Showing posts with label photography book. Show all posts
Showing posts with label photography book. Show all posts

27/03/19

Rwandan Daughters. Photographs by Olaf Heine, Hatje Cantz, 2019

Rwandan Daughters. Photographs by Olaf Heine
Hatje Cantz, March 2019

Olaf Heine
Olaf Heine
Rwandan Daughters, 2019
Text(s) by Matthias Harder, Olaf Heine, Antje Stahl
English, 208 pp., 70 ills., hardcover, 24.80 x 33.50 cm
ISBN 978-3-7757-4547-5
© Olaf Heine

The twenty-fifth anniversary of the genocide in Rwanda takes place in April 2019. The ensuing trauma is still deep, dividing Rwandan society. Nearly a million people were victims of the genocide in 1994, and around 250,000 women were raped. Today, victims and perpetrators live next door to each other. For Rwandan Daughters, Olaf Heine has created portraits of these women and the children who were products of these crimes.

In his moving images, the photographer Olaf Heine (*1968) has portrayed mothers and daughters, side by side at the crime sites, from a respectful distance, with a straightforward perspective. Olaf Heine’s photos show us the courage, strength, hope, dignity, and optimism radiating from these women, despite the suffering they have endured.

Olaf Heine
© Olaf Heine

Besides a travelogue by the Berlin-based artist, this volume of photographs contains brief statements from the women about how they dealt with their experiences, as well as informative essays by the Neue Zürcher Zeitung editor Antje Stahl, the curator Matthias Harder, and the journalist Andrea Jeska. This photo-book project was produced in collaboration with ora Kinderhilfe, an organization that provides psychological and financial support for the victims in Rwanda. Hatje Cantz will donate a portion of the proceeds from this book to Rwandan mothers and daughters.

“Heine’s series of images brings this forgotten, collective human tragedy to the public eye, and he exemplifies it with very authentic, emotional, and individual portraits. We owe him our thanks for that,” says Matthias Harder, chief curator of the Helmut Newton Foundation, of Olaf Heine’s portraits.

Olaf Heine
© Olaf Heine

Although women in Rwanda have been steadily gaining influence in society ever since the genocide, the rape victims and their children are at the lower end of the social hierarchy. Many young women still manage to rescue their traumatized mothers and help them to free them from the stigma. The courage and optimism of these women in an authoritarian society scarred by trauma are exemplary.

Olaf Heine is a photographer and director. He studied photography and design at the Lette Verein in Berlin, and is mainly known for his portraits of artists, politicians, and athletes, such as Iggy Pop, Bret Easton Ellis, and T.C. Boyle.  

HATJE CANTZ
www.hatjecantz.de

06/10/16

William Eggleston: The Democratic Forest

William Eggleston
The Democratic Forest
Published by Steidl 2015


William Eggleston
William Eggleston
The Democratic Forest
Published by Steidl 2015
Edited by Mark Holborn and William Eggleston III
Texts by Mark Holborn and Eudora Welty
Book design by Gerhard Steidl and Duncan Whyte

Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of William Eggleston’s career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston’s travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee.


William Eggleston
William Eggleston: The Democratic Forest
Volume 1 - The Louisiana Project
(c) 2015 William Eggleston for the images
Book published by Steidl 2015


William Eggleston
William Eggleston: The Democratic Forest
Volume 1 - The Louisiana Project
(c) 2015 William Eggleston for the images
Book published by Steidl 2015

The democracy of Eggleston’s title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest—a rarely shown body of work of which only a fraction has been published to date—has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston’s achievement be represented. With no precedent in American art, Eggleston’s photography seen as a whole has all the grandeur of an epic piece of fiction. The Democratic Forest includes a new introduction by Mark Holborn and the re-publication of Eudora Welty’s original essay on the work.


William Eggleston
William Eggleston: The Democratic Forest
Volume 1 - The Louisiana Project
(c) 2015 William Eggleston for the images
Book published by Steidl 2015


William Eggleston
William Eggleston: The Democratic Forest
Volume 1 - The Louisiana Project
(c) 2015 William Eggleston for the images
Book published by Steidl 2015


William Eggleston
William Eggleston: The Democratic Forest
Volume 1 - The Louisiana Project
(c) 2015 William Eggleston for the images
Book published by Steidl 2015

Ten clothbound hardcovers in a box:

Vol. 1 The Louisiana Project, 96 pages, 70 color photographs
Vol. 2 The Language, 136 pages, 109 color photographs
Vol. 3 Dallas. Oil. Miami, 112 pages, 86 color photographs
Vol. 4 Pittsburgh, 144 pages, 115 color photographs
Vol. 5 Berlin, 128 pages, 96 color photographs
Vol. 6 The Pastoral, 112 pages, 81 color photographs
Vol. 7 The Interior, 112 pages, 87 color photographs
Vol. 8 The Surface, 168 pages, 129 color photographs
Vol. 9 The Forest, 152 pages, 113 color photographs
Vol. 10 The Finale, 168 pages, 124 color photographs
31.5 × 32 cm - Four-color process
€ 550.00 - ISBN 978-3-86930-792-3

Biography
WILLIAM EGGLESTON was born in 1939 and today lives in Memphis. William Eggleston is regarded as one of the greatest photographers of his generation and a major American artist, who has fundamentally changed the way the urban landscape is viewed. He obtained his first camera in 1957 and was later profoundly influenced by Henri Cartier-Bresson’s book The Decisive Moment. William Eggleston introduced dye-transfer printing, a previously commercial photographic process, into the making of artists’ prints. His exhibition “William Eggleston’s Guide” at the Museum of Modern Art in New York in 1976 was a milestone. He was also involved in the development of video technology in the seventies. William Eggleston’s work is represented in museums across the world, and in 2008 a retrospective of his work was held at the Whitney Museum of American Art in New York and at Haus der Kunst in Munich in 2009.

THE DEMOCRATIC FOREST by WILLIAM EGGLESTON is published by Steidl : www.steidl.de

30/09/16

Karl Lagerfeld and Babeth Djian, Numéro Couture - Photographs by Karl Lagerfeld

Karl Lagerfeld / Babeth Djian
Numéro Couture
Steidl



Karl Lagerfeld / Babeth Djian  
Numéro Couture 
Steidl, 2016
320 pages - 27.5 x 35.5 cm / 10.8 x 14 in.
Four-color process - Clothbound hardcover - € 85.00
ISBN 978-3-95829-057-0

Karl Lagerfeld
Karl Lagerfeld  
Numéro #86, September 2007
© Karl Lagerfeld

This book features Karl Lagerfeld’s most beautiful photographs of Haute Couture garments shot for French fashion magazine Numéro, to celebrate its fifteen years of collaboration with the famous fashion designer. Who else but Karl Lagerfeld could better reveal the timeless and intricate beauty of Haute Couture? With all his innate imagination and indulgence, Karl Lagerfeld has immortalized the iconic models of our time within the covers of Numéro—Cara Delevingne, Linda Evangelista, Natasha Poly, Anja Rubik, Lara Stone, Stella Tennant, Natalia Vodianova… all these and more have participated in his game, often framed by sumptuous decors worthy of the greatest Hollywood productions. Karl Lagerfeld’s spectacular stagings visualize our most daring fantasies of female archetypes, from fairytale princesses to contemporary muses.


Karl Lagerfeld  
Numéro #111, March 2010
© Karl Lagerfeld

Karl Lagerfeld  
Numéro #141, March 2013
© Karl Lagerfeld

KARL LAGERFELD, fashion designer, publisher and book dealer, began working as a photographer in 1987. Karl Lagerfeld has since received the Lucky Strike Design Award from the Raymond Loewy Foundation, the cultural prize from the German Photographic Society, and the ICP Trustees Award from the International Center of Photography. Steidl has published most of Karl Lagerfeld’s books, including A Portrait of Dorian Gray (2004), Room Service (2006), The Beauty of Violence (2010) and the best-selling The Little Black Jacket (2012).


Karl Lagerfeld
Karl Lagerfeld  
Numéro #151, March 2014
© Karl Lagerfeld

Karl Lagerfeld
Karl Lagerfeld  
Numéro #141, March 2013
© Karl Lagerfeld

Fashion editor BABETH DJIAN, whose first magazine Jill is still a reference point today, has been at the origin of dozens of cult images published in French and Italian Vogue, Glamour, Mixte and now Numéro. With her visionary eye, Babeth belongs to the few who make a tangible difference in today’s universe of appearances. A large number of photographers, stylists, make-up artists, hairdressers and models began their careers under her direction. In 2008, Edition 7L published her book Babeth.

NUMERO COUTURE by  KARL LAGERFELD and BABETH DJIAN is published by Steidl :
www.steidl.de

29/09/16

Miles Aldridge, Please Return Polaroid

Miles Aldridge 
Please Return Polaroid
Steidl



Miles Aldridge 
Please Return Polaroid
Steidl, 2016
204 pages - 29.5 x 29.5 cm / 11.6 x 11.6 in.
Four-color process - Clothbound - € 38.00
ISBN 978-3-95829-099-0

In this book Miles Aldridge revisits his Polaroid archive of twenty very prolific years of magazine assignments. Many of these Polaroids were intentionally or accidentally damaged while working on different shoots — trimming, adjusting, marking, cutting, pasting, outlining specific details in order to enhance, modify, reassemble or discard. Liberated from their original context, the images take on a life of their own and create an almost dreamlike narrative. By partly enlarging and arranging the Polaroids in unexpected ways, Aldridge treats them as singular, independent images that deserve due respect. We are granted a rare insight into a photographer’s storyboard and work process while learning to appreciate the importance of flaws and imperfections, but also of playfulness, on the journey to the finished photograph.

MILES ALDRIDGE: Short biography
Miles Aldridge, born in London in 1964, has published his photographs in such influential magazines as American and Italian Vogue, Numéro, The New York Times, and The New Yorker. His work has been exhibited in numerous group shows, and his solo shows include those at Brancolini Grimaldi in Florence, Hamiltons Gallery in London, and Steven Kasher Gallery in New York. Miles Aldridge’s work is held in the National Portrait Gallery and the Victoria and Albert Museum in London, and in the International Center for Photography in New York.

PLEASE RETURN POLAROID by MILES ALDRIDGE is published by Steidl :
www.steidl.de

Edward Burtynsky, Salt Pans - Little Rann of Kutch, Gujarat, India

Edward Burtynsky 
Salt Pans - Little Rann of Kutch, Gujarat, India
Steidl



Edward Burtynsky 
Salt Pans - Little Rann of Kutch, Gujarat, India
Steidl, 2016
60 pages - 36.4 x 28.8 cm / 14.3 x 11.3 in.
Four-color process - Clothbound - € 68.00
ISBN 978-3-95829-240-6

Salt Pans is Edward Burtynsky’s newest book in his acclaimed ongoing series of photographs exploring different industrialized landscapes across the world. Consisting of 31 aerial photos of the salt pans in the Little Rann of Kutch, the project is the result of months of intricate negotiations and preparations. These striking geometric images, taken in an intense ten-day period during which Burtynsky photographed from a helicopter, present the pans, wells and vehicle tracks as abstract, painterly patterns: subtly colored rectangles crossed by grids of gestural lines.

And yet the reality behind the ironic beauty of Edward Burtynsky’s pictures is a harsh one. Each year 100,000 poorly paid Agariya workers toil in the pans, extracting over a million tons of salt from the floodwaters of the nearby Arabian Sea. Furthermore, receding groundwater levels, combined with debt, diminishing market values as well as a lack of governmental support, threaten the future of this 400-year-old tradition and the lives dependent on it.

EDWARD BURTYNSKY: short biography
Edward Burtynsky was born in 1955 and is one of the world’s most respected photographers. His remarkable depictions of global industrial landscapes are held in the collections of over sixty major museums including the National Gallery of Canada; the Museum of Modern Art and Guggenheim Museum in New York; Tate Modern, London; Museo Reina Sofia, Madrid; and the Los Angeles County Museum of Art. Burtynsky’s distinctions include the TED Prize, the Rencontres d’Arles Outreach Award. In 2006 he was made an Officer of the Order of Canada, and in 2016 he received a Governor General of Canada Award in Visual and Media Arts. He holds six honorary doctorate degrees. Edward Burtynsky’s previous publications with Steidl are China (2005), Quarries (2007), Oil (2009) and Water (2013).

SALT PANS by EDWARD BURTYNSKY is published by Steidl :
www.steidl.de

28/09/16

Berenice Abbott, Paris Portraits 1925-1930

Berenice Abbott
Paris Portraits 1925-1930 

Steidl / Commerce Graphics 


Berenice Abbott
Paris Portraits 1925-1930
Steidl / Commerce Graphics, 2016
368 pages - 24 x 30 cm / 9.4 x 11.8 in.
Clothbound - € 68.00
ISBN 978-3-86930-314-7

This is one in a series of books to be published by Steidl that will explore Berenice Abbott’s exceptional body of work. Abbott began her photographic career in 1925, taking portraits in Paris of some of the most celebrated artists and writers of the day including Marie Laurencin, Jean Cocteau, Peggy Guggenheim and James Joyce. Within a year her pictures were exhibited and acclaimed. Paris Portraits 1925–1930 features the clear, honest results of Abbott’s earliest photographic endeavor, which illustrates the philosophy that shaped all of her subsequent work. For this landmark book, 115 portraits of 83 subjects have been scanned from the original glass negatives, which have been printed in full.
Co-published with Commerce Graphics, New York

BERENICE ABBOT: Short Biography
Berenice Abbott, born in Springfield, Ohio in 1898, was a dominant figure in twentieth-century American photography. Abbott moved to Paris from New York in 1921 and in 1923 was hired by her friend Man Ray, who was looking for an assistant who knew nothing about photography and whom he could teach. Abbott learned quickly and within a year was taking her own photographs. Over the next 65 years Abbott mastered a wide range of subjects, executing the monumental project Changing New York, photographing rural America and scientific and natural phenomena, establishing the reputation of Eugène Atget, and founding the first university photography program in the United States. Steidl published the two-volume retrospective Berenice Abbott (2008), Documenting Science (2011) and The Unknown Abbott (2013).

PARIS PORTRAITS 1925-1930 by BERENICE ABBOT published by Steidl: www.steidl.de

02/07/11

Henri Cartier-Bresson: Europeans - In this book french photographer capture fragile reality of European life

HENRI CARTIER-BRESSON

In this moving collection of images, just published by Thames & Hudson, the celebrated photographer recorded what it meant to be European. Spanning the years from the late 1920s to the early 1990s, his photographs speak of the ongoing business of living for people across Europe, whether Polish priests or Abruzzi peasants. With his remarkable ability to capture fragile reality of European life, Henri Cartier-Bresson once again under scores his reputation as one of the 20th century’s most influential and original photographers. 
"Cartier-Bresson’s influence has been immense… he has been largely responsible for our sense of how modern life looks" – London Review of Books
The author, Jean Clair, was Director of the Picasso Museum for many years, and has been a member of the French Academy since 2008. Among the milestones of his long and productive career is a comprehensive catalogue of the works of Balthus.

Henri Cartier-Bresson: Europeans
By Jean Clair
Translated by Anthony Rudolf
Published by Thames & Hudson, London
Publication date: 20 June 2011
26.9 x 21.9cm - 232pp - 187 illustrations

Thames & Hudson 
London, UK
www.thamesandhudson.com

03/03/11

Henry Leutwyler Photographs of Michael Jackson’s items at Foley Gallery, NYC

Exhibition: Henry Leutwyler
Neverland Lost: A Portrait of Michael Jackson
Foley Gallery, New York
Through April 2, 2011

Neverland Lost: A Portrait of Michael Jackson, on view at Foley Gallery in New York, is an exhibition of color photographs by HENRY LEUTWYLER featuring the personal belongings of the late Michael Jackson.

As a portrait photographer, Leutwyler has always been interested in investigating the stories told by the artifacts that make up people’s lives. In 2009, Neverland Ranch was packed and crated in preparation for a public auction of Michael Jackson’s possessions. Leutwyler was sent to California to photograph the iconic studded white glove and spent three days sifting through more than a thousand items. In the end it took a second trip back to the warehouse in April 2009 to complete the entire story.

The photographs, many of which are staged on a simple black background, range from bejeweled costumes to a storage box lid filled with small Wizard of Oz figurines. It’s the simplicity of his artifacts that capture the life of the King of Pop the public never saw. As Leutwyler puts it: "It is said that the Pharaohs built tombs to reveal their lives to future generations. Michael Jackson sacrificed his childhood to the calling of his musical gift. Neverland was the pyramid he constructed to a lost childhood."

Swiss born, HENRY LEUTWYLER is an internationally acclaimed and award winning photographer. A creative force in Paris for a decade, he moved to New York City in 1996, where he lives with his wife and two children. His work has appeared in the New York Times Magazine, Vogue, Vanity Fair and Esquire.

 

Henry Leutwyler, Nerverland Lost, Steidl, 2010 

HENRY LEUTWYLER
NEVERLAND LOST:
A PORTRAIT OF MICHAEL JACKSON
Published by Steidl, 2010
Hardcover, 8 x 11 inches, 96 pages

FOLEY GALLERY
548 W 28th Street, 2nd Floor
New York, NY 10001

2011 Season at Foley Gallery

Brian Ormond, IIIII, January 11 - February 19, 2011
Henry Leutwyler, Neverland Lost:  A Portrait of Michael Jackson, Feb 24 - April 2, 2011
Hikari Shimoda, April 7 - May 7, 2011
Edward Mapplethorpe, May 12 - June 18, 2011

www.foleygallery.com

26/08/10

Stephen Gill GP Gallery Tokyo

Stephen Gill, Coming up for Air: Photography Exhibition and New Book

Stephen Gill, Coming up for Air

G/P Gallery, Tokyo

August 20 - September 26, 2010

The Nobody Books has published a new book of the photographer STEPHEN GILL, Coming up for Air. Photographs from the book are exhibited by G/P gallery. The pictures were taken in Japan between 2008 and 2009.

" These images create a chance to sink into a kind of fictional aquatic world that somehow leaves you gasping for breath." (G/P gallery)

G/P gallery
150-0013 1-18-4 Ebisu, Shibuya-ku,
TOKYO, NADiff A/P/A/R/T 2F

Opening hours : 12:00 - 20.00

08/06/10

Paris’ Photographs Artist Book

Artist book Press Release

 

Book Cover

The book cover can be used for editorial purpose related to this book
© Gautier Willaume. Courtesy of the artist.
High Res. pictures available upon request to Wanafoto (above: "contact Wanafoto")

 

This artist book presents a serie of 24 black and white photographs from Paris.

For this book I choose fairly traditional topics about Paris. Perhaps I could have published in this little book photos with less conventional view of Paris. But I had to make a choice, and Paris offer a good opportunity for this kind of pictures. Living in Paris, I love spending a day or a weekend, adopting the posture of a tourist. It is in these moments that most of the photos included in the book have been taken, between 2005 and 2010.

This hand-made artist book printed with an inkjet printer on 200g drawing paper is limited to 100 numbered and signed.

****

I’m french, so can you let me a comment if you find a mistake in this text translated from french to english :) Thanks ;)

 

_______________

Artists, if you want to publish a post about your artist book on this blog, please send your text and (if you want) book cover or other image related to your artist book to wanafoto (“contact wanafoto” above). Of course, it is free!

01/01/10

Sasha Bezzubov, Wildfire, Photographs - Exhibition at the Front Room Gallery, Brooklyn

Sasha Bezzubov: Wildfire, Photographs 
Front Room Gallery, Brooklyn
January 8 - February 14, 2010

Wildfire, by SASHA BEZZUBOV is the first public exhibition of photographs from the artist's recent book by the same name, published by Nazraeli Press. In the Wildfire series Sasha Bezzubov focuses on the devastation wrought by wildfires on the American west, with dramatic large-scale landscapes containing charred, burned-out forests, houses and neighborhoods. In one image a spiral staircase rises skyward out of the wreckage, the last remnant of a once standing home. Other photographs in this series focus on the damage inflicted on nature, the pine forests, and whole mountainsides reduced to ashes.


Sasha Bezzubov, Wildfire 
Introduction by Bill McKibben 
Nazraeli Press, 2009, 64 pages

These heartwrenchly beautiful landscapes draw us in and confront us with the uncomfortable notion that we might be somehow to blame. In the introduction to the book Wildfire, writer Bill McKibben explains these distressing statistics: in the last 35 years the number of fires increased by a factor of four; the average fire went from lasting a week to lasting five; the total area burned increased by six and a half times; the average fire season increased by 78 days, or 64 percent. Bill McKibben then goes on to express that these fires are an indicator of global climate change, caused in part by the earlier thaws of snow in the mountains and longer dry seasons. Within these series of photographs, the larger scope of our involvement with the natural world and our ability to protect and preserve against some of the more devastating effects of natural disasters is brought to question...are we to blame, and can we prevent the onslaught of wildfires, are just a few of the questions that arise from Sasha Bezzubov's most recent series.

This is Sasha Bezzubov's third exhibition at the Front Room Gallery, and a continuation of his ongoing series Things Fall Apart, landscape photographs of the aftermath of natural disasters. This series, which began in 2001, contains photographs of forest fires, earthquakes, tidal waves, and tornados, around the world. Wildfire, Bezzubov's most recent presentation from this larger series, targets an intimate look at the catastrophic impact of these uncontrollable fires on many varied landscapes, from urban to wilderness.

SASHA BEZZUBOV
Wildfire, Photographs
Front Room Gallery, NYC

Previous exhibitions at The Front Room Gallery
Fuse Works: Multiples and Editions, December 4, 2009 - January 3, 2010
10th Anniversary Exhibition, October 31 - November 22, 2009
Brace For Impact: the aftermath of flight 1549, Photographs by Stephen Mallon, September 10 - October 11, 2009
Melissa Pokorny - Julia Whitney Barnes, Within The Menagerie, May 22 - June 21, 2009
ZimmerFrei collective of artists, Massimo Carozzi, Anna Rispoli, Anna de Manincor, April 4 - May, 2009
Emily Roz, Kill the Beast, February 27 - March 29, 2009
Sung Jin Choi, The Creator, December 12, 2008 - January 18, 2009
Front Room Gallery's Second Ballot Show , October 24 - November 23, 2008
Erik Guzman, Who Made Who, September 12 - October 19, 2008
Summer Sampler, July 11 - August 2, 2008

28/09/09

John Lennon and Yoko Ono Photos by Gerry Deiter

GIVE PEACE A CHANCE: JOHN & YOKO’S BED-IN FOR PEACE (Wiley, publisher), presents more than 80 photographs by renowned Life magazine photographer Gerry Deiter, many of which have never been published before. Life magazine photographer Gerry Deiter was present for all eight days of the Bed-in, capturing both large, boisterous gatherings of journalists and celebrities, and the smaller, more intimate moments between John and Yoko. The result was an archive of almost 500 images, many of which were never published – until now. The story Gerry Deiter was working on was bumped by Life in order to cover escalating events in Vietnam, and Deiter hid the photos for 35 years. His friend, and curator of the collection, Joan Athey has compiled them into an entertaining and moving portrait of the times. Deiter passed away in 2005. The large format book captures candid shots of Tommy Smothers, Timothy Leary and his wife Rosemary, New York writer and jazz critic Nat Hentoff, pioneering New York DJ Murray The K, and the aggressive hostility of right-wing cartoonist Al Capp. Personal recollections include journalist Alison Gordon, rock entrepreneur Donald Tarlton (aka “Donald K. Donald”), record producer André Perry, DJ Chuck Chandler, Crawdaddy! rock writer Paul Williams and Capitol Records’ Richard Glanville-Brown. In addition, Yoko Ono has contributed a personal statement that gives modern day relevance to the events in 1969 on the 40th anniversary of what has become an historic moment in rock music history. Gerry DEITER (photographer) was a Brooklyn-born photojournalist and portrait/fashion photographer, teacher, and contributor to Life and Time magazines. He was present for all eight days of John Lennon and Yoko Ono’s Bed-in for Peace at Montreal’s Queen Elizabeth Hotel in May 1969. Gerry Deiter was also the first photographer for Greenpeace and a peace activist. He died December 9, 2005. Joan ATHEY (writer/curator) is a communications specialist, having worked for 21 years in public relations, marketing and promotion for the CBC and the Toronto Star. Athey resides in Victoria, BC. Paul McGRATH (editor) was rock critic for The Globe and Mail and a reporter for CBC TV’s The Journal. He directed the documentaries John and Yoko’s Year of Peace (CBC, 2000) and Give Peace a Song (CBC, 2005), the latter about the recording of “Give Peace A Chance.” McGrath resides in Toronto. Give Peace a Chance: John and Yoko's Bed-in for Peace Wiley April 2009 Hardcover - 120 pages ISBN: 978-0-470-16044-2 US$24.95

02/04/09

Hollywood Portraits by Alan Wallace

Photo © Alan Wallace, All rights reserved
Alan Wallace capturing portraits inspired by Hollywood actors. Very nice B&W pictures!
Publish Date: April 1, 2009
Dimensions: Standard Landscape - 40 pgs Softcover: $19.95 Hardcover, Dust Jacket: $29.95 Hardcover, ImageWrap: $31.95
http://www.blurb.com/

06/03/09

Understanding Shutter Speed - Creative photography

Understanding Shutter Speed: Creative Action and Low-Light Photography Beyond 1/125 Second, Paperback, Amphoto Books, 2008, 160 p.
The first book in the Understanding Photography series, Understanding Exposure, was a runaway best-seller, with more than 250,000 copies sold. Now author Bryan Peterson brings his signature style to another important photography topic: shutter speed. With clear, jargon-free explanations of terms and techniques, plus compelling "before-and-after" photos that pair a mediocre image (created using the wrong shutter speed) with a great image (created using the right shutter speed), this is the definitive practical guide to mastering an often-confusing subject. Topics include freezing and implying motion, panning, zooming, exposure, Bogen Super Clamps, and rendering motion effects with Photoshop, all with helpful guidance for both digital and film formats. Great for beginners and serious amateurs, Understanding Shutter Speed is a very good handy guide to mastering shutter speed for superb results.
Bryan Peterson, a professional photographer, is the author of Understanding Exposure, Beyond Portraiture, Learning to See Creatively, and Understanding Digital Photography. A well-known instructor, he is the founder of the online school The Perfect Picture School of Photography. He lives in Chicago.

04/02/09

Posing Techniques for Photographing Model Portfolios


" Make models look their best - and create images that will get them hired "
With detailed discussions and eye-catching, dynamic images, this guidebook, edited by Amherst Media, shows professional photographers how to masterfully create beautiful images of a model to achieve any creative objective. Instructions illustrate basic poses as well as a host of subtle variations to provide photographers with an endless array of looks for editorial fashion shots, athletics, glamour or nude photography, and shots designed to show curves, reveal personality, or showcase the hands, hair, or legs. This comprehensive ressource also provides expert advice on conducting a successful session, how to work with the model, how to work with a support staff of image stylists, and tips for designing a high-quality portfolio. Additional lessons provide a start-to-finish analysis of four different shooting sessions, each with a different model and a different objective.
There is an art to posing models--an art that photographers must develop in order to succeed. Beginning models in particular rely on the experience of the photographer to guide them to flattering poses, but even experienced models need the photographer to fine-tune their look in each image. When creating images for a model's portfolio, each pose must showcase the model's best attributes, conceal any problem areas, and appeal to her own aesthetic sensibilities and personality. Additionally, each image must be designed to appeal to the kinds of clients from whom the model is hoping to gain employment. These may include designers, magazines, jewelers, and other professionals in the industries where models are employed. In Posing Techniques for Photographing Model Portfolios, Billy Pegram presents the skills needed to achieve these goals. Concise text paired with dozens of step-by-step photos show what to look for--and, more critically, what to avoid-- when photographing models. A must-have for any photographer creating fashion images or fashion-inspired portraits.
Billy Pegram has produced cutting-edge fashion photography for clients like Fila and Swatch. He has also directed and produced over one hundred videos for The American College of Sports Medicine in conjunction with major sponsors like Reebok, Gatorade, YMCA Corporation, and Stairmaster.
Other Photography Books Posts:

06/01/09

Lighting Techniques for Middle Key Portrait Photography

(c) Norman Phillips/Amherst Media - All rights reserved
Learn To Avoid Common Problems And Create Portraits With Greater Visual Impact
Norman Phillips, author of Lighting Techniques for High Key Portrait Photography and Lighting Techniques for Low Key Portrait Photography, examines a much over-looked area of photography: the middle key. As Phillips shows, the fact that many photographers ignore middle key as a way of structuring their images results in portraits that may be cluttered or be visually confusing because elements of the scene, subject, clothing, props, and lighting are actually at odds with each other. By approaching these images with the concept of middle key in mind, it becomes much easier to avoid common errors and produce images with greater impact. While photographers are generally familiar with high-key images (photographs with primarily very light tones paired with soft lighting) and low-key images (photographs with primarily dark tones paired with dramatic lighting), the concept of middle key (everything in between) is one that is often overlooked. This is surprising, since this is the key in which the vast majority of images are produced. Lighting Techniques for Middle Key Portrait Photography is now available.
As Norman Phillips shows, by approaching these images with the concept of middle key in mind, it becomes much easier to avoid common lighting errors and produce images with greater impact. These errors occur because photographers often decide to create a portrait that is not high key and not low key. This approach fails to provide sufficient structure because it does not precisely define the objectives of the shoot. As a result, the portraits produced may look cluttered or be visually confusing because elements of the scene, subject, clothing, props, and lighting are actually at odds with each other. By consciously deciding to create a middle key portrait, on the other hand, photographers can help to avoid arbitrary decisions and begin more precisely selecting the kinds of colors and tones that will produce visual harmony and an overall more pleasing appearance in their portraits. They also have a starting point for devising a lighting setup that will harmonize well with all of the other elements in the image, drawing the viewer to just those areas of the scene or subject that the photographer intends to emphasize. Finally, they can implement all of these techniques that communicate the emotional impact they envision.
"Packed with images and diagrams from over a dozen acclaimed photographers", this book shows exactly how effective such a studied approach can be and provides the step-by-step explanations that enable readers to achieve similar results in their own work.
About the author
Norman Phillips is a master photographer who is the recipient of more than 150 awards, including the Accolade of Outstanding Photographic Excellence in Recognition of Contribution to the Industry. He has hosted many seminars, sponsored by corporations like Pentax Corporation, Eastman Kodak and Burrell Colour, Inc. Phillips is also a regular contributor to industry publications including Rangefinder magazine and the Wedding and Portrait Photographers International monthly newsletter.
http://www.amherstmedia.com/
Click Here To Look Inside This Book With Google Book Search Photo of Norman Philipps - Copyrighted - All rights reserved

05/01/09

Route 66 Abandoned The Photography of Edward J Mance

" The decommissioning of Route 66 has had a negative impact on many parts along its path, in some cases, a devastating impact.
Mel Shaker and I set out to photographically document abandoned structures along the old route. The structures were abandoned sometime around the route's decommissioning in 1985.
While we thought we would see a fair number of such structures, nothing could have prepared us for the sheer quantity of them, nor for the devastating degrees of disrepair we would find. Likewise, we never imagined the open access we would have to these abandoned buildings.
We set 3 guiding principles for our visits throughout this journey. We walked onto the property only if a no trespassing sign was not posted. We walked into the buildings only if the doors were not locked. And, we would not move any object away from where we found it.
Factories, gas stations, auto repair facilities, restaurants and diners, stores, schools, homes, farms and even churches -- the decommissioning spared no type.
Every evening, after a day's shoot, we started our dinners by staring at each other in amazement. What happened to the lives of those impacted by the bypassing of the new Interstates? It was as if time stood still. Accounting records still stored in filing cabinets, records dating back decades. Desks, tables, chairs, calendars, cash registers and so much more, all still inside.
And tires. With very few exceptions, each structure had old tires in it. Odd.
Join us in this adventure of over 2,000 miles from Chicago to Los Angeles along the route known by many as The Mother Road – in our adventure of Route 66 Abandoned. "
Edward J. Mance & Melissa Shaker January 2, 2009 Palo Alto, California, USA
For additional photos of the journey, go to:
About the author
Born in Canada, Edward Mance picked up his first camera at age 13. Like his closest friends, he started by shooting endless roles of black and white film, then spent hours perfecting the final prints. But, as with most creative endeavors, photography would have to take a back seat to career and family. He has since moved to the US, settling in Palo Alto, California. An avid traveler, he was captivated by the enduring intrigue of Route 66. He wanted to capture the truth, a truth… the evidence of abandonment of so many structures once filled with the lives of their occupants. But he wanted to add a human element to his photo shoot as well. The light came on for him when he met and conspired with Melissa Shaker. So he brought Mel into the picture to help tell the story of this once thriving national artery. What follows is a small sample of the collection of photographs taken during their journey from Chicago to Los Angeles.
  • Publish Date: January 4, 2009
  • Dimensions: Large Format Landscape - 84 pgs
  • Hardcover, Dust Jacket: $125.00
  • Hardcover, ImageWrap: $125.00
  • Category: History
  • Tags: California, Arizona, Texas, Kansas, Oklahoma, Missouri

18/11/08

The Ultimate Guide to Travel Photography

The world through a lens
Nikon UK has teamed up with Intrepid Travel for the launch of the Ultimate Guide to Travel Photography published by Footprints publishing, a book that will perhaps change the way you travel. Written by acclaimed author and photographer of ‘Unforgettable Places to see Before you Die’ Steve Davey, it covers many things that you need to know about travel photography including preparation, exploring with a camera, all of the technical stuff as well as hints and tips about virtually every travel photography scenario. There is even a comprehensive section on post-processing your pictures using some of the most popular computer software, and tips on making money from your photography.
Whatever camera you use and whatever your level this book is packed with information for you. There are Pro-Tips, information about shooting in RAW format, as well as specific information for users of film SLRs, digital compacts as well as Digital SLRs. Broken down by technique and photography style, rather than destination, the layout of this book makes it easy for you to decide what kind of picture you’re trying to take and find, at a glance, the right techniques for you. I have read this book before a travel in Egypt (Luxor - Thebes). Even if my photos can be better ;) I think that this book give me good tips to improve my shots.
As well as taking pictures, this book will inspire you to head out and see the world. Packed with inspirational pictures and anecdotes from Steve's years on the road, this book is a call to get out and explore. When you buy the book, you get exclusive access to a dedicated website, with further information sections, expanded photographic galleries, weblinks from the book and a forum to ask the author questions and even a photo-clinic where there is the opportunity to get your images critiqued by the author.
About the author: Steve Davey is a writer and photographer based in London. He is the author and photographer of Unforgettable Places to See Before You Die and Unforgettable Islands to Escape To Before You Die both published by BBC Books. These books have been translated into over 26 languages worldwide.
Photo (c) Footprint Publishing - Text source : Nikon UK Press Release - All rights reserved - http://www.footprintbooks.com/
Last post update: 17-02-2009

30/08/08

Adobe Photoshop Lightroom 2 How-Tos: 100 Essential Techniques

CHRIS ORWIG
Adobe Photoshop Lightroom 2 How-Tos: 100 Essential Techniques
Adobe Press, August 2008, 248 p. $25 (Paperback)
Build your Lightroom expertise, one technique at a time. Why sort through piles of unrelated documentation when you can focus on the essential techniques? In Adobe Photoshop Lightroom 2 How-Tos, author Chris Orwig brings you the best techniques to quickly organize and correct your digital images using this powerful program created specifically for photographers. Complete with illustrations and practical tips, these bite-sized lessons from author’s experience as a photographer and instructor provide just the information you need. Here you can explore the program at your own pace, spending less time at your computer and more time behind the lens taking great pictures. Coverage includes:
  • Customizing the Interface
  • Understanding File Formats
  • Finding Images with Text, Refine, and Metadata Filters
  • Using Presets in Quick Develop
  • Correcting White Balance
  • Applying Settings to Other Images
  • Changing Hue, Saturation, and Luminance
  • Dodging and Burning with the Adjustment Brush
  • Customizing Web Galleries
Chris Orwig is a professional photographer, teacher, and author. He is a member of the faculty at the prestigious Brooks Institute of Photography in Santa Barbara, California, and is a popular conference speaker. A regular contributor to Photoshop User and Layers magazines, he also creates training videos. Chris Orwig brings his unique perspective, creativity, and passion to all that he does. As a photographer, he subscribes to Marc Riboud’s observation that “Photography is about savoring life at 1/100th of a second.” Find inspiration and see his work at http://www.chrisorwig.com/.