Showing posts with label poster art. Show all posts
Showing posts with label poster art. Show all posts

23/08/12

Paula Scher & Seymour Chwast, Graphic Designers at Philadelphia Museum of Art


Double Portrait:  Paula Scher and Seymour Chwast, Graphic Designers at Philadelphia Museum of Art
Curator: Kathryn Bloom Hiesinger
December 2, 2012 - April 14, 2013

Illustrator Seymour Chwast is graphic designer Paula Scher’s greatest influence, and also happens to be her husband. With a shared sensibility and approach to design, their work has transformed the fields in which they practice. Double Portrait:  Paula Scher and Seymour Chwast, Graphic Designers celebrates the achievements of this remarkably creative couple, whose illustrations and designs will be shown together for the first time. The exhibition in the Collab Gallery of the Museum’s Ruth and Raymond G. Perelman Building will include more than 300 images, selected and installed by Seymour Chwast (b.1931) and Paula Scher (b. 1948). On Saturday, December 1, they will be honored with the Design Excellence Award given by Collab, the group of design professionals and enthusiasts that supports the modern and contemporary design collection at the Museum.

“Thanks to the efforts and generosity of Collab, we are the only Museum in the country to regularly devote our galleries to exhibitions about contemporary designers,” notes Kathryn Bloom Hiesinger, Curator of European Decorative Arts after 1700. “It is an extraordinary opportunity to be able to view Scher and Chwast’s work, side by side, in a museum setting. Seen in concert, their iconic images, social commentary, and commercial relevance speak to graphic design’s ability to transcend the medium’s perceived boundaries.”

Both Seymour Chwast and Paula Scher understand graphics as expression, very often comic expression, and are drawn to eclectic influences and conceptual methods. Double Portrait explores the artists’ commonalities and differences in works ranging from record albums, books, magazine covers, and illustrations to posters, typefaces, trademarks, identities, and environmental graphics shown in videos and in the gallery.

The exhibition will demonstrate how Seymour Chwast’s vision was, and remains, deeply personal, inspired by sources as diverse as German Expressionist woodcuts, Victorian typography, children’s art, primitive art, folk art, and comic books. On view will be one of Seymour Chwast’s most iconic and still provocative works of the 1960s, his anti-war poster “End Bad Breath” (1968), designed in protest of the U.S. bombing of Hanoi. Both cartoon and illustration, the poster features Uncle Sam centered like the sun against a background of thick rays, his hugely open mouth filled with bombs and bombers.

End Bad Breath, 1967. SEYMOUR CHWAST, American, b. 1931. 
Poster, offset lithograph, 37 x 24 inches

In his poster “War is Good Business: Invest Your Son” (1967), Seymour Chwast used a collage style of Victorian wood-block typography, photography, and bright color to create a dense, visually busy surface that activates his ironic text message.

Paula Scher is best known for her innovative reimagining of typography as a communicative medium, her work divided largely between the fields of graphic identity and environmental graphics. Her identity program and posters for New York’s Public Theater (from 1994), will be featured in Double Portrait, including the graphic language designed for The Public Theater which reflects street typography with unconventional placements and uses of different sizes, weights, and styles of type.


Best of Jazz, 1979. PAULA SCHER, American, b. 1948. 
Offset lithograph, poster, 26 x 35 inches. For CBS Records


Paula Scher's poster for the theater’s production of “Bring in ‘Da Noise, Bring in ‘Da Funk” (1995) sets the play’s title and theater logos around the silhouetted image of the tap artist in different visual rhythms which convey the sound of the performance. Paula Scher’s environmental graphics for the New Jersey Performing Arts Center’s Lucent Technologies Center for Arts Education (2001), utilizes super graphics to redraw the exterior of the sixty-year old school building in typography with painted words loudly announcing the school’s program as “Theater, Music, Dance.”

SEYMOUR CHWAST SHORT BIOGRAPHY
Seymour Chwast studied at New York’s Cooper Union and, after graduating, co-founded the Push Pin Studios in 1954 with classmates Milton Glaser and Edward Sorel.  Widely influential, Push Pin broadened the boundaries of modern design by reintroducing historic graphic styles and techniques, transforming them into a new, contemporary vocabulary. Throughout a varied career in promotion and publishing, Seymour Chwast’s designs have been used in advertising, animated films, and editorial, corporate, and environmental graphics for such clients as Mobil, Sony, Forbes, and Columbia Records, and his illustrations have appeared in The New York Times, The New Yorker, The Atlantic, and Time.

Seymour Chwast, Photograph by John Madera

Seymour Chwast has created more than 100 posters and has designed and illustrated more than 40 children’s books. His work has been the subject of Seymour Chwast: The Left Handed Designer (Abrams, 1985) and Seymour: The Obsessive Images of Seymour Chwast (Chronicle, 2009). Museums such as the Museum of Modern Art and the Library of Congress have collected his posters, and he has lectured and exhibited worldwide.

PAULA SCHER SHORT BIOGRAPHY
Paula Scher holds a BFA from the Tyler School of Art and a Doctor of Fine Arts Honoris Causa from the Corcoran College of Art and Design, the Maryland Institute College of Art, and Moore College of Art & Design. She began her professional career as an art director in the mid-1970s designing record covers for CBS and Atlantic Records, developing an eclectic approach to typography that became highly influential. In 1991, Scher became a partner in Pentagram, the distinguished international design consultancy. Scher has developed identity and branding systems, promotional materials, environmental graphics, packaging, and publication designs for a broad range of major corporate and institutional clients including, among others, the Museum of Modern Art, New York City Ballet, the Metropolitan Opera, Jazz at Lincoln Center, the New York Philharmonic, Bloomberg L.P., Citibank, Microsoft, Tiffany & Co. and the Sundance Film Festival as well as the Public Theater and The Daily Show with Jon Stewart.

Paula Scher, Photograph by Branson Veal

Paula Scher has been the recipient of hundreds of industry honors and awards and served on numerous boards. Her work is represented in the permanent collections of museums including the Museum of Modern Art, New York, and the Centre Georges Pompidou, Paris. She has lectured and exhibited all over the world, and has taught for more than 20 years. She has authored numerous articles and is a frequent design contributor to The New York Times, GQ and other publications. In 2002, Princeton Architectural Press published her career monograph Make It Bigger as well as her map-based paintings, installations, drawings, and prints in Paula Scher: Maps, in 2011.

Both Paula Scher and Seymour Chwast have received the medal of the American Institute of Graphic Arts, their profession’s highest honor, Chwast in 1985, Scher in 2001. In 1983 and 1998, respectively, Chwast and Scher have been inducted into the Art Directors Club Hall of Fame.

Curator: Kathryn Bloom Hiesinger, Curator of European Decorative Arts after 1700

The Philadelphia Museum of Art
Ruth and Raymond G. Perelman Building, Collab Gallery

Museum's website: www.philamuseum.org

DESIGN EXCELLENCE AWARD
In conjunction with Double Portrait: Paula Scher and Seymour Chwast, Graphic Designers, Collab will present the 2012 Design Excellence Award to the artists on the evening of December 1, 2012. The Design Excellence Award honors a renowned designer or manufacturer who has enriched the world with his or her unique creative vision. The award ceremony will take place in the Philadelphia Museum of Art’s Van Pelt Auditorium and will include an illustrated lecture by the artists.

STUDENT DESIGN COMPETITION
2012 marks the 20th anniversary of Collab’s Student Design Competition, which challenges area college students studying architecture and industrial design to be inspired by themes closely associated with the annual Design Excellence Award winner and corresponding exhibition. The 2012 challenge associated with Double Portrait: Paula Scher and Seymour Chwast, Graphic Designers is entitled "Game On" and asks students to redesign and/or repackage an iconic game or create their own. The judges, prominent figures in the commercial and academic design world, will review the submissions and select the winners in a day-long review at the Philadelphia Museum of Art on Monday, November 19, 2012. The top three winners receive monetary awards, and their work will be featured on the Museum website.

03/07/11

The Guerrilla Girls Talk Back - NMWA, Washington DC

The Guerrilla Girls Talk Back 
National Museum of Women in the Arts - NMWA, Washington DC 
Through October 2, 2011 

GUERRILLA GIRLS
Guerrilla Girls (active1985- )
Untitled, 1986 
From the series “Guerilla Girls Talk Back: The First Five Years,” 1985-1990 
Color photolithograph on paper - 17 x 22 in. 
Courtesy National Museum of Women in the Arts,
Gift of Steven Scott, Baltimore,
in honor of Wilhelmina Cole Holladay 

The Guerrilla Girls Talk Back is an exhibition featuring more than 70 works by the gorilla-masked crusaders, including posters, newsletters, stickers and erasers. The Guerrilla Girls Talk Back is on view at the National Museum of Women in the Arts –NMWA– in Washington DC since June 17, through October 2, 2011. 

The Guerrilla Girls, a group of anonymous artist-activists, critique the sexism and racism pervading contemporary culture. Through their populist art production, the group raises awareness about discrimination. 
GUERRILLA GIRLS
Guerrilla Girls (active1985- )
Hormone Imbalance. Melanin deficiency, 1993
From the series “Guerilla Girls Talk Back: Portfolio 2” 
Photolithograph on paper - 17 x 11 in. 
Courtesy National Museum of Women in the Arts,
Gift of Steven Scott, Baltimore,
in honor of Wilhelmina Cole Holladay 

Drawn primarily from NMWA’s collection, the exhibition presents posters from two portfolios, Guerrilla Girls Talk Back: The First Five Years, 1985-1990 and Guerrilla Girls Talk Back: Portfolio 2, both donated to the museum by Baltimore-based collector Steven Scott.

The first Guerrilla Girls posters appeared in 1985, pasted onto structures in lower Manhattan. Combining bold advertising-style graphics with eye-opening facts and figures, the posters detailed discrimination by the city’s art galleries against women artists and artists of color. Since then, the group has produced scores of posters, billboards, and books to promote inclusiveness in the cultural and political realms.

GUERRILLA GIRLS
Guerrilla Girls (active1985- )
Erase Discrimination, 1999
Pink rubber with ink screenprint
1 1/8 x 2 1/2 x 1/4 in. each 
Collection of the Akron Museum of Art 
Photo: Courtesy Akron Art Museum 


Humor is a vital part of the Guerrilla Girls’s art, making the serious messages of their works accessible and engaging. In addition to the wry texts in their printed materials, members of the group wear gorilla masks that protect their anonymity during the lectures and actions/protests that they present worldwide. The group produces their works in quantity to reach a broad audience. Over the years, the Guerrilla Girls have broadened their range of targets for critique to include sexism and racism in Hollywood and the mass media; art censorship; government corruption and apathy; and the battle for reproductive rights.

GUERRILLA GIRLS
Guerrilla Girls (active1985- ) 
Horror on the National Mall!, 2007 
Color photolithograph on paper 
23 x 13 in. 
Courtesy National Museum of Women in the Arts,
Gift of Steven Scott, Baltimore,
in honor of Wilhelmina Cole Holladay

National Museum of Women in the Arts (NMWA) 
Washington, DC 

06/11/10

Poster Art - Tomi Ungerer - Strasbourg

Poster Art
Tomi Ungerer et la publicité
Musée Tomi Ungerer - Centre international de l’Illustration, Strasbourg
Jusqu'au 21 novembre 2010

En parallèle à sa production pour les enfants et à celle du dessin satirique, TOMI UNGERER s’est également livré dès le début de  sa carrière au dessin publicitaire. L’exposition présentée au Musée Tomi Ungerer – Centre International de l’Illustration montre en un parcours thématique qui témoigne de la créativité de l’artiste dans ce domaine, une  centaine  de dessins et affiches provenant exclusivement de la collection du musée.

Les célèbres travaux des années new-yorkaises, comme les posters protestataires contre la ségrégation raciale et la guerre du Vietnam ainsi que la campagne pour The New York Times, des créations des années soixante-dix pour la publicité allemande et celles, plus récentes, pour Electricité de Strasbourg et le festival de jazz de Montreux, se succèdent au premier étage du musée.

Cet ensemble illustre à merveille la devise de Tomi Ungerer, dont le but avoué est de provoquer chez le spectateur un choc visuel : « Attendez-vous à l’inattendu ». La publicité représente son moyen d’expression graphique favori, dans lequel il peut laisser libre cours à son goût pour l’absurde et la provocation. A cet égard, quelques projets refusés  au dessinateur par ses commanditaires sont également présentés. 

Des travaux de l’agence publicitaire strasbourgeoise Hella-Arno, des documents imprimés des affichistes Henri Villemot et Raymond Savignac et des produits dérivés du célèbre motif de Benjamin Rabier, « La Vache qui rit », prêtés par des collectionneurs privés et par la Bibliothèque Nationale et Universitaire de Strasbourg, esquissent le contexte de la publicité en France lorsque le jeune Tomi Ungerer dans les années 1950 étudiait cette discipline à l’Ecole des arts décoratifs de Strasbourg. Dans l’exposition est diffusé un film prêté par l’INA, de la série « Le petit monde des humoristes », consacré au talent de Savignac.

L’exposition « Poster Art. Tomi Ungerer et la publicité », qui s’inscrit dans le 8e accrochage du musée depuis son ouverture en 2007, est un nouveau volet de la programmation consacrée aux différents aspects de l’œuvre de Tomi Ungerer. 

Musée Tomi Ungerer - Centre international de l’Illustration
2, avenue de la Marseillaise
Strasbourg 
Tel : 03 69 06 37 27

www.strasbourg.eu

Horaires :   
Le lundi, mercredi jeudi et vendredi de 12h à 18h
Le samedi et le dimanche de 10h à 18h
Fermeture  le mardi
Tarif normal : 5 euros / Tarif réduit : 2,50 euros

Message lié sur Wanafoto : Dessins de Tomi Ungerer, Galerie Martel, Paris