Festival Les Ecrans Documentaires 2013 : Films en compétition pour le Prix des Ecrans documentaires

Festival Les Ecrans Documentaires 

5-10 novembre 2013 

La prochaine édition du festival du film documentaire Les Ecrans documentaires débute demain. Organisé depuis 1997 par l'association Son et Image, Les Ecrans documentaires réalisent un travail des plus bénéfiques pour le cinéma documentaire. Le Festival se déroule dans le Val de Marne, en région parisienne, principalement à Arcueil, mais ausi à Gentilly. 

Le Festival met en compétition, dans le cadre du Prix des Ecrans Documentaires 2013, 10 premiers films documentaires sélectionnés parmi 200 candidatures. Ces dix films sont les suivants :

American Dreamer, de Thomas Haley (32 min)

As She Left, de Alexandra Kandy Longuet (38 min)

A Pleine Dents, de Keren Ben Rafael (52 min)

Yaodong Petit Traité de Construction, de Elodie Brosseau (89 min)

Les Chebabs De Yarmouk, de Axel Salvatori-Sinz (77 min)

Les Ames Dormantes, de Alexander Abaturov (52 min)

Narmada, de Manon Ott et Gregory Cohen (43 min)

En Face, de Jeanne Vaillant (16 min)

J'ai l'honneur de, film de Caroline Parietti (58 min)

O Sabor do Leite Creme, de Hiroatsu Suzuki et Rossana Torres (74 min)

American Dreamer, de Thomas Haley 

2012, 32 min, France, Ceresa Films 

Julian habite dans une petite ville du nord de la Floride. Après avoir écrit un poème, il prend le bus, direction Ground Zero, afin de commémorer aux côtés de ses compatriotes les attentats du 11 septembre.

Thomas Haley filme un patriote ordinaire, désireux d’ancrer son identité dans un projet national en crise, et dresse le portrait nuancé d’un « petit blanc » qui n’a pas renoncé à l’American dream. 

As She Left, de Alexandra Kandy Longuet 

2012, 38 Min, Belgique, Mediadiffusion – Iad 

Nouvelle-Orléans, Louisiane : un jour a suffi pour dévaster une ville entière.

Un geste de lui a suffi pour la quitter pour une autre femme. Une errance comme un rêve, ou plutôt un cauchemar, dans une ville qui panse ses plaies.

Un voyage parmi les fantômes, mais aussi parmi les vivants, ceux qui ont survécu, ont reconstruit, se sont reconstruits, et se souviennent. Histoires parallèles d’une dépossession, et puis peut-être d’une consolation.

A Pleine Dents, de Keren Ben Rafael 

2013, 52 min, France, Palikao Films 

“Comment mordre la vie à pleines dents alors qu’il m'en manque la moitié ?"

A 22 ans, alors qu’elle aimerait surtout faire la fête, faire l’amour, ou ne rien faire du tout, Keren doit constamment subir des opérations dentaires. Pendant plusieurs mois, elle va filmer sa vie, ses proches et ses dentistes mais aussi la confrontation au regard de l’autre.

Yaodong Petit Traité de Construction, de Elodie Brosseau 

2012, 89 min, France / Chine, Animaviva / EHESS 

En Chine, dans la région du Shaanbei, les yaodong, habitats voûtés d’origine troglodytes, sont aujourd’hui construits en pierre adossées aux flancs des montagnes. Leur construction s’opère sans plan d’architecte, selon un savoir-faire transmis oralement. La réalisatrice nous emmène à la rencontre des artisans et des habitants. A l’écoute de leurs petites ou grandes histoires et, tout en partageant leurs rituels, peu à peu, par petites touches, se constitue le puzzle d’un instantané de la « culture yaodong » d’aujourd’hui.

Les Chebabs De Yarmouk, de Axel Salvatori-Sinz 

2012, 77min, France, Adalios / Taswir Films / Maritima Tv 

Les Chebabs sont un petit groupe de garçons et de filles qui se connaissent depuis l'adolescence. Aujourd'hui, au seuil de l'âge adulte, ils ont une véritable soif de vivre et d'absolu, mais sont confrontés à des réalités complexes.

Entre le besoin de liberté et l'appartenance au groupe, le désir de révolte et la perspective d'une vie bien rangée, les choix sont difficiles ; mais tout l'est plus encore quand on est réfugié palestinien dans le camp de Yarmouk, en Syrie. 

Les Ames Dormantes, de Alexander Abaturov 

2013, 52min, Petit A Petit Productions / A Vif Cinema 

Atchinsk, 4000 km de Moscou. Dans un foyer d’habitation à l’extrémité de cette ville de Sibérie, les habitants se croisent dans l’escalier, peu enclins à parler de la campagne en cours pour l’élection du prochain président. Dehors la ville vit au rythme du froid, seul le son de la radio se fait l’écho des manifestations antigouvernementales de la capitale. Ces images d’une ville endormie se mêlent à celles de militants-salariés du parti de Poutine.

Narmada, de Manon Ott et Gregory Cohen 

2013, 43 Min, France, Ts Production

Tourné avec des pellicules Super 8, le film se présente comme un voyage, une rêverie le long du fleuve Narmada en Inde, entre les mythes du progrès et les mythes du fleuve.

« Les barrages seront les temples de l’Inde moderne » proclamait Nehru à l’indépendance du pays. Bientôt, l'un des plus importants complexes de barrages conçus à ce jour sera achevé sur la Narmada. Une lutte sociale s’organise. Nous voyageons sur le fleuve jusqu’à l’océan, à la rencontre des habitants, des croyances et des imaginaires qui cohabitent et s’opposent dans cette vallée en pleine transformation.

En Face, de Jeanne Vaillant 

2013, 16 Min, France, Ecole Documentaire De Lussas 

“J’ai rencontré Jacques en décembre, il remontait son laboratoire photo, ça faisait quinze ans qu'il n'en avait plus fait. De ce désir de reprendre possession de quelque chose m'est apparue une belle victoire de la vie. J'ai plongé avec lui dans ses images, cherchant celles qui pouvaient le raconter.” (Jeanne Vaillant)

J'ai l'honneur de, film de Caroline Parietti 

2013, 58 min, France, Creadoc

« Il y a un jour une femme, qui vient frapper à une porte. Où donc était le camp, demande-t-elle. Je ne sais pas, madame. De quel camp parlez-vous ? »

Sous les talus élégants se cachent tous les souvenirs des hommes. A Angoulême, certains se rappellent, et d'autres pas. Sonia, Micheline et René racontent ce que les archives poussiéreuses gardent pour elles. A Angoulême, les nomades de jadis ont tant de souvenirs enfouis sous les paysages de la ville.

O Sabor do Leite Creme, de Hiroatsu Suzuki et Rossana Torres 

2012, 74min, Portugal, Entre Imagem 

Deux soeurs de 96 et 98 ans vivent dans une vieille maison, située en face de l’école dans laquelle elles ont enseigné, au centre du Portugal. Leur vie quotidienne sereine et paisible s’organise au jour le jour, peuplée par leurs souvenirs et leurs menues tâches ménagères. Mais avec la vieillesse, la maladie arrive, sans prévenir.

Toute la programmation du Festival est sur www.lesecransdocumentaires.org

Cinema Arts Festival Houston 2010

Cinema Arts Festival Houston 2010

November 10 - 14, 2010

Houston Cinema Arts Society (HCAS) is a non-profit organization created in 2008. With the support of former Houston Mayor Bill White and the leadership of Franci Crane, HCAS organized and hosted the 2009 Cinema Arts Festival Houston. The festival celebrates the vitality and diversity of the arts in Houston and showcased the international city that Houston is with a total of over 6000 people who attended 34 events and screenings of films and new media by and about artists working in the visual, performing and literary arts. Following the  success of the inaugural festival, the second annual Cinema Arts Festival Houston will be presented November 10-14, 2010. 

HCAS is funded in part by grants from the Crane Foundation, The Brown Foundation, Inc., Greater Houston Convention and Visitors Bureau, City of Houston Convention and Entertainment Facilities Department, Houston Arts Alliance, Houston Film Commission and Texas Film Commission.

Among the 2010 film selections is director Mark Landsmanʼs documentary Thender Soul, which earned the Audience Award for Best Documentary Feature at the 2010 Los Angeles Film Festival in June 2010. Thunder Soul also took home audience awards at SXSW in Austin, the Dallas International Film Festival, and the Hot Docs Festival in Toronto.

Landsmanʼs film is a reverent homage to Houston native and Texas Bandmasters Hall of Fame  inductee Conrad O. “Prof” Johnson and his work with Kashmere High Schoolʼs Kashmere Stage Band during the late 1960ʼs and 70ʼs. Thunder Soul recounts the Kashmere Stage Bandʼs remarkable run for a national title in 1972 along with the events leading up to a reunion performance in February 2008 when 30 original members (now in their mid-fifties) performed a tribute concert in honor of Mr. Johnson, who was 92 at the time. The Kashmere Reunion Band will perform live following the free screening of Thunder Soul at Discovery Green during the 2010 Cinema Arts Festival Houston.

“My fatherʼs legacy is the continued education of Houston-area youths, and this film shows how that can be achieved,” says Prof Johnsonʼs son, Conrad O. Johnson, Jr. “Mark really knows the mechanics of documentary storytelling and knows how to fit together this type of film. My father never got a chance to see the final product, but I do believe he would have been proud of Markʼs work. I hope weʼre able to get more documentaries such as this one exposed to the people of Houston, not only because its about Houston, but also because its about the power of achievement.”

For the second consecutive year, nationally recognized film programmer Richard Herskowitz will serve as the festivalʼs artistic director. In addition to his work as director of the Virginia Film Festival  –  one of two regional festivals to be awarded multi-year support from the Academy of Motion Picture Arts and Sciences  –  from 1994  through 2008, Herskowitz also helmed Cornell Cinema, the media arts center at Cornell University, for twelve years. While with Cornell Cinema, he served as adjunct curator for film and video at  the universityʼs Herbert F. Johnson Museum of Art. He currently teaches Cinema Studies at the University of Oregon.

 
“Houston is fortunate, indeed, to have the talented visionary Richard Herskowitz returning as the artistic director of Cinema Arts Houston 2010,” says HCAS Board Chair Franci Crane. “Just like last November, Richard will bring Houston a sizzling film and media arts festival, one for which all Houstonians will be grateful.”

Also scheduled to be shown are:

Waste Land (2010): This Sundance Audience Award-Winning documentary follows artist Vik Muniz as he collaborates with catadores (pickers of recyclable material) in the worldʼs largest landfill on the outskirts of Rio de Janeiro to create internationally recognized art.

Ride, Rise, Roar (2010): A feature-length documentary profiling Talking Heads lead singer David Byrne and his collaboration with choreographers and dancers on his recent concert tour. The film was screened to great acclaim this year at SXSW.

The Woman with Five Elephants (2009): Winner of the Sterling World Feature Award at the 2010 AFI-Discovery Channel Silverdocs Documentary Festival, this documentary follows the twilight years of renowned translator Svetlana Geier and her meticulous process of translating the five great novels of Dostoyevsky from Russian into German. 

The New Rijksmuseum (2008): Winner of the Jury Award at the 2010 International Festival of Films on Art (Montreal), the documentary chronicles the renovation of the world-famous Amsterdam art museum through the eyes of several colorful characters including the flamboyant museum director and the beleaguered Spanish architecture team.

The Woodmans (2010): The documentary which debuted to rave reviews at the 2010 Tribeca Film Festival is the story of a family of artists scarred by the tragic death of daughter Francesca, one the late 20th Centuryʼs most recognized photographers.

Isabella Rossellini will participate in “An Evening with Isabella Rossellini” at the Museum of Fine Arts Houston at 7:00 PM on Friday, November 12, during the 2010 Cinema Arts Festival Houston. At the event, Rossellini will receive the Cinema Arts Festival's first Levantine Cinema Arts Award.  Additionally, she will present highlights from her Sundance Channel series Green Porno (2008-2009) and  Seduce Me  (2010), along with an intimate portrait of her life and history called Isabella Rossellini - My Wild Life (2010). 

Green Porno and Seduce Me are short, funny and irreverent films exploring mating and attraction among animals. Conceived as a cross-platform project with Sundance, Green Porno netted  the 2009 Webby Awards for Online Film and Video Best Individual Performance (Isabella Rossellini) and Experimental (Green Porno). To date, the short film series has appeared on the Sundance Channelʼs website, its television broadcast network, and in a book / DVD combo (HarperStudio, 2009).

The Levantine Cinema Arts Award honors a leading actor, director, or other creative artist who has stretched the boundaries of cinematic expression throughout an illustrious film career. The award is sponsored by Levantine Entertainment, a new motion picture development, financing and production company aiming to provide U.S. and worldwide audiences with high quality, socially conscious, and character-driven films.

Jamal Daniel, owner of Levantine Entertainment and a board member of the Houston Cinema Arts Society, comments: "Isabella Rossellini is not only a beautiful embodiment of the union of parentsʼ Roberto Rossellini and Ingrid Bergman, she has also in her own right contributed landmark moments to the world of cinema, whether as an actress under the direction of the greats, David Lynch and Guy Maddin, or as a director of entertaining innovative and educational films.  Isabella Rossellini is an ideal and inspiring recipient of the inaugural Levantine Cinema Arts Award.”

On November 11 at 8:00 PM, Rossellini will help launch the Festival's 40th anniversary tribute to the Rice Media  Center. Her father, the legendary Italian director Roberto Rossellini, worked with Dominique and John de Menil to establish the Rice Media Center in its early years. Rossellini will introduce  Journey to Italy  (Viaggio in Italia) in the Rice Cinema. The 1954 masterpiece about a married couple headed for divorce was directed by her father and stars her mother, Academy, Emmy and Tony award-winning actress Ingrid Bergman.  Also on the program will be Isabella Rossellini's own film tribute to Roberto Rossellini, My Father is 100 Years Old,  and a rare interview with the de Menils conducted by her father.

The tribute to the Rice Media Center exemplifies a major theme of the 2010 Cinema Arts Festival Houston. According to Richard Herskowitz, "The enormous value of arts education programs in schools and universities, which John and Dominique de Menil believed in passionately and supported through their founding of the Rice Media Center, is powerfully conveyed in several of our film selections."  The life-changing value of the musical education  and  self-esteem  students  gained from  joining Houston's Kashmere High School band is the message of  Thunder Soul.

Other films about arts education also scheduled are:

Chekov for Children (2010): This documentary film from director Sasha Waters Fryer premiered as an Official Selection at the 2010 Telluride Film Festival. It follows Phillip Lopate's teaching experience in 1970ʼs New York City. Lopate is one of Americaʼs greatest film critics and essayists, taught at the University of Houston during the 1980ʼs and started the Writers in the Schools Program. Both Lopate and Fryer will be in attendance.

Louder Than a Bomb (2010): From co-directors Jon Siskel and Greg Jacobs, this documentary chronicles the stereotype-confounding stories of four slam poetry teams as they prepare for and compete in Chicago's Louder Than a Bomb Festival – the largest youth poetry slam competition in the world. The film has won Audience Awards at the Cleveland International Film Festival and the Woods Hole Film Festival, where it also received the Jury Prize for Best Documentary. Five student poets from the film will perform live at the November 11 Thunder Soul event at Discovery Green. Co-Director Jon Siskel will also be on hand.

Academy Award-winning actress Shirley MacLaine will attend a screening of Terms of Endearment (1983) at 7:00 PM, Saturday November 13, 2010 at  the Museum of Fine Arts Houston. During the special event, MacLaine will be presented with the 2010 Texas Film Award, which honors a classic film made in Texas or an artist who has made significant contributions to film in the Lone Star State. Following the screening, Ms. MacLaine will engage in a conversation with Houston-based Variety film critic Joe Leydon about Terms of Endearment and her extraordinary career.

Shirley MacLaine created the unforgettable character of Aurora Greenway in James L. Brooksʼ classic romantic comedy drama, which earned her the Best Actress Oscar. Terms of Endearment – produced, directed and written for the screen by Brooks – features scenes shot in and around Houstonʼs River Oaks and The Heights neighborhoods, and famously, Brennanʼs restaurant. The film won five Academy Awards, including Best Picture, Best Direction and Best Actress for MacLaine, and four Golden Globes. 

Other films – new and classic – will join Terms of Endearment in celebrating the great and growing tradition of film in Texas.  

This State Iʼm In (1990): 20th Anniversary Presentation: The initial grant funding for the project was to create a trailer for a film that would never be made. Encouraged by the outstanding performances of a number of characters from the Houston, Texas art scene, lens-based artist Robert Ziebell expanded his initial concept into a feature film. In addition to its Wizard of Oz-inspired narrative, the movie documented Ziebellʼs first impressions and actual experiences in Texas since relocating to Houston for the Museum of Fine Artsʼ newly established Core Artist-in-Residence program. It features performances by noted Texas art personalities such as the late Curator and Menil Founding Director Walter Hopps; Museum of Fine Arts Houston Contemporary Art Curator Alison de Lima Greene; MFAH Film Curator Marian Luntz and Houston arts patron and socialite Carolyn Farb. Houston arts leaders, including Fredericka Hunter of the Texas Gallery, will join Ziebell for a post-screening discussion. Also, Ziebell will participate in a panel discussion in the festival's "Meet the Makers" series on low-budget feature filmmaking from twenty years ago to the digital productions of today.

The Texas Filmmakers Showcase is a special screening event consisting of the best of Texas short films and videos under 40 minutes in length. Each year, the program is presented to studio executives, agents and producers in the Hollywood film community, with subsequent screenings around Texas throughout the rest of the year. The Showcase is presented by the Houston Film Commission with the generous support of additional sponsors.

Texas Film at the Visitors Center: Cinema Arts Festival Houston will introduce this new series of programs highlighting new and upcoming arts films by Texas filmmakers at the Visitors Center located in City Hall. All programs are free to the public. Included in the multi-part series is First Look: Houston Arts Films in Progress, a series of  excerpts from three Houston-based films currently in production:  Jenalia Moreno's  Stitched is  a documentary that gives viewers a glimpse at the life of competitive quilters; Ford Gunter and Carlton Ahrens' Art Car follows a handful of local artists as they prepare their entries for the 2010 Houston Art Car Parade; and Alex Luster's Stick 'Em Up  takes an in depth look into the overshadowed world of wheat pasting in Houston. Also in this series will be artist portraits by Mark and Angela Walley, Painting Poetry by Earl Latchley, and "Pixel Painting" by Johnny DeKam, with the filmmakers present.

With Isabella Rossellini and Shirley MacLaine, American writer, director, and actor John Turturro will attend the 2010 Cinema Arts Houston. Also confirmed to attend are Oscar-winning documentarian Alex Gibney, celebrated American animator Bill Plympton, and Houstonʼs own world-famous rodeo hotshot  Clint Cannon, subject of two films from French filmmaker Frédéric Laffont.

Turturroʼs latest creation, Passione (2010), will kick off the festival on Wednesday, November 10 at a red carpet screening to be held at the Museum of Fine Arts Houston at 7:00 PM. Passione, which made its debut at the Venice Film Festival in September, is a “musical adventure” directed, co-written, and narrated by Turturro that takes viewers on a journey through Naples and its musical history with over 25 cinematic renderings of songs dating from the thirteenth century to the present.

On Thursday, November 11 at 4:00 PM at the Museum of Fine Arts Houston, Turturro will present Rehearsal for a Sicilian Tragedy (2010), which he co-wrote with director and noted puppeteer Roman Paska. Also appearing on camera, Turturro takes audiences on an intimate journey through his ancestral homeland, where he is researching a prospective film to be set in the world of the island's unique puppet theater.

Although best known to mainstream audiences for his portrayal of Agent Seymour Simmons in Michael Bayʼs blockbuster Transformers franchise, in over 30 years in the business, Turturro has appeared in more than 60 films, establishing himself as one of the most skilled and dynamic actors in the industry.  Among his most memorable are roles in Spike Leeʼs Do the Right Thing (1989), Robert Redfordʼs Quiz Show (1994), and the Coen Brothersʼ Barton Fink (1991), The Big Lebowski (1998), and O Brother, Where Art Thou (2000).

In addition to John Turturro, the 2010 Cinema Arts Festival Houston will host a number of additional film heavyweights. Award-winning documentary filmmaker Alex Gibney will present My Trip To Al Qaeda (2010) at 6:45 PM on Saturday, November 13 at Edwards Greenway Stadium Palace 24. The film explores 9/11 and the Iraq War, also the subjects of Gibneyʼs Oscar-winning documentary, Taxi to the Dark Side (2007). The film is a cinematic adaptation of journalist and  author Lawrence Wrightʼs  one-man show about Americaʼs vexed  relationship with the Middle East. Wright will join Gibney to present My Trip To Al Qaeda. Gibney will also screen his current project, Client 9: The Rise and Fall of Eliot Spitzer (2010) at 1:00 PM on Sunday, November 14 at Edwards. The film is an in-depth look at the meteoric rise and scandalous fall of former, disgraced New York Governor Eliot Spitzer.

Groundbreaking American animator Bill Plympton will present his newest project, Idiots and Angels (2008), a darkly comic tale of Angel, a misanthrope in a battle for his soul, at Edwards Greenway Grand Palace Stadium 24 on Friday, November 12 at 9:45pm. Plympton, best known for his Academy Award-nominated animated shorts Your Face (1987) and Guard Dog (2005), will also conduct a master class for fans and aspiring animators  on Friday, November 12 at 1pm  and introduce the short animated and experimental films he has curated for Independent Exposure 2010 at 1pm on Saturday November 13 at Edwards.

Accomplished French filmmaker Frédéric Laffont will present Ballad for a Cowboy (Ballade pour un Cow-boy) – his portrait of rodeo sensation Clint Cannon produced for French television in 2006 – on Saturday November 13 at 9:45 PM at Edwards Greenway Grand Palace Stadium 24. The film depicts a charismatic hero following in the footsteps of his father, Jay, who competed in rodeo for 20 years. Cannonʼs dream is to gain enough points to reach the finals in Houston and, ultimately, win the national championship. Frédéric Laffont is completing a new project featuring Cannon titled Cowboy Solitude, a section of which will be screened after Ballad for a Cowboy. The film blends documentary and fiction, and takes off from an imagined Dictaphone recording by Clint to his father, questioning his choice to give up the rodeo. Both Cannon and Laffont will be on hand.

2010 CINEMA ARTS FESTIVAL HOUSTON, TEXAS

http://cinemaarts.bside.com

Festival International du Film de Rotterdam 2010

 

 

15 films ont été sélectionnés pour concourir aux VPRO Tiger awards du Festival international du film de Rotterdam 2010. La liste est reproduite ci-dessous. Le festival prime, dans cette catégorie, des cinéastes pour leur premier ou second long métrage. Il s’agit donc d’encourager de “jeunes” réalisateurs. Trois films remporteront chacun un prix doté de 15.000 euros. Le jury est composé de l’actrice et chanteuse française Jeanne Balibar, du réalisateur polonais et hollandais Urszula Antoniak, de l’ancien directeur du Festival du film de Singapour Philip Cheah, du réalisateur mexicain Amat Escan et de l’acteur et militant ougandais Okello Kelo Sam. Les gagnants seront connus le 5 février prochain.

 

 

Les 15 films en compétition en images

 

   La vie au Ranch, Film de Sophie Letourneur, France, 2009

 

   Agua fría de mar - Cold water of the Sea - du costaricain Paz Fabrega
   une coproduction Costa Rica/France/Espagne/Hollande/Mexique, 2010

 

 

   Alamar - To the Sea – Film de Pedro Gonzalez-Rubio - Mexique, 2009.

 

  C’est déjà l’été, Film de Martijn Maria Smits - Hollande/Belgique, 2010

 

 

    Fuwaku no adagio - Autumn Adagio – de Inoue Tsuki - Japon, 2009

 

 
   Guang ban - Sun Spots – Film de Yang Heng - Hong Kong/Chine, 2009.

 

 
   Jao nok krajok - Mundane History Film de Anocha Suwichakornpong
   Thailande, 2009.

 

 
   Les signes vitaux, Film de Sophie Deraspe - Canada, 2009.

 

   Let Each One Go Where He May de Ben Russell - US/Suriname, 2009.

 

 
   Li fa dian de nu er - My Daughter - Film de Charlotte Lay Kuen Lim
   Malaysie, 2009.

 

   Mama, Film de Yelena Renard et Nikolay Renard - Russie, 2010.

 

   Miyoko asagaya kibun – Miyoko - de Tsubota Yoshifumi - Japon, 2009.

 

 
   Püha Tonu kiusamine - The Temptation of St. Tony - de Veiko Ounpuu
   Estonie/Suède/Finlande, 2009.

 

  Quchis dgeebi - Street Days - de Levan Koguashvili - Georgie, 2010

 

  R Film de Michael Noer et Tobias Lindholm - Danemark, 2010.

 

Les courts métrages sont égalements présents au Festival international du film de Rotterdam. Wanafoto a déjà publié ce matin un message concernant les courts métrages (ils vont de 8 à 40 minutes) en compétition où vous pouvez voir la liste des 31 films en compétition.

Un autre message de ce blog liste les 67 producteurs présents à Rotterdam ainsi que les 21 organismes de production ou d’aide à la production de films partenaires du festival. Un autre message est à venir concernant les films en compétition dans la sélection CineMart 2010.

.

IFFR Tiger Awards Short Films Competition 2010

 

INTERNATIONAL

FILM FESTIVAL

ROTTERDAM

2010

 

Thirty-one titles have been selected for the Tiger Awards Competition for Short Films. The lineup includes films by Greg Smith (South Africa), Mark Lewis (UK), Rosa Barba (Italy), Anna Abrahams (Netherlands), Mihai Grecu (France), Phil Collins (UK), Mati Diop (Senegal), Ying Liang (China), Cameron Jamie (USA) and Merve Kayan (Turkey).

The ‘Spectrum: Shorts’-section of nearly 200 short films runs within the festival from January 28 till February 1. See full Competition line up below.

 

Competition and Jury

To raise the profile of short films as a highly influential form of art but also a the realm in which cinema has been both democratized and popularized by the online and digital developments, the International Film Festival Rotterdam founded its Competition for short films in 2005. This edition, thirty-one films of up to sixty minutes in length will be presented to the international jury consisting of Jeremy Rigsby (programmer of Media City Festival in Ottawa, Canada), Shai Heredia (director of Filter India Festival, Mumbai, India) and Albert Wulffers (filmmaker, writer, visual artist and teacher, The Netherlands). The winners of the three equal Tiger Awards for Short Films, with prize money of 3.000 euro each, will be announced on Monday February 1.

 

Spectrum: Shorts

From the overwhelming worldwide production, the IFFR has selected 210 short films, including thirteen ‘short features’ with durations between forty and sixty minutes, for its dedicated section ‘Spectrum: Shorts’. All films are screened during a five-day event in festival location Lantaren/Venster. Here festival audiences, filmmakers and industry professionals gather to watch the films, introduce their works and meet for getting the lowdown on the latest developments. The films are grouped by four or five titles in screening slots of 80 minutes that allow introductions and Q&A sessions. The Shorts Marathon, a usually sold out program of repeat screenings, takes place on Saturday February 6.

Spectrum: Shorts 2010 presents six programs of narrative works including premieres of medium lengths films by Geetu Mohan Das (India), José Luis Torres Leiva (Chili), Terril Calder (Canada) and Julia Kozyreva (Russia/Estonia).

Furthermore, Spectrum: Shorts comprises a wide range of essayistic, abstract and experimental short filmmaking by, among many others, Jem Cohen (USA), John Price (Canada), Liu Wei (China), Kleber Mendonca Filho (Brazil) and prolific US filmmaker Kevin Jerome Everson who presents four films in IFFR 2010: his short films Company Line and The Citizens as well as his feature film Erie in Spectrum and the commissioned short film BZV in the Africa focus program.

The program committee that selects films for Spectrum: Shorts consists of IFFR programmers Peter van Hoof, Juliette Jansen, Erwin van 't Hart, Sacha Bronwasser, Peter Taylor and Theus Zwakhals.

 

Focus on Jim Jennings, homage to Frank Cole

As part of Spectrum: Shorts, NYC-based filmmaker Jim Jennings will present eight of his recent 16 mm works, all filmed on location in his home town. Mostly edited in the camera Jennings' films are tributes to the NYC landscape and urban architecture. Jim Jennings will attend the festival to introduce his films.

Within its Regained section, the festival presents a tribute to Canadian filmmaker Frank Cole (1954-2000), who entered the Guinness Book of World Records as the first man to cross the Sahara on foot. His murder in Mali left us with a legacy of two features, a pair of award-winning short films and a mystery that may never be solved. IFFR 2010 presents his short documentaries A Documentary (1979), The Mountenays (1981) and A Life (1986) as well as The Man Who Crossed the Sahara, Korbett Matthews recent documentary about Frank Cole. The program was curated and will be introduced by Canadian filmmaker Mike Hoolboom. In the Spectrum section, Hoolboom presents his documentary Mark, an elegiac portrait of his friend and long time editor Mark Karbusicky.

 

Tiger Awards Competition for Short Films 2010

 

Backstory, Mark Lewis, Canada, 39’, European premiere

Oops Wrong Planet, Anouk de Clerq, Belgium, 8’, European premiere

Gaarud (The Spell), Umesh Vinayak Kulkami, India, 10’

Bruits de fond, Jean-Claude Ruggirello, France, 17’, world premiere

Hoe vertel ik het mijn ouders #1 (How to Explain My Parents #1), Lemert Engelberts, Netherlands, 9’, world premiere

Rendez-vous à Stella Plage, (Rendez-vous at Stella Beach), Shalimar Preuss, France, 18’, world premiere

Drömmar fran skogen (Dreams from the Woods), Johannes Nyholm, Sweden, 9’

La trilogie chrysalides (The Chrysalides Trilogy), Patrick Bernatchez, Canada, 17’

White Shoe Station, Sara Preibsch, UK/Germany, 15’, world premiere

Travelling Fields, Inger Lise Hansen, Norway, 9’, international premiere

For Cultural Purposes Only, Sarah Wood, UK, 9’

Oxigen (Oxygen), Adina Pintilie, Romania, 40’, world premiere

Wednesday Morning Two A.M., Lewis Klahr, USA, 6’, European premiere

Underexposed, Greg Smith, France, 23’, world premiere

Centipede Sun, Mihai Grecu, France, 10’, world premiere

Soy mi madre, Phil Collins, USA, 28’

Monuments, Redmond Entwistle, UK, 30’, European premiere

Mudanza (Removal), Pere Portabella, Spain, 20’

Sex Is Sentimental, Erik van Lieshout, Netherlands, 21’

Empirical Effect, Rosa Barba, Italy, 27’, world premiere

Atlantiques, Mati Diop, France/Senegal, 27’

Heliocentric, Semiconductor, UK, 15’, world premiere

Wei wen (Condolences), Ying Liang, China, 19’, international premiere

M, Félix Dufour-Laperrière, Canada, 8’, international premiere

Out of Love, Brigitte Staermose, Denmark, 29’, international premiere

Dissonant, Manon de Boer, Belgium, 11’, world premiere

Desert 79°: 3 Journeys Beyond the Known World, Anna Abrahams, Netherlands, 18’, world premiere

Palmele (Palm Lines), George Chiper, Romania, 17’

Bu sahilde (On the Coast), Merve Kayan, Turkey, 21’, world premiere

Over the Bones, Charlotte Ginsborg, UK, 30’

Massage the History, Cameron Jamie, USA, 10’, world premiere

 

Related posts on Wanafoto

Rotterdam Lab welcomes 67 producers for tenth anniversary edition