

Josef and Anni Albers: Designs for Living, an exhibition chronicling the Alberses’ extraordinary designs for objects for everyday living, will be on view at Smithsonian’s Cooper-Hewitt, National Design Museum. Curated by Nicholas Fox Weber, executive director of The Josef and Anni Albers Foundation, Josef and Anni Albers: Designs for Living explores the domestic creations of these pioneering artists from the early 1920s through the 1950s, as their designs developed from their days as students in Germany’s famed Bauhaus School to their arrival upon the American scene. The exhibition reveals the full extent of the Alberses’ mutual aesthetic commitment, perpetual creativity and contribution to modern living.

Josef Albers (1888-1976) was one of the most pioneering and respected artists of his era, excelling as a painter, printmaker, designer, writer and teacher. His wife Anni Albers (1899-1994) is considered by many to be the foremost textile artist of the 20th century.

Although the pair did not collaborate artistically, they shared a vision and developed a design philosophy that helped to transform the look of the modern domestic interior. Anni and Josef Albers embraced the fundamental idea that everyday life can be enhanced and enriched through design. Individually, their work displayed brilliance and versatility; together, their shared aesthetic formed an enduring legacy, which, until now, has scarcely been known to the public. The seminal ideas of these partners in life and design will be explored for the first time through the domestic objects featured in this exhibition.

Subscribing to the belief that art is everywhere, Josef and Anni Albers designed an array of innovative furniture, textiles and tabletop objects not only for themselves but also for use by others in their social and artistic circle, including Walter Gropius, founder of the influential Bauhaus. “Designs for Living” will include several domestic creations developed in their Dessau (Germany) Bauhaus apartment and in Berlin, many of which have never been shown publicly. 

Josef Albers has been the subject of numerous retrospectives at major institutions, including the Metropolitan Museum of Art, where he was the first living artist ever to be given a one-person show, and the Solomon R. Guggenheim Museum. Josef Albers was one of the few students to be made a Junior Master at the Dessau Bauhaus and was an active instructor until 1933, when the school closed under pressure from the Nazis. Later that year, Josef and Anni Albers emigrated to Black Mountain College—a groundbreaking institution in North Carolina, known as a nurturing ground for such cultural icons as John Cage, Merce Cunningham, and Buckminster Fuller. In 1950 they moved to Connecticut, where Josef Albers headed the Department of Design at Yale University. In the last 25 years of his life, Josef obtained an international reputation for his Homage to the Square paintings as well as for his teachings and writings on color.

Featured in “Josef and Anni Albers: Designs for Living” are dozens of Josef’s objects, ranging from holiday greeting cards to glass-top nesting tables, all of which are simple in form and radiant in color. Josef’s extraordinary ability to use a lean aesthetic vocabulary and minimal means to obtain complex results is demonstrated through the exhibition of items such as his fruit bowl and tea glass, glass paintings, LP album covers and fireplace designs. Also on view together, for the first time, will be furniture designed by Josef for the Moellenhoff apartment in Berlin―his first major furniture commission. 

Anni Albers has influenced generations of designers through her weavings as well as through her teaching and writing. She entered the Bauhaus in 1922 as a student and in 1930 briefly served as director of its weaving workshop. In those early years Anni Albers was already gaining recognition as a major artist and designer from contemporaries such as Sonia Delaunay. After arriving in America, she took her textile work in unprecedented directions and began to exercise great influence in the field. In 1949, Anni was commissioned by architect Philip Johnson to design curtains for the stylish guesthouse of the John D. Rockefeller III family. Later that year, she became the first textile artist to have a solo exhibition at the Museum of Modern Art in New York. She has been honored with several retrospectives at major institutions such as the Smithsonian Institution’s Renwick Gallery of the National Museum of American Art, the Peggy Guggenheim Collection in Venice, and the Musée des Arts Décoratifs at the Louvre in Paris. Today, Anni’s textiles continue to influence, inspire and delight as new generations are introduced to her work.

On view will be many of Anni’s austere and experimental designs from her years at the Bauhaus, as well as the more playful and exuberant examples from her years in the United States. More than 50 examples of her textiles and designs, some of which have never been shown before, will be featured in the exhibition, including: the Rockefeller guesthouse draperies; wall hangings that were pioneering forays into abstract art; jewelry made from ordinary objects such as paper clips and sink strainers; and a large sampling of her upholstery and drapery materials and other fabrics for everyday living.

Josef and Anni Albers: Designs for Living has been organized by Cooper-Hewitt, National Design Museum, Smithsonian Institution, and The Josef and Anni Albers Foundation.  Additional support was provided by Maharam.

Curators:  Nicholas Fox Weber, executive director of The Josef and Anni Albers Foundation,  and Matilda McQuaid, in-house curator, Cooper-Hewitt, National Design Museum.

Exhibition Catalog:   This exhibition will be accompanied by a major catalog with original writings by Josef and Anni Albers, and essays by Nicholas Fox Weber and Martin Filler, a frequent contributor to The New York Times Book Review, The New York Review of Books and House & Garden magazine.

Exhibition Designer:  Toshiko Mori, Toshiko Mori Architect
Lighting Designer:   Anita Jorgensen, Anita Jorgensen Lighting Design

Josef and Anni Albers: Designs for Living

October 1, 2004 - February 27, 2005

Cooper-Hewitt, National Design Museum

2 East 91st Street , New York,  NY 10128